Brief in the way a razor’s slice is brief, remarkable essays by a peerless stylist New Directions is proud to present Fleur Jaeggy’s strange and mesmerizing essays about the writers Thomas De Quincey, John Keats, and Marcel Schwob. A renowned stylist of hyper-brevity in fiction, Fleur Jaeggy proves herself an even more concise master of the essay form, albeit in a most peculiar and lapidary poetic vein. Of De Quincey’s early nineteenth-century world we hear of the habits of writers: Charles Lamb “spoke of ‘Lilliputian rabbits’ when eating frog fricassse”; Henry Fuseli “ate a diet of raw meat in order to obtain splendid dreams”; “Hazlitt was perceptive about musculature and boxers”; and “Wordsworth used a buttery knife to cut the pages of a first-edition Burke.” In a book of “blue devils” and night visions, the Keats essay opens: “In 1803, the guillotine was a common child’s toy.” And poor Schwob’s end comes as he feels “like a ‘dog cut open alive’”: “His face colored slightly, turning into a mask of gold. His eyes stayed open imperiously. No one could shut his eyelids. The room smoked of grief.” Fleur Jaeggy’s essays—or are they prose poems?—smoke of necessity: the pages are on fire.

As concentrated as bullets, new stories by the inimitable Fleur Jaeggy Fleur Jaeggy is often noted for her terse and telegraphic style, which somehow brews up a profound paradox that seems bent on haunting the reader: despite a sort of zero-at-the-bone baseline, her fiction is weirdly also incredibly moving. How does she do it? No one knows. But here, in her newest collection, I Am the Brother of XX, she does it again. Like a magician or a master criminal, who can say how she gets away with it, but whether the stories involve famous writers (Calvino, Ingeborg Bachmann, Joseph Brodsky) or baronesses or 13th-century visionaries or tormented siblings bred up in elite Swiss boarding schools, they somehow steal your heart. And they don’t rest at that, but endlessly disturb your mind.

NEW YORK TIMES BESTSELLER • A stunning “portrait of the enduring grace of friendship” (NPR) about the families we are born into, and those that we make for ourselves. A masterful depiction of love in the twenty-first century. NATIONAL BOOK AWARD FINALIST • MAN BOOKER PRIZE FINALIST • WINNER OF THE KIRKUS PRIZE A Little Life follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search of fame and fortune. While their relationships, which are tinged by addiction, success, and pride, deepen over the decades, the men are held together by their devotion to the brilliant, enigmatic Jude, a man scarred by an unspeakable childhood trauma. A hymn to brotherly bonds and a masterful depiction of love in the twenty-first century, Hanya Yanagihara’s stunning novel is about the families we are born into, and those that we make for ourselves. Look for Hanya Yanagihara’s latest bestselling novel, To Paradise.

To what extent should parents be able to choose the kind of child they have? The unfortunate phrase 'designer baby' has become familiar in debates surrounding reproduction. As a reference to current possibilities the term is misleading, but the phrase may indicate a societal concern of some kind about control and choice in the course of reproduction. Typically, people can choose whether to have a child. They may also have an interest in choosing, to some extent, the conditions under which they do so, such as whether they have a child with a serious disability or disease. The purpose of this book is to explore the difficult and controversial question of the appropriate ethical and legal extent of reproductive autonomy in this context. The book examines ethical, legal and public policy issues in prenatal screening, prenatal diagnosis (PND), selective abortion and preimplantation genetic diagnosis (PGD). It explores the ethics of these selection practices and the ability of current ethical guidelines and legal mechanisms, including the law on selective abortion and wrongful birth, to deal with advances in genetic and other knowledge in these areas. Unlike in the United States, in England the relevant law is not inherently rights-based, but the impact of the Human Rights Act 1998 inevitably raises questions about the proper scope of reproductive autonomy in this context. The implications of the analysis are considered for the development of relevant law, public policy and ethical guidelines and will be of interest to academics in medical law and ethics, health professionals, lawyers, those working on public policy and students with an interest in these issues.

For her first novel in more than nine years, Ruth Prawer Jhabvala has written a most unusual book in a career of distinctive and unique accomplishments. My Nine Lives is "Chapters of a Possible Past," as the subtitle declares. It is, as the author has commented, a book filled with "invented memories." Nine vignettes are linked to portray a rich life filled with searching, from London to Delhi, from Hollywood to New York. Each chapter gathers a different cast of characters, some new and some vaguely familiar, and the linked assembly is as exciting and illuminating as an artist's first show at a Soho gallery or a new play at the Studio Theater. After seventeen books, now in her 77th year, Ruth Prawer Jhabvala takes on as her subject herself, the life she may have or may have wished to live.

Sixteen-year-old Dani is convinced she has nine lives. As a child she twice walked away from situations where she should have died. But Dani's twin, Jena, isn't so lucky. She has cancer and might not even be able to keep her one life. Dani's father is in denial. Her mother is trying to hold it together and prove everything's normal. And Jena is wasting away. To cope, Dani sets out to rid herself of all her extra lives. Maybe they'll be released into the universe and someone who wants to live more than she does will get one. Someone like Jena. But just when Dani finds herself at the breaking point, she's faced with a startling realization. Maybe she doesn't have nine lives after all. Maybe she really only ever had one.

"This big-shouldered book, full of ardor...offers us a reasonable hope that with attention and care we can again make public education what it was meant to be, and must yet be."—The Los Angeles Times.