In the Sport of Kings, races aren't made just by the animals that run them, but by the voices that call them. This book covers 11 of the top racetrack announcers in the United States: Tom Durkin, Kurt Becker, Dave Rodman, Michael Wrona, Terry Wallace, Larry Collmus, John Dooley, Luke Kruytbosch, Dave Johnson, Robert Geller and Trevor Denman. Based on extensive interviews, each chapter is devoted to a single announcer, addressing details of his life in the profession. Included are additional insights and anecdotes provided by family members, trainers, jockeys, owners and other well-known individuals in the horse racing industry.

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review “Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME “A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily Winner of the Anisfield-Wolf Book Award, the Dayton Literary Peace Prize, and the Dr. Tony Ryan Book Award · Finalist for the Chautauqua Prize · A Massachusetts Book Award Honor Book A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance. Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success. Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

Addressing thedifficult task ofchoosing an original horse name, this book offers literally 10,001 name suggestions, as well as an introduction with techniques for choosing a horse name. The guideincludes name suggestions for ponies, large and tall horses, horses with attitude, calm horses, and color breeds. A separate section features names alphabetically and includes names that famous people have called their horses. Show and race horses cannot copy names previously registered, which makes this book ideal for breeders, new pony and horse owners, and people looking for an original show name. "

Winner of the 2019 Dzanc Prize for Fiction Set in small-town West Virginia in the twilight of the eighties, Call It Horses tells the story of three women--niece, aunt, and stowaway--and an improbable road trip. Frankie is an orphan (or a reluctant wife). Mave is an autodidact (or the town pariah). Nan is an artist (or the town whore). Each separately haunted, Frankie, Mave, and Nan--with a hound in tow--set out in an Oldsmobile Royale for Abiquiú and the desert of Georgia O'Keeffe, seeking an escape from everything they've known. Frankie records the journey in letters to her aunt Mave's dead lover, a linguist named Ruth, sketching out her troubled life and her complicated relationship with Mave, who became her guardian when Frankie was orphaned at sixteen. Slowly, one letter at a time, Frankie exposes the ruins of herself and her fellow passengers: things that chase them, that died too soon, that never lived. With lush prose and brutal empathy, Frankie tells Ruth--and herself--the story of liminality experienced by a woman standing just outside of motherhood, fulfillment, and love.

Presents an illustrated examination of the role of horses in Native American culture and history, providing information on the depiction of horses in tribal clothing, tools, and other objects.

Midway through Sid Gustafson's new novel, Horses They Rode, I found myself put in mind of all the second chances I have had. His take on the reknitting of family, friendship, and one man's tumultuous life is such a story-a tale of second chances where hope effervesces across a storyscape of high country, horse corrals, drunkenness, and regret that seems, at moments, irresolvable. It's a wholly American novel, for of course, America is a land forgiving of first mistakes-where a shot at trying again is fair and right.Wendel Ingraham, Gustafson's protagonist, is a ranch hand who has roamed Washington State's Inland Empire, Idaho's panhandle, and Big Sky Country on a multi-year binge, leaving a daughter and a broken marriage in his wake. A series of experiences, including encounters with a high-school sweetheart and with mentor, companion, and part-time Blackfoot medicine man Bubbles Ground Owl, leads to his sobriety and amends.Wendel and Bubbles take jobs as hands on a ranch where they worked as youths. And this is where the novel cries its message in earnest. The protagonist is never so competent as when he's reunited with his beloved horse. The symbiosis that is rediscovered between them, a language of faithfulness and trust, portends atonements awaiting Wendel. A gathering of horsemen and their mounts prompts language from Gustafson that is a gorgeous but gritty admixture of potential: "Whoever they were, whatever breed of horsemen, they brought horses and they brought hope, hope that horses could revive a manifest heart."At the ranch there are additional reconciliations required of Ingraham. In their execution, he emerges whole, ". . . grateful for all the people who'd gathered to live the life they knew best, everything and everyone connected, men and animals, fishes and birds, grass, trees and stars."As in his first novel, Prisoners of Flight, Gustafson often joyfully eschews writing conventions. By turns, his forms are starkly tangible or cloaked in mythology. His prose is exuberant and accessible. Rhythmic, he often reads like a long poem: "Parents want their children with them, children of the land, something about having your children with you on the land, native children on native land."Horses They Rode is a one-sitting book. And it's the kind of book about something important in a world full of books about unimportant things. Readers of classic Montana fiction will like it.Reviewed by Brian Ames '85Washington State Magazine Steeped in Native American spirituality and stories, Horses They Rode is a compelling tribute to contemporary ranch culture. Like his debut novel, Prisoner's of Flight, Gustafson's latest is thick with metaphor, weaving together both inner and outer journeys. By rail, by horse, and by mountain highway, Gustafson paints a magical landscape as his protagonist recreates his life and connections with others, the land and himself. Annahttp: //wsm.wsu.edu/r/index.php?id=37#.Wamzv62ZNE5http: //www.outsidebozeman.com/fall-2006/horses-they-r

How do horses learn to trust people? Why do wild horses live in herds? How do they keep warm in winter? Why do horses roll on their backs? You'll find the answers, and lots more, in this charming book, packed with informative text, step-by-step illustrations, beautiful photographs and links to websites with fun activities.