From Homer to Helen Keller, from Dune to Stevie Wonder, from the invention of braille to the science of echolocation, M. Leona Godin explores the fascinating history of blindness, interweaving it with her own story of gradually losing her sight. “[A] thought-provoking mixture of criticism, memoir, and advocacy." —The New Yorker There Plant Eyes probes the ways in which blindness has shaped our ocularcentric culture, challenging deeply ingrained ideas about what it means to be “blind.” For millennia, blindness has been used to signify such things as thoughtlessness (“blind faith”), irrationality (“blind rage”), and unconsciousness (“blind evolution”). But at the same time, blind people have been othered as the recipients of special powers as compensation for lost sight (from the poetic gifts of John Milton to the heightened senses of the comic book hero Daredevil). Godin—who began losing her vision at age ten—illuminates the often-surprising history of both the condition of blindness and the myths and ideas that have grown up around it over the course of generations. She combines an analysis of blindness in art and culture (from King Lear to Star Wars) with a study of the science of blindness and key developments in accessibility (the white cane, embossed printing, digital technology) to paint a vivid personal and cultural history. A genre-defying work, There Plant Eyes reveals just how essential blindness and vision are to humanity’s understanding of itself and the world.

"A probing, witty, and deeply insightful history of blindness--in Western culture and literature, and in the author's own experience--that ranges from Homer to Milton to Braille to Stevie Wonder. M. Leona Godin begins her fascinating, wide-ranging study with an exploration of how the idea of sight is inextricably linked with knowledge and understanding; how "blindness" has, for millennia, been used as a metaphor for ignorance; and how, in metaphorical terms, blindness can also be made to suggest a door to artistic or spiritual transcendence. And she makes clear how all of this has obscured the reality of blindness, as a consequence of which many blind people have to deal not just with their disability but also with expectations of "specialness." Godin illuminates the often surprising history of both the physiological condition and of the ideas that have attached to it. She incorporates analysis of blindness in art and literature (from King Lear to Star Wars) and in culture (assumptions of the blind as pure and magically wise) with the science of blindness and key developments in accessibility (the white cane, seeing eye dogs, eBooks), and with her own experience of gradually losing sight over the course of three decades. Altogether, she gives us a revelation of the centrality of blindness and vision to humanity's understanding of itself and the world"--

From Homer to Helen Keller, from Dune to Stevie Wonder, from the invention of braille to the science of echolocation, M. Leona Godin explores the fascinating history of blindness, interweaving it with her own story of gradually losing her sight. “[A] thought-provoking mixture of criticism, memoir, and advocacy." —The New Yorker There Plant Eyes probes the ways in which blindness has shaped our ocularcentric culture, challenging deeply ingrained ideas about what it means to be “blind.” For millennia, blindness has been used to signify such things as thoughtlessness (“blind faith”), irrationality (“blind rage”), and unconsciousness (“blind evolution”). But at the same time, blind people have been othered as the recipients of special powers as compensation for lost sight (from the poetic gifts of John Milton to the heightened senses of the comic book hero Daredevil). Godin—who began losing her vision at age ten—illuminates the often-surprising history of both the condition of blindness and the myths and ideas that have grown up around it over the course of generations. She combines an analysis of blindness in art and culture (from King Lear to Star Wars) with a study of the science of blindness and key developments in accessibility (the white cane, embossed printing, digital technology) to paint a vivid personal and cultural history. A genre-defying work, There Plant Eyes reveals just how essential blindness and vision are to humanity’s understanding of itself and the world.

Eye Was There is created specifically for any person who is considering having an eye surgically removed or is coping with the loss of an eye. It is also created for that persons caretakers, family members and friends. There are limited sources of information, outside of a doctors office, from which a patient can learn about what to expect before, during, and after the surgery to remove an eye. The doctor or the doctors staff might not have the time to handle the variety of questions that are commonly asked. Many of the questions arise after the patient has left the doctors office. Eye Was There is intended to serve as a source of information regarding the preoperative, surgical and postoperative options surrounding the loss of an eye. It explains the most common surgical procedures performed to remove an eye and the potential complications that can occur after surgery. It details some of the medical conditions leading up to the removal of an eye. It describes the emotional and psychological steps that are experienced when dealing with the loss of an eye. It contains historic and current information on the manufacturing and fabrication of artificial eyes and orbital prostheses. It provides instruction and advice regarding the care and handling of the artificial eyes and orbital prostheses that are worn after surgery. The book is meant to give a positive perspective of dealing with life after the loss of an eye.

A counting book depicting the colorful fish a child might see if he turned into a fish himself.

“Pollan shines a light on our own nature as well as on our implication in the natural world.” —The New York Times “A wry, informed pastoral.” —The New Yorker The book that helped make Michael Pollan, the New York Times bestselling author of How to Change Your Mind, Cooked and The Omnivore’s Dilemma, one of the most trusted food experts in America Every schoolchild learns about the mutually beneficial dance of honeybees and flowers: The bee collects nectar and pollen to make honey and, in the process, spreads the flowers’ genes far and wide. In The Botany of Desire, Michael Pollan ingeniously demonstrates how people and domesticated plants have formed a similarly reciprocal relationship. He masterfully links four fundamental human desires—sweetness, beauty, intoxication, and control—with the plants that satisfy them: the apple, the tulip, marijuana, and the potato. In telling the stories of four familiar species, Pollan illustrates how the plants have evolved to satisfy humankind’s most basic yearnings. And just as we’ve benefited from these plants, we have also done well by them. So who is really domesticating whom?