In early-twentieth-century New York, a young boy enjoys a happy, ordinary childhood. Then, one by one, Richard sees his childhood securities crumble before the pitiless facts of a fallen world: the wanton cruelty of other children, the inconstancy of the "grown-ups" and inscrutability of their world, the overwhelming otherness of God, and the seemingly indomitable capacity in himself for sin. Things As They Are draws its thematic power from Richard's reflection that "children are artists who see and enact through simplicity what their elders have lost through experience. The loss of innocence is a lifelong process-the wages of original sin." As each pivotal event manifests, Richard must meet it with courage as much as faith, hope, and love, in order to safeguard his dignity and reach that maturity of stature for which he longs. Told with a rare lyrical power and an unaffected poignancy, Things As They Are achieves a unity of robust realism and profound spiritual acuity which makes it clearly deserving of its place "among the most beautiful and moving American novels" (David McCullough).

William Godwin was one of the most popular novelists of the Romantic era; P.B. Shelley praised him, Byron drew heavily on his narrative style, and Mary Shelley, Godwin’s daughter, dedicated Frankenstein to him. Caleb Williams is the riveting account of a young man whose curiosity leads him to pry into a murder from the past. The first novel of crime and detection in English literature, Caleb Williams is also a powerful exposé of the evils and inequities of the political and social system in 1790s Britain. In addition to the text itself, the editors have included an extensive selection of primary source materials from the period, ranging from Godwin’s original manuscript ending and excerpts from his political writings to contemporary reviews, the political writings of Burke and Paine, and materials on criminals and the English prison system.

This book provides a comprehensive account of the intentionality of perceptual experience. With special emphasis on vision Searle explains how the raw phenomenology of perception sets the content and the conditions of satisfaction of experience. The central question concerns the relation between the subjective conscious perceptual field and the objective perceptual field. Everything in the objective field is either perceived or can be perceived. Nothing in the subjective field is perceived nor can be perceived precisely because the events in the subjective field consist of the perceivings, whether veridical or not, of the events in the objective field. Searle begins by criticizing the classical theories of perception and identifies a single fallacy, what he calls the Bad Argument, as the source of nearly all of the confusions in the history of the philosophy of perception. He next justifies the claim that perceptual experiences have presentational intentionality and shows how this justifies the direct realism of his account. In the central theoretical chapters, he shows how it is possible that the raw phenomenology must necessarily determine certain form of intentionality. Searle introduces, in detail, the distinction between different levels of perception from the basic level to the higher levels and shows the internal relation between the features of the experience and the states of affairs presented by the experience. The account applies not just to language possessing human beings but to infants and conscious animals. He also discusses how the account relates to certain traditional puzzles about spectrum inversion, color and size constancy and the brain-in-the-vat thought experiments. In the final chapters he explains and refutes Disjunctivist theories of perception, explains the role of unconscious perception, and concludes by discussing traditional problems of perception such as skepticism.

This book caused a stir when it was first published because, for what was the first time, it revealed the true and often harsh facts about caste and Hinduism in southern India. The author wrote it in the hope that missionaries would consider their evangelistic work in a more realistic light.

Popular physics book on why materials behave the way they do.

In this timely collection of essays, thirteen contemporary ethnographers demonstrate the importance of phenomenological and existential ideas for anthropology. In emphasizing the link between the empirical and the experiential, these ethnographers also explore the relationship between phenomenology and other theories of the lifeworld, such as existentialism, radical empiricism, and critical theory. Empiricism, and Anthropological Critique by Michael Jackson; Honor and Shame by Lila Abu-Lughod; Struggling Along by Robert Desjarlais; The Cosmology of Life Transmission by Ren Devisch; Reflections on a Cut Finger: Taboo in the Umeda Conception of the Self by Alfred Gell; Space and Sociality in a Dayak Longhouse by Christine Helliwell; In Defiance of Destiny: The Management of Time at a Cretan Funeral by Michael Herzfeld; Suffering and Its Professional Transformation: Toward an Ethnography of Interpersonal Experience by Arthur Kleinman and Joan Kleinman; Hand Drumming: An Essay in Practical Knowledge by Shawn Lindsay; On Dying and Suffering in Iqwaye Existence by Jadran Mimica; If Not the Words: Shared Practical Activity and Friendship in Fieldwork by Keith Ridler; and After the Field by Jim Wafer.

Deals with the misdeeds of Tyrrel, a tyrannical country squire, who comes into conflict with Falkland, a neighbouring squire of a seemingly more benevolent disposition. When Tyrrel knocks Falkland down in public and Tyrrel is later found murdered, suspicion falls on Falkland.