In this highly original interdisciplinary study incorporating close readings of literary texts and philosophical argumentation, Henry W. Pickford develops a theory of meaning and expression in art intended to counter the meaning skepticism most commonly associated with the theories of Jacques Derrida. Pickford arrives at his theory by drawing on the writings of Wittgenstein to develop and modify the insights of Tolstoy’s philosophy of art. Pickford shows how Tolstoy’s encounter with Schopenhauer’s thought on the one hand provided support for his ethical views but on the other hand presented a problem, exemplified in the case of music, for his aesthetic theory, a problem that Tolstoy did not successfully resolve. Wittgenstein’s critical appreciation of Tolstoy’s thinking, however, not only recovers its viability but also constructs a formidable position within contemporary debates concerning theories of emotion, ethics, and aesthetic expression.

The greatest novelist of all time retells the greatest story ever told, the life of Jesus Christ, in The Gospel in Brief—Leo Tolstoy’s riveting, novelistic integration of the four Gospels into a single, twelve-chapter narrative. Virtually unknown to English readers until now, Dustin Condren’s groundbreaking translation from the Russian opens a precious new world of Tolstoy’s masterful literary talent to fans of War and Peace and Anna Karenina.

This book explores Wittgenstein's conception of ethics, religion and philosophy. It aims at providing us with the tools necessary for assessing to what extent the Austrian philosopher can be considered an anti-Enlightenment thinker. The articles collected in this volume explore the relationship between Wittgenstein's thought and that of several authors who were, in various ways, key to the counter-enlightenement, authors such as Hume, Schopenhauer, Nietzsche, Tolstoy, James and Pierce. One of the central issues examined here is Wittgenstein's opposition to the Cartesian method of doubt – a cornerstone of the enlightened movement against prejudice and superstition.

Ludwig Wittgenstein's Tractatus Logico-Philosophicus (1922) remains one of the most enigmatic works of twentieth century thought. In this bold and original new study, Ben Ware argues that Wittgenstein's early masterpiece is neither an analytic treatise on language and logic, nor a quasi-mystical work seeking to communicate 'ineffable' truths. Instead, we come to understand the Tractatus by grasping it in a twofold sense: first, as a dialectical work which invites the reader to overcome certain 'illusions of thought'; and second as a modernist work whose anti-philosophical ambition is intimately tied to its radical aesthetic character. By placing the Tractatus in the force field of modernism, Dialectic of the Ladder clears the ground for a new and challenging exploration of the work's ethical dimension. It also casts new light upon the cultural, aesthetic and political significances of Wittgenstein's writing, revealing hitherto unacknowledged affinities with a host of philosophical and literary authors, including Hegel, Kierkegaard, Marx, Nietzsche, Adorno, Benjamin, and Kafka.

Ludwig Wittgenstein (1889-1951) was by any reckoning one of the major modern philosophers. Raised as a Catholic in late-19th century Vienna, he later gave up practicing his religion; yet, as journal notes and many anecdotes attest, he remained deeply if ambivalently interested in religion throughout his life. Students of the philosophy of religion are familiar with his lectures on religious belief. For the rest, however, in the vast collection of commentary and criticism that has accumulated over the years, little attention has been paid to his religious interests. In consideration of how far Wittgenstein's Catholic background may have influenced his philosophical reflections on the soul, preeminent author Fergus Kerr explores aspects of Wittgenstein's personal and professional life. Kerr examines many of Wittgenstein's writings and lectures, including his last set of lectures in the mid-1940s at the University of Cambridge on philosophical psychology. Beginning with a largely biographical study of Wittgenstein, Kerr argues that Wittgenstein's philosophy was partly prompted by his strong reaction against what he regarded as an excessively rationalistic type of Catholic apologetics that he was taught in his early school years. His serious interest as a student at Cambridge in experimental psychology and in the works of Freud is documented. In the second half of the book, Kerr expounds Wittgenstein's famous "Private Language Argument"--his mockery of the idea that one could have thoughts that are in principle incommunicable. He then discusses three philosophers, John Wisdom, Stanley Cavell, and Richard Eldrige, who have developed Wittgenstein's ideas on self-understanding in ways that should interest students with a desire to rethink psychology in the context of an integrally humanist anthropology of the human person. ABOUT THE AUTHOR: Fergus Kerr, O.P., is an honorary senior lecturer in theology and religious studies at the University of Edinburgh and past head of Blackfriars Hall, University of Oxford. He is the editor of New Blackfriars and the renowned author of numerous works, including Theology after Wittgenstein, After Aquinas: Versions of Thomism, and most recently Twentieth-Century Catholic Theologians: From Neoscholasticism to Nuptial Mysticism. PRAISE FOR THE BOOK: " A] fresh and fascinating, impressively lucid study of Wittgenstein's later philosophy, and of his attitude to religion." -- Nicholas Lash, Modern Theology

Though Wittgenstein wrote on the same subjects that dominate the work of other analytic philosophers - the nature of logic, the limits of language, the analysis of meaning - he did so in a peculiarly poetic style that separates his work sharply from that of his peers and makes the question of how to read him particularly pertinent. At the root of Wittgenstein's thought, Ray Monk argues, is a determination to resist the scientism characteristic of our age, a determination to insist on the integrity and the autonomy of non-scientific forms of understanding. The kind of understanding we seek in philosophy, Wittgenstein tried to make clear, is similar to the kind we might seek of a person, a piece of music, or, indeed, a poem. Extracts are taken from Tractatus Logico-Philosophicus and from a range of writings, including Philosophical Investigations, The Blue and Brown Books and Last Writings on the Philosophy of Psychology.

Wittgenstein's thought is reflected in his reading and reception of other authors. Wittgenstein Reading approaches the moment of literature as a vehicle of self-reflection for Wittgenstein. What sounds, on the surface, like criticism (e.g. of Shakespeare) can equally be understood as a simple registration of Wittgenstein's own reaction, hence a piece of self-diagnosis or self-analysis. The book brings a representative sample of authors, from Shakespeare, Goethe, or Dostoyevsky to some that have received far less attention in Wittgenstein scholarship like Kleist, Lessing, or Wilhelm Busch and Johann Nepomuk Nestroy. Furthermore, the volume offers means for the cultural contextualization of Wittgenstein's thoughts. Unique to this book is its internal design. The editors' introduction sets the scene with regards to both biography and theory, while each of the subsequent chapters takes a quotation from Wittgenstein on a particular author as its point of departure for developing a more specific theme relating to the writer in question. This format serves to avoid the well-trodden paths of discussions on the relationship between philosophy and literature, allowing for unconventional observations to be made. Furthermore, the volume offers means for the cultural contextualization of Wittgenstein's thoughts.