Digte. Addresses race, class, sexuality, faith, social justice, mortality, and the challenges of living HIV positive at the intersection of black and queer identity

To become and be a mature human being, to be alive, in the midst of such a drama in which all people do in truth live, describes a radical participation. To be alive means, as Father Berrigan puts it, enduring the crisis of grace. The fruit of the gift of Christ to this world is an unequivocal and utterly vulnerable immersion in the world as it is. . . . It means living in such a way that life is welcomed as the extraordinary gift which life is and, then, honoring that gift by extravagance: by giving one's own life away. They call us dead men, and we live, wrote St. Paul. Berrigan's immersion into Pauline theology has allowed him to present his deepest concerns for the Church's role in the world. Knowing that the Church can not live in retreat from life, he illuminates the implications of the Triple Revolution-race, peace, and technology- for committed Christians who wish to see true renewal within ecclesial life. --From the Introduction by William Stringfellow

“Dating Dead Men, Harley Jane Kozak’s hilarious debut novel, proves that the search for love can be as funny as it is deadly.”—Kris Neri, author of the Agatha, Anthony and Macavity Award-nominated Tracy Eaton mysteries Los Angeles greeting-card artist Wollie Shelley is dating forty men in sixty days as research for a radio talk show host's upcoming book, How to Avoid Getting Dumped All the Time. Wollie is meeting plenty of eligible bachelors but not falling in love, not until she stumbles over a dead body en route to Rio Pescado--a state-run mental hospital--and is momentarily taken hostage by a charismatic "doctor" who is on the run from the Mob. Wollie fears that her beloved brother, a paranoid schizophrenic living at Rio Pescado, is involved in the murder, so rather than go to the authorities, she decides to solve the crime on her own. As she meets up with an array of small-time crooks and swaggering mobsters only slightly more sinister than the men she’s been dating, Wollie realizes that "getting dumped" is the least of her problems. Finding true love, she discovers, sometimes means learning how to avoid getting killed . . . Dating Dead Men will keep readers guessing until the final bullet is shot--and cheering for the irresistible Wollie as she makes her way out of confusion and into the welcoming embrace of Mr. Right.

When the necrons rise, a mining planet descends into a cauldron of war and the remorseless foes decimate the human defenders. Salvation comes in an unlikely form – the Death Korps of Kreig, a force as unfeeling as the Necrons themselves. When the two powers go to war, casualties are high and the magnitude of the destruction is unimaginable.

FINALIST FOR THE 2020 NATIONAL BOOK CRITICS CIRCLE AWARD FOR POETRY FINALIST FOR THE 2021 NAACP IMAGE AWARD FOR POETRY Danez Smith is our president Homie is Danez Smith’s magnificent anthem about the saving grace of friendship. Rooted in the loss of one of Smith’s close friends, this book comes out of the search for joy and intimacy within a nation where both can seem scarce and getting scarcer. In poems of rare power and generosity, Smith acknowledges that in a country overrun by violence, xenophobia, and disparity, and in a body defined by race, queerness, and diagnosis, it can be hard to survive, even harder to remember reasons for living. But then the phone lights up, or a shout comes up to the window, and family—blood and chosen—arrives with just the right food and some redemption. Part friendship diary, part bright elegy, part war cry, Homie is the exuberant new book written for Danez and for Danez’s friends and for you and for yours.

2014 Button Poetry Prize Winner "These harrowing poems make montage, make mirrors, make elegiac biopic, make 'a dope ass trailer with a hundred black children / smiling into the camera & the last shot is the wide mouth of a pistol.' That's no spoiler alert, but rather, Smith's way–saying & laying it beautifully bare. A way of desensitizing the reader from his own defenses each time this long, black movie repeats."–Marcus Wicker "Danez Smith's BLACK MOVIE is a cinematic tour-de-force that lets poetry vie with film for the honor of which medium can most effectively articulate the experience of Black America."–Rain Taxi