The Kemi River is the major watercourse in the Finnish province of Lapland and the »stream of life« for the inhabitants of its banks. Franz Krause examines fishing, transport and hydropower on the Kemi River and analyses the profoundly rhythmic patterns in the river dwellers' activities and the river's dynamics. The course of the seasons and weekly and daily rhythms of discharge, temperature, work and other patterns make the river dwellers' world an ever-transforming phenomenon. The flows of life and the frictions of everyday encounters continually remake the river and its inhabitants, negotiating national strategies, economic power, people's ingenuity, and the currents of the Kemi River.

“An almost perfect novel” of yearning, adventure, and redemption in the dying days of the Old West from the bestselling author of Peace Like a River (St. Louis Post-Dispatch). Minnesota, 1915. With success long behind him, writer, husband, and father Monte Becket has lost his sense of purpose . . . until he befriends outlaw Glendon Hale. Plagued by guilt over abandoning his wife two decades ago, Hale is heading back West in search of absolution. And he could use some company on the journey. As the modern age marches swiftly forward, Becket agrees to travel into Hale’s past, leaving behind his own family for an adventure that will test the depth of his loyalties and morals, and the strength of his resolve. As they flee the relentless former Pinkerton Detective who’s been hunting Hale for years, Becket falls ever further into the life of an outlaw—perhaps to the point of no return. With its smooth mix of romanticism and gritty reality, So Brave, Young, and Handsome examines one ordinary man’s determination to risk everything in order to understand what it’s all worth, in “an old-fashioned, swashbuckling, heroic Western . . . [An] adventure of the heart and mind (The Washington Post Book World).

Davy kills two men and leaves home. His father packs up the family in a search for Davy.

Thinking Like a Watershed points our understanding of our relationship to the land in new directions. It is shaped by the bioregional visions of the great explorer John Wesley Powell, who articulated the notion that the arid American West should be seen as a mosaic of watersheds, and the pioneering ecologist Aldo Leopold, who put forward the concept of bringing conscience to bear within the realm of “the land ethic.” Produced in conjunction with the documentary radio series entitled Watersheds as Commons, this book comprises essays and interviews from a diverse group of southwesterners including members of Tewa, Tohono O’odham, Hopi, Navajo, Hispano, and Anglo cultures. Their varied cultural perspectives are shaped by consciousness and resilience through having successfully endured the aridity and harshness of southwestern environments over time.

When the patriarch of a New Orleans crime family dies in a fight-to-the-death with a Chanas Indian chief on the banks of the Mississippi River, little does he know his direct descendant, William Laveaux, will seek revenge 75 years later. In 1923, William (aka the Prince) leads his gang to Gary, Texas--a sleepy hill country town on the banks of the Guadalupe River--to exact a brutal revenge on Chief Running Wolf and his grandson Billy Cross. Wise-cracking Sheriff Bud Thomas (a former Rough Rider and Texas Ranger) overhears the son of the town doctor telling of his chance encounter with the crime lord on the morning of his arrival at the town's train station. Following his gut instincts, the sheriff leads his deputies on a frantic manhunt for the Prince and his gang as they weave a trail of murder and arson throughout the farming community. On its surface, this novel pits the working class folk of a small Texas town against a ruthless crime lord intent on avenging the death of his grandfather. At its core, it's a novel about the spirituality of the people and of the native American culture that pre-dated their time in the land of the Sacred River.

The New York Times–bestselling classic set amid the mountains and streams of early twentieth-century Montana, “as beautiful as anything in Thoreau or Hemingway” (Chicago Tribune). When Norman Maclean sent the manuscript of A River Runs Through It and Other Stories to New York publishers, he received a slew of rejections. One editor, so the story goes, replied, “it has trees in it.” Today, the title novella is recognized as one of the great American tales of the twentieth century, and Maclean as one of the most beloved writers of our time. The finely distilled product of a long life of often surprising rapture—for fly-fishing, for the woods, for the interlocked beauty of life and art—A River Runs Through It has established itself as a classic of the American West filled with beautiful prose and understated emotional insights. Based on Maclean’s own experiences as a young man, the book’s two novellas and short story are set in the small towns and mountains of western Montana. It is a world populated with drunks, loggers, card sharks, and whores, but also one rich in the pleasures of fly-fishing, logging, cribbage, and family. By turns raunchy and elegiac, these superb tales express, in Maclean’s own words, “a little of the love I have for the earth as it goes by.” “Maclean’s book—acerbic, laconic, deadpan—rings out of a rich American tradition that includes Mark Twain, Kin Hubbard, Richard Bissell, Jean Shepherd, and Nelson Algren.” —New York Times Book Review Includes a new foreword by Robert Redford, director of the Academy Award–winning film adaptation