St Enda's is no ordinary school, and Padraic Pearse is no ordinary headmaster. His pupils are inspired by his vision of freedom and an Irish Republic, and John Joe and his friend Roger see the Easter Rising as their chance to fight for Ireland's freedom. But the two boys are horrified to learn that they are too young to take part. They disobey orders to stay away from the city centre and quickly become caught up in the dramatic events of the Rebellion. Called to be brave and resourceful beyond their years, they witness events that change their lives forever. Another dramatic blend of history and fiction from the inimitable Morgan Llywelyn.

A riveting history of the daring politicians who challenged the disastrous policies of the British government on the eve of World War II On May 7, 1940, the House of Commons began perhaps the most crucial debate in British parliamentary history. On its outcome hung the future of Prime Minister Neville Chamberlain's government and also of Britain—indeed, perhaps, the world. Troublesome Young Men is Lynne Olson's fascinating account of how a small group of rebellious Tory MPs defied the Chamberlain government's defeatist policies that aimed to appease Europe's tyrants and eventually forced the prime minister's resignation. Some historians dismiss the "phony war" that preceded this turning point—from September 1939, when Britain and France declared war on Germany, to May 1940, when Winston Churchill became prime minister—as a time of waiting and inaction, but Olson makes no such mistake, and describes in dramatic detail the public unrest that spread through Britain then, as people realized how poorly prepared the nation was to confront Hitler, how their basic civil liberties were being jeopardized, and also that there were intrepid politicians willing to risk political suicide to spearhead the opposition to Chamberlain—Harold Macmillan, Robert Boothby, Leo Amery, Ronald Cartland, and Lord Robert Cranborne among them. The political and personal dramas that played out in Parliament and in the nation as Britain faced the threat of fascism virtually on its own are extraordinary—and, in Olson's hands, downright inspiring.

In the 1980s, a new type of central character emerged in contemporary Chinese films - angry and alienated youth. Filmmakers treated youth as a separate category and showed them in urban situations behaving in unconventional and socially rebellious ways. Young Rebels in Contemporary Chinese Cinema looks for evidence in films that exemplify this trend.

Holden Caulfield, the beat writers, Elvis Presley, Chuck Berry, and James Dean—these and other avatars of youthful rebellion were much more than entertainment. As Leerom Medovoi shows, they were often embraced and hotly debated at the dawn of the Cold War era because they stood for dissent and defiance at a time when the ideological production of the United States as leader of the “free world” required emancipatory figures who could represent America’s geopolitical claims. Medovoi argues that the “bad boy” became a guarantor of the country’s anti-authoritarian, democratic self-image: a kindred spirit to the freedom-seeking nations of the rapidly decolonizing third world and a counterpoint to the repressive conformity attributed to both the Soviet Union abroad and America’s burgeoning suburbs at home. Alongside the young rebel, the contemporary concept of identity emerged in the 1950s. It was in that decade that “identity” was first used to define collective selves in the politicized manner that is recognizable today: in terms such as “national identity” and “racial identity.” Medovoi traces the rapid absorption of identity themes across many facets of postwar American culture, including beat literature, the young adult novel, the Hollywood teen film, early rock ‘n’ roll, black drama, and “bad girl” narratives. He demonstrates that youth culture especially began to exhibit telltale motifs of teen, racial, sexual, gender, and generational revolt that would burst into political prominence during the ensuing decades, bequeathing to the progressive wing of contemporary American political culture a potent but ambiguous legacy of identity politics.

A SPECTATOR AND SCOTSMAN BOOK OF THE YEAR 'So well researched, pacily written and sympathetic to the Auld Cause that it almost makes one a Jacobite' Andrew Roberts, Spectator 'Enthralling . . . Throws us straight into the fresh air, heather, rain and midges of the Hebrides, followed by the swamps and creeks of North America . . . Full of unforgettable glimpses' The Times The year is 1746. The Jacobite rebellion has failed catastrophically and Scotland is reeling in the devastating aftermath of the battle of Culloden. Far to the west, on an island in the Outer Hebrides, twenty-four-year-old Flora Macdonald is woken in the dead of night by a messenger with urgent intelligence. Bonnie Prince Charlie is outside, begging for her help. With Flora's assistance, the Stuart prince is disguised as an Irish maid and smuggled to the Isle of Skye, evading government troops. Flora's bravery and determination will see her immortalised in ballads and proclaimed a Scottish heroine. But her efforts also result in her capture and detention in London. Released the following year and returning to Skye, Flora goes on to marry and emigrate to North Carolina, only then to be caught up in the American Revolutionary War. In Pretty Young Rebel, award-winning biographer Flora Fraser tells the remarkable story of Flora Macdonald. It is a tale of adventure and daring, wit and charm, struggle and survival, and of a woman who showed extraordinary courage in the face of great danger.