A young Armenian-American goes to Turkey in a "love thine enemy" experiment that becomes a transformative reflection on how we use—and abuse—our personal histories Meline Toumani grew up in a close-knit Armenian community in New Jersey where Turkish restaurants were shunned and products made in Turkey were boycotted. The source of this enmity was the Armenian genocide of 1915 at the hands of the Ottoman Turkish government, and Turkey's refusal to acknowledge it. A century onward, Armenian and Turkish lobbies spend hundreds of millions of dollars to convince governments, courts and scholars of their clashing versions of history. Frustrated by her community's all-consuming campaigns for genocide recognition, Toumani leaves a promising job at The New York Times and moves to Istanbul. Instead of demonizing Turks, she sets out to understand them, and in a series of extraordinary encounters over the course of four years, she tries to talk about the Armenian issue, finding her way into conversations that are taboo and sometimes illegal. Along the way, we get a snapshot of Turkish society in the throes of change, and an intimate portrait of a writer coming to terms with the issues that drove her halfway across the world. In this far-reaching quest, told with eloquence and power, Toumani probes universal questions: how to belong to a community without conforming to it, how to acknowledge a tragedy without exploiting it, and most importantly how to remember a genocide without perpetuating the kind of hatred that gave rise to it in the first place.

In this indispensable guide for anyone who must communicate in speech or writing, Schwartzberg shows that most of us fail to convince because we don't have a point-a concrete contention that we can argue, defend, illustrate, and prove. He lays out, step-by-step, how to develop one. In Joel's Schwartzberg's ten-plus years as a strategic communications trainer, the biggest obstacle he's come across-one that connects directly to nervousness, stammering, rambling, and epic fail-is that most speakers and writers don't have a point. They typically have just a title, a theme, a topic, an idea, an assertion, a catchphrase, or even something much less. A point is something more. It's a contention you can propose, argue, defend, illustrate, and prove. A point offers a position of potential value. Global warming is real is not a point. Scientific evidence shows that global warming is a real, human-generated problem that will have a devastating environmental and financial impact is a point. When we have a point, our influence snaps into place. We communicate belief, conviction, and urgency. This book shows you how to identify your point, leverage it, stick to it, and sell it and how to train others to identify and successfully make their own points.

When did you last play with cats ... inside a BOOK?! The cats in this book want to have fun, and by turning the pages and flipping the flaps YOU can play their favourite games with them! Tiny, Moonpie and Andre love wool to tangle with, cardboard boxes to hide in, pillow fights ... and fish! But where there are fish, there is also water -lots of it. So who's going to rescue the cats from the giant f1oodwave? You are, of course!

Masterworks of contemporary art teach kids about feelings and how they can be expressed in art. The bold work of contemporary artists, including Damien Hirst, Jeff Koons, Takashi Murakami, and Alex Katz is totally accessible to small children, and in this gorgeous, ground-breaking picture book, these works of art speak to children about emotions. Children will recognize love, surprise, hurt, and other powerful feelings in these images, which accompany a fun-to-read aloud narrative with a silly twist at the end that is sure to delight younger readers. Parents can enjoy the art as well as the opportunity to engage their children in a light-hearted discussion of feelings and how they affect us-the beginnings of emotional intelligence. Learn more at NoAnimalsOnlyFeelings.com.

NATIONAL BESTSELLER • A moving and powerful account by an acclaimed journalist that "informs the heart. [This] meticulous portrait of two boys in a Chicago housing project shows how much heroism is required to survive, let alone escape" (The New York Times). "Alex Kotlowitz joins the ranks of the important few writers on the subiect of urban poverty."—Chicago Tribune The story of two remarkable boys struggling to survive in Chicago's Henry Horner Homes, a public housing complex disfigured by crime and neglect.

Reflects on the idea that if there were no teachers, no one would educate and engage children and all knowledge would be lost.

What if God were a teenaged boy? In the beginning, Bob created the heavens and the earth and the beasts of the field and the creatures of the sea, and twenty-five million other species (including lots of cute girls). But mostly he prefers eating junk food and leaving his dirty clothes in a heap at the side of his bed. Every time he falls in love, Earth erupts in natural disasters, and it's usually Bob's beleaguered assistant, Mr. B., who is left cleaning up the mess. So humankind is going to be very sorry indeed that Bob ever ran into a beautiful, completely irresistible girl called Lucy . . .