An intimate, humorous look at Brian Kilrea's 60-year career in junior hockey With more wins than any coach in junior hockey history, and a personality as large as his winning record, Brian Kilrea is more than a hockey legend, he's one of the most beloved figures in the game. With veteran sportswriter, James Duthie, Kilrea gives fans a rink-side view of his twenty-nine plus seasons as head coach and now general manager of the Ottawa 67s. With stories and comments from famous NHLers who played for Killer, readers will get a taste of Kilrea's hardnosed coaching style, the gritty often humorous reality of his life as a coach, riding on buses and in the locker room, as well as the knowledge and dedication that has made him last so long. They Call Me Killer sheds light on Kilrea's early life as a centre for the Red Wings, what it was like to score the first-ever goal in the history of the L.A. Kings, and his two years with the New York Islanders. Loaded with anecdotes from a true hockey insider, the book offers fans an unvarnished look at the world of junior hockey—as it's played and lived, including its brutal practices, broken curfews, trades, and tirades. Details Kilrea's role as a coach for the Ottawa 67s, how they won the Memorial Cup twice, and how he's been a mentor to young stars of the future Includes anecdotes and interviews from coaches, trainers, and general managers, and NHLers like Bryan Trottier, Dennis Potvin, Mike Peca, Gary Roberts, Doug Wilson, Brian Campbell, Darren Pang, and many others Brian Kilrea was inducted into the Hockey Hall of Fame in 2003 James Duthie is best known for his work on TSN's The NHL on TSN and his coverage of the World Junior Championships With a Foreword by lifelong friend, Don Cherry, They Call Me Killer is a fascinating, unforgettable look at the world of junior hockey and the man known as the most successful coach in junior hockey history.

An intimate, humorous look at Brian Kilrea's 60-year career in junior hockey With more wins than any coach in junior hockey history, and a personality as large as his winning record, Brian Kilrea is more than a hockey legend, he's one of the most beloved figures in the game. With veteran sportswriter, James Duthie, Kilrea gives fans a rink-side view of his early days as a player with the Red Wings and what it was like to score the first-ever goal in the history of the L.A. Kings; as well as his role as a coach for the Ottawa 67s and as a mentor to young stars of the future. With stories and comments from famous NHLers who played for Killer, including Bryan Trottier and Dennis Potvin, as well as coaches, trainers, and general managers, readers will get a taste of Kilrea's hardnosed coaching style, as well as the knowledge and dedication that has made him last so long. Anecdotes from NHLers like Mike Peca, Gary Roberts, Doug Wilson, Brian Campbell, Darren Pang, and many others An inside look at the day-to-day life in the world of junior hockey, including brutal practices, broken curfews, trades, and tirades With a Foreword by lifelong friend, Don Cherry, They Call Me Killer is a fascinating, real-life look at the world of junior hockey and the man who has meant so much to the sport.

Sergeant Rock evolves from a native, baseball-playing, church-going Christian and skinny college kid to a well-trained killing machine in Vietnam. Leaving California to take part in the Tet Offensive in 1968, he finds the culture shock between the two overwhelming. Thrust into war and killing, he finds his approach to life and death must change quickly, but he holds fast to his beliefs. Though he saves others, his attitude toward killing and death changes for the worse, while his approach toward life improves. Sergeant Rock is a much better person for the choices he makes. In the course of a single Tet Offensive battle, his company loses all but 13 men, as 126 soldiers die in two hours. His faith increases when he meets his guardian angel during the battle. Sergeant Rock pushes his squad to their limits because he knows that death may lie just beyond the next bush. He may be only 20, but he thinks like an old veteran. With the body count in his mind, he wonders if he can ever be around normal people again. He experiences many horrors and watches friend after friend die as heroes. The hardships his squad must face, such as going without fresh water or clothes for 57 days, being shot down in a chopper, and just trying to stay alive are overwhelming. How much can our minds take before they crack? Sergeant Rock believes divine intervention is the only reason he is alive to tell his story.

This year’s worth of the most powerful, the most startling, the smartest and most astute, in short, the best crime journalism. Scouring hundreds of publications, Otto Penzler and Thomas H. Cook have created a remarkable compilation containing the best examples of the most current and vibrant of our literary traditions: crime reporting. Included in this volume are Maximillian Potter’s “The Body Farm” from GQ, a portrait of Murray Marks, who collects dead bodies and strews them around two acres of the University of Tennessee campus to study their decomposition in order to help solve crime; Jay Kirk’s “My Undertaker, My Pimp,” from Harper’s, in which Mack Moore and his wife, Angel, switch from run-ning crooked funeral parlors to establishing a brothel; Skip Hollandsworth’s “The Day Treva Throneberry Disappeared” from Texas Monthly, about the sudden disappearence of a teenager and the strange place she turned up; Lawrence Wright’s “The Counterterrorist” from The New Yorker, the story of John O’Neill, the FBI agent who tracked Osama bin Laden for a decade—until he was killed when the World Trade Center collapsed. Intriguing, entertaining, and compelling reading, Best American Crime Writing has established itself as a much-anticipated annual.

Short stories and flash fiction with underlying themes of death and love. (Note: The contents page looks skewed in the preview, but is fine in print.)

Sent to live in the humidity of rural Florida with his grandparents and his sixteen-year-old Aunt Delia for the summer, twelve-year-old Travis becomes absorbed in the closed ways of small-town life. Captivated by Delia, Travis watches her attempt to find a place for herself in the socially stunted, gossip-driven town. Delia's secrets go beyond what Travis can understand, but he believes that he alone can save her--a belief that not only forces him to grow up fast, but one that builds to a dangerous and disturbing climax. In trying to free Delia from her past, Travis leads her into a shocking present and a most uncertain future. In a work at once honest, chilling and compulsively addictive, author Sterling Watson has created a time and place where rock 'n' roll hums from AM radios, steam rises from a secluded riverbed and violent summer storms threaten the peace of silent nights. Watson's characters are brought vividly to life through Travis's touching, powerful and intensely personal voice. A dark and evocative coming of age tale, Sweet Dream Baby begins steeped in innocence and ends in a dramatically different place. "I can't remember a book that sneaked up and grabbed me the way Sweet Dream Baby did. It's a real shocker by a very good writer."—Elmore Leonard "Sterling Watson's Sweet Dream Baby is one of the finest novels I've read in years, an incandescent blend of gothic noir, Faulknerian dreamscape and bittersweet coming-of-age story. Months after reading it, it haunts me still."—Dennis Lehane "Sterling Watson's Sweet Dream Baby brings us the words and music, the tastes and smells of that special time—as well as its heartache and secret shame. I was utterly absorbed in these fierce pages."—Fred Chappell, author of Look Back All the Green Valley "Sweet Dream Baby is a beautiful book. Sterling Watson is surehanded and telling in a story that is as elegiac as it is gripping."—Michael Connelly, author of Chasing the Dime "Some delicious page-turning."—Kirkus Reviews A Book Sense 76 Top 10 Selection Named to Top Ten Crime Books of 2002, Toronto Globe and Mail "Watson proves himself a first-rate storyteller."—Publishers Weekly "A comprehensive work of art that is as thought-provoking as it is disturbing."—Orlando Sentinel