With a Foreword by the Author “Before becoming a playwright I was a novelist, and one who was often impatient with the requisite description of weather or scenery or even with the business of moving people from room to room. I was more interested in the sound of people talking to each other, reacting to each other, or leaving silences for others to fall into.” -- Carol Shields From one of Canada’s most beloved authors comes a collection of four works written for the stage, including her most popular and highly acclaimed play Thirteen Hands. The theatrical form allows Carol Shields’ strength as a master of dialogue to shine at its brightest, as she returns to themes she explores in her prose: love, family, friendship, and the hidden meanings and larger truths found beneath the surface of the minutiae of daily life. Thirteen Hands and Other Plays is an exhilarating introduction to Shields’ considerable achievements as a playwright. Departures and Arrivals (1990) dramatizes how lives are heightened and enlarged when taken within the frame of public spaces -- airports, train stations, public streets -- so that we all become, in a sense, actors. Thirteen Hands (1993), a musical, valorizes a consistently overlooked group in our society, “the blue-rinse set” -- also known as “the white glove brigade” or “the bridge club biddies” -- and has had the strongest professional run of all Shields’ plays. Fashion, Power, Guilt and the Charity of Families (1995), written with her daughter, Catherine Shields, interrogates the ambivalence felt towards families, the drive we all share to find or create some kind of family, and the equally strong desire to escape the family’s fury. Anniversary (1998), written with Dave Williamson, is a domestic drama of discontented, middle class suburbanites. One couple in the play are married and pretending to be close to separation. Another couple, who are separated, are pretending to be married. The additional irony is that the separated couple are still emotionally together, while the married couple have already emotionally separated.

"The Coal Miner"The novel unseals and reveals a few brave shepherds of the coal industry. The saga is a laborious tearjerker, with plenty of room for humorous yarns.' The initial chapter titled, "The Catastrophe," which is a fictitious and tearful description of a tragic disaster that occurred in 1894, near the city of Budapest, Hungary.' A trio of book stars opens an envelope, releasing a small package of ideas to travel to America, via London, England. The sliver of time spent in London combined humor and hysteria.' The journey across the Atlantic Ocean, on a vessel titled, "Goddess Of The Sea," highlighted a triple nuptial, as Double T. Hardluck, Tony Amoto and Charles Washko began tiptoeing through the tulips with their new bribes.' An odyssey to Bethlehem, Pa, to find out why all bathroom supplies suddenly became extinct in Wyoming Valley, Pa.' The introduction of the watermelon to Wyoing Valley, Pa., by Bob Drawinski, a farm boy from Los Angeles, California.' A narrative of the coal miner, and his good pal, the mule.' The tale of "Owie the Bum, coming to the rescue of Swoyersville, Pa., during Christening ceremonies for two streets of the borough.' A singing and dance act takes place. The female performers are Charity Live, Heavenly Darling, and Lois Generalipski. Members of "The Coal Miner's Band" accompany the girls on stage.' A world billiard contest occurs. Two U.S.A. billiard champions arrive in Swoyersville, Pa., to perform and put on a show for the soldiers and coal miners.