Award-winning author James Alan Gardner returns to the superheroic fantasy world of All Those Explosions Were Someone Else's Fault with They Promised Me The Gun Wasn't Loaded. Only days have passed since a freak accident granted four college students superhuman powers. Now Jools and her friends (who haven’t even picked out a name for their superhero team yet) get caught up in the hunt for a Mad Genius’s misplaced super-weapon. But when Jools falls in with a modern-day Robin Hood and his band of super-powered Merry Men, she finds it hard to sort out the Good Guys from the Bad Guys—and to figure out which side she truly belongs on. Especially since nobody knows exactly what the Gun does . . . . At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Monsters versus superheroes, in a quirky mash-up of comic books and classic horror—by an award-winning Canadian SF author.

"A winner!” —Ed Greenwood, internationally-bestselling creator of The Forgotten Realms® In the Four Kingdoms, the Holy Clerisy preaches that the gods are dead, and prayer is the path to Hell. Anyone who defies doctrine is punished for heresy. But blind faith can damn a soul as surely as betrayal. Ryn Ruscroft, once sworn to serve as the Clerisy’s loyal soldier, finds himself torn between conscience and duty one bitter winter’s night. Those slain include his best friend, felled by his own hand. Josalind Aumbrae has been tormented all her life by the Voices and their visions—an affliction that could have her facing a witch’s pyre. If only she could understand what they want. Banished to Dragon’s Claw Abbey at the edge of the world, Ryn and Josalind discover a place built on more than penance and forgetting. What they find at the Claw will turn them into fugitives hunted by hellspawn, heretics, and Ryn’s former commander. But more sinister forces have awoken—ancient things eager to settle old scores and find pawns among the outcast. When they cry for vengeance, the Living Sword must have a hand to wield it. A mortal it can reshape into the Earth Breaker, the Soul Taker, the Bane of All Things.

Brutal and violent, this tell-all is a personal account of the life of Razor Smith and the world in which he lived, where ruthlessness, viciousness, and savagery are prized and admired. In prison more than half of his life for assaults and armed robberies, Smith became confined in a peculiar kind of hell from which his only route of escape was to master the art of writing. His book shows us a face of crime not often encountered in run-of-the-mill true-crime books: a face as tender and intimate as a lover's, yet as frightening as a killer's. Powerfully written from beginning to end, this is an extraordinarily vivid account of how a kid from South London became a career criminal, a blistering indictment of a system that brutalized young offenders, and an unsentimental acknowledgment of the adrenaline-fueled thrills of the criminal life. Shocking, fascinating, and horrifying, it also reveals Smith as one of the most talented writers of his generation.

“McMahon unfurls a whirlwind of suspense...Combining murder mystery and coming-of-age tale with supernatural elements, this taut novel is above all a reflection on the haunting power of memory.” –Entertainment Weekly A woman’s past and present collide in terrifying ways in this explosive debut by New York Times bestselling author Jennifer McMahon. Forty-one-year-old school nurse Kate Cypher has returned home to rural Vermont to care for her mother, who's afflicted with Alzheimer's. On the night she arrives, a young girl is murdered—a horrific crime that eerily mirrors another from Kate's childhood. Three decades earlier, her dirt-poor friend Del—shunned and derided by classmates as "Potato Girl"—was brutally slain. Del's killer was never found, while the victim has since achieved immortality in local legends and ghost stories. Now, as this new murder investigation draws Kate irresistibly in, her past and present collide in terrifying, unexpected ways. Because nothing is quite what it seems . . . and the grim specters of her youth are far from forgotten. More than just a murder mystery, Jennifer McMahon's extraordinary debut novel, Promise Not to Tell, is a story of friendship and family, devotion and betrayal—tautly written, deeply insightful, beautifully evocative, and utterly unforgettable.

David Carr was an addict for more than twenty years -- first dope, then coke, then finally crack -- before the prospect of losing his newborn twins made him sober up in a bid to win custody from their crack-dealer mother. Once recovered, he found that his recollection of his 'lost' years differed -- sometimes radically -- from that of his family and friends. The night, for example, his best friend pulled a gun on him. 'No,' said the friend (to David's horror, as a lifelong pacifist), 'It was you that had the gun.' Using all his skills as an investigative reporter, he set out to research his own life, interviewing everyone from his parents and his ex-partners to the policemen who arrested him, the doctors who treated him and the lawyers who fought to prove he was fit to have custody of his kids. Unflinchingly honest and beautifully written, the result is both a shocking account of the depths of addiction and a fascinating examination of how -- and why -- our memories deceive us. As David says, we remember the stories we can live with, not the ones that happened.

When Emma Brockes was ten years old, her mother said 'One day I will tell you the story of my life and you will be amazed.' Growing up in a tranquil English village, Emma knew very little of her mother's life before her. She knew Paula had grown up in South Africa and had seven siblings. She had been told stories about deadly snakes and hailstones the size of golf balls. There was mention, once, of a trial. But most of the past was a mystery. When her mother dies of cancer, Emma - by then a successful journalist at the Guardian - is free to investigate the untold story. Her search begins in the Colindale library but then takes her to South Africa, to the extended family she has never met and their accounts of a childhood so different to her own.She encounters versions of the life her mother chose to leave behind - and realises what a gift her mother gave her. Part investigation, part travelogue, part elegy, She Left Me the Gun is a gripping, funny and clear-eyed account of a writer's search for her mother's story.