The actions by President Obama concerning mandates in his healthcare bill sent shock waves through the nation as a thinly veiled threat to religious freedom. Our nation became weak by not living our faith. Tyranny is rising up to fill the void. Our Judeo-Christian principles must be applied into the very fabric of our institutions, governments, and public offices. The Tea Party at first tried to stop the advance of tyranny, but have said no to God, and will fade and falter. In order for Christian citizens to take possession of federalized countries, they must create Constitutional village towns that are rooted in law to the principles of Christianity and the Ten Commandments.

Kyla and Echo seem to have the perfect relationship and the perfect life until someone shoots at Kyla, causing a car crash that leaves her with only fractured memories of her former life. Kyla can't believe her partner Echo is having an affair, but the police believe a love triangle is motive for murder. Detective Pat Silverton, investigating the shooting, is not convinced by her partner Tom Magnell's theory, but she concedes her attraction to the other woman in their suspect's love triangle could be clouding her judgmentÑsexy, hotheaded Jenny Vasquez could tempt anyone. But would a woman kill to be with her? Or could Jenny be the shooter? The more Kyla learns, the less certain she feels about everythingÑher partner's love, her own choices, and her safety. Caught between renewed passion for the woman she fell in love with years ago and the mounting evidence of betrayal, Kyla must decide whether to trust her heart or her mind. The stakes donÕt get any higher: someone is still trying to kill her and she has no idea why.

After the French and Indian War (1763), the King of England disallowed an act made by the Colony of Virginia's assembly. In a lawsuit, a young lawyer by the name of Patrick Henry declared that the king was a tyrant and that by the act of disallowance, the king forfeited his right to have the colonists remain obedient to him. If the beginning steps that led to the formation of our nation started from such actions, which by comparison to our situation today, was much less grievous, how much more justified would citizens be in taking similar actions in our present situation? Patrick Henry's statement called for disallowing the legitimacy of the king to govern over them. What legitimacy, therefore, should we consider our government today to have that allows the formation of laws, which disallows natural law? Laws that take from citizens their private property, permit abortion and accept unnatural lifestyles. Laws against natural law are laws without legitimacy. We must ask the question, has the present system of electing and governing betrayed the Declaration of Independence and the Constitution? If it has, then are we not being led to the same conclusion as Patrick Henry????????????that the ruling government over us has made itself illegitimate? Has the present form of government hi-jacked our legitimate Declaration and Constitutional, Republic form of government? If we answer yes, then how will we respond? Will we follow the witness of our Forefathers who recognized that the king had forfeited the right to govern and therefore, forfeited the right to have the people remain obedient to him? Has the present form of government, which is acting against our republic and the will of the peopleit is suppose to represent, forfeited the right to govern? At what point do the words declared in the Declaration, "It is their right, it is their duty to throw off such government and provide new guards for their future security" play in against the present form of government? The present form of governing is not fulfilling the dreams our Forefathers had. We are called to fulfill those dreams. The time is ripe. The time is now.

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In this powerful and culminating work about a group of inner-city children he has known for many years, Jonathan Kozol returns to the scene of his previous prize-winning books, and to the children he has vividly portrayed, to share with us their fascinating journeys and unexpected victories as they grow into adulthood. For nearly fifty years, Jonathan has pricked the conscience of his readers by laying bare the savage inequalities inflicted upon children for no reason but the accident of being born to poverty within a wealthy nation. But never has his intimate acquaintance with his subjects been more apparent, or more stirring, than in Fire in the Ashes, as Jonathan tells the stories of young men and women who have come of age in one of the most destitute communities of the United States. Some of them never do recover from the battering they undergo in their early years, but many more battle back with fierce and often jubilant determination to overcome the formidable obstacles they face. As we watch these glorious children grow into the fullness of a healthy and contributive maturity, they ignite a flame of hope, not only for themselves but also for our society.

#1 New York Times bestselling author of American Assassin—now a major motion picture—and “the voice of today’s postmodern thriller generation” (The Providence Journal) delivers a pulse-pounding novel starring a young, hungry, and lethal operative named Mitch Rapp as he begins his career as a CIA superagent. In the year since the CIA fully trained and then unleashed him, Mitch Rapp has been steadily working his way through a list of men, bullet by bullet. His latest target takes him to Paris but in the split second it takes the bullet to leave Rapp’s silenced pistol, everything changes. The tables have turned, and Rapp finds himself brutally outnumbered. In the same instant, he has become a liability. Operating on his own and outside the control of his handlers, it soon becomes clear that nothing is more dangerous than a wounded and cornered man. Because if anyone can survive and come out on top, no matter whom he must kill to get there, it’s Mitch Rapp. The stakes are higher than they’ve ever been as Mitch Rapp embarks on the journey that will turn him into America’s most deadly asset. The non-stop and realistic action proves that “Flynn is a master—maybe the master—of writing thriller novels in which the pages seem to turn themselves” (Bookreporter).