George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

Andy Rooney once again proves why he is one of America’s favorite curmudgeons. Writing at the top of his form, Rooney covers a plethora of subjects, from getting rid of leftovers to the worst job in the world, from travel tips for the travel industry to the best hotel room he ever had. Andy Rooney has an opinion on everything, and in his inimitably irreverent and crotchety style he voices here those things we’ve always wanted to say but never thought we could get away with. You’ll find yourself smiling and frowning and involuntarily bobbing your head in agreement. “As television watchers know, Andrew A. Rooney is a very funny fellow. He can be even funnier in print, as Not That You Asked… aptly demonstrates.”—Associated Press “The greatest thing about Andy is that he makes everyone uncomfortable—especially me.”—Don Hewitt, executive producer, 60 Minutes

Reprint of the original, first published in 1882.