Mulk Raj Anand, novelist, short story writer, essayist and art critic, along with Raja Rao and R.K. Narayan, is frequently referred to as ‘founding father’ of Indo-English writing. He began his career by writing for T.S. Eliot’s Criterion and went on to win international fame with his heart-warming portraits of the Indian landscape and its people. Anand’s prolific writing career spanned more than 75 years, during which he was widely identified with the quest for a just, equitable, and forward-looking India. He wrote extensively in areas as diverse as art and sculpture, politics, Indian literature and the history of ideas. He was honoured with Sahitya Akademi Award, the most prestigious Indian award for literary writing in 1972. This volume of short stories is remarkable for the variety of its inspiration. ‘Anand is an excellent raconteur, telling a story with grace and point. He commands an easy urbane style… The stories have the power to charm.’ — Weekend Review ‘Anand’s picture is real, comprehensive, and subtle, and the shifts in moods, from farce to comedy, from pathos to tragedy, and from the realistic to the poetic, are remarkable.’ — V S Pritchett, British Literary Critic 'With great deftness, Anand pictures India... He impresses with his profound knowledge of Indian religion and culture.' — Books Abroad, USA

A New York Times Notable Book Winner of the Bram Stoker Award "One of the best collections of the 21st century." — Stephen King A chilling collection of psychological suspense and literary horror from the multiple award-winning author of the national bestseller The Cabin at the End of the World and A Head Full of Ghosts. A masterful anthology featuring nineteen pieces of short fiction, Growing Things is an exciting glimpse into Paul Tremblay’s fantastically fertile imagination. In “The Teacher,” a Bram Stoker Award nominee for best short story, a student is forced to watch a disturbing video that will haunt and torment her and her classmates’ lives. Four men rob a pawn shop at gunpoint only to vanish, one-by-one, as they speed away from the crime scene in “The Getaway.” In “Swim Wants to Know If It’s as Bad as Swim Thinks,” a meth addict kidnaps her daughter from her estranged mother as their town is terrorized by a giant monster . . . or not. Joining these haunting works are stories linked to Tremblay’s previous novels. The tour de force metafictional novella “Notes from the Dog Walkers” deconstructs horror and publishing, possibly bringing in a character from A Head Full of Ghosts, all while serving as a prequel to Disappearance at Devil’s Rock. “The Thirteenth Temple” follows another character from A Head Full of Ghosts—Merry, who has published a tell-all memoir written years after the events of the novel. And the title story, “Growing Things,” a shivery tale loosely shared between the sisters in A Head Full of Ghosts, is told here in full. From global catastrophe to the demons inside our heads, Tremblay illuminates our primal fears and darkest dreams in startlingly original fiction that leaves us unmoored. As he lowers the sky and yanks the ground from beneath our feet, we are compelled to contemplate the darkness inside our own hearts and minds.

All athletes, from Olympians to weekend warriors, must find the balance between training and recovery to maximize the benefits of workouts and reach optimal performance. For the longest time, coaches and training manuals have emphasized training. However, studies show that recovery is a crucial component of exercise training and it may even be the most important one. Good to go is the first definitive account of this new frontier in sports and exercise, from ice baths and cryogenic freezing chambers, to Usain Bolt's love of chicken nuggets and Tom Brady's recovery pyjamas. Full of eye-opening revelations, Aschwanden takes us on a jouney through the science and potions of sports recovery and debunks the junk to give a clear picture of what we should actually be doing to achieve peak performance.

Published two years after the 1919 masterpiece Winesburg, Ohio, this collection of short stories explores intriguing psychological depths, redolent with personal epiphanies, erotic undercurrents, and bursts of passion among seemingly repressed, inarticulate Midwesterners.

"In this collection of stories--ranging in locale from the marshes and pine barrens of East Texas to the row houses of Baltimore, and in time from the Civil War to the present day--Gerald Duff conjures up portraits of people suffering from the condition defined by a character in the prizewinning title story, "Fire Ants." "Does it burn when the fire ants bite?" he says. "Everywhere it stings, a piece of you swells up and rots out"--Jacket flap.

In Lajwanti, Mulk Raj Anand focuses on a woman's predicament and struggle to find an identity for herself. Frustrated by a rigid pattern of social relationships, gender bias, religious bigotry and her own petty human foibles, her abject condition serves as a metaphor for sacrifice and servility which forms the thematic heart of these stories.