The New York Times bestselling author of Girls & Sex and Cinderella Ate My Daughter delivers her first ever collection of essays—funny, poignant, deeply personal and sharply observed pieces, drawn from three decades of writing, which trace girls’ and women’s progress (or lack thereof) in what Orenstein once called a “half-changed world.” Named one of the “40 women who changed the media business in the last 40 years” by Columbia Journalism Review, Peggy Orenstein is one of the most prominent, unflinching feminist voices of our time. Her writing has broken ground and broken silences on topics as wide-ranging as miscarriage, motherhood, breast cancer, princess culture and the importance of girls’ sexual pleasure. Her unique blend of investigative reporting, personal revelation and unexpected humor has made her books bestselling classics. In Don’t Call Me Princess, Orenstein’s most resonant and important essays are available for the first time in collected form, updated with both an original introduction and personal reflections on each piece. Her takes on reproductive justice, the infertility industry, tensions between working and stay-at-home moms, pink ribbon fear-mongering and the complications of girl culture are not merely timeless—they have, like Margaret Atwood’s The Handmaid’s Tale, become more urgent in our contemporary political climate. Don’t Call Me Princess offers a crucial evaluation of where we stand today as women—in our work lives, sex lives, as mothers, as partners—illuminating both how far we’ve come and how far we still have to go.

A heartwarming tale of teen romance, Miss Taniguchi's intricate art and true-to-life storytelling pull the reader into the story of Mako, a young freshman, as she is torn between her feelings for her first love, Yo, and newly arrived badboy, Ryu. It's a classic love triangle told from a Japanese perspective.

“Any man can be a father, but it takes a special man to be a Daddy.” Author unknown My Daddy Calls Me Princess is a collection of ten fun-filled, beautifully illustrated stories for girls. The short stories, about the adventures a young girl and her Daddy share, will delight every girl and teach her Daddy what she needs from him on an emotional and spiritual level. A loving, secure and unconditional relationship with her own father is critical for a daughter to be able to relate to a loving, heavenly Father. The book has an extraordinary message and provides fathers with a wonderful opportunity to establish and grow their relationship with their daughters. My Daddy Calls Me Princess is a gift of love.

Poor baby, no one calls her by her real name! “I am not a buttercup, or a giggly goose. I am not a cupcake. Please don’t call me Little Lamb, and never ever Gum Drop,” she insists. With a curtsy and a twirl, again and again our protagonist makes it abundantly clear who she is. She wears a shiny crown, a fancy dress, sparkly shoes, a velvet cape, and glittery jewels. There are more clues too—she dances with princes, has perfect manners, and makes sure that everyone in her kingdom is happy. Her persistence pays off in the end, and even the youngest readers will be cheering, “Princess Baby!” Want more Princess Baby? Don't miss Princess Baby, Night-Night and Princess Baby on the Go!

Published by Viking in 1991 and issued as a paperback through Penguin Books in 1992, Snow White became an instant classic for both academic and general audiences interested in how women use humor and what others (men) think about funny women. Barreca, who draws on the work of scholars, writers, and comedians to illuminate a sharp critique of the gender-specific aspects of humor, provides laughs and provokes arguments as she shows how humor helps women break rules and occupy center stage. Barreca's new introduction provides a funny and fierce, up-to-the-minute account of the fate of women's humor over the past twenty years, mapping what has changed in our culture--and questioning what hasn't.