Badiou is widely considered to be France's most important and exciting contemporary thinker. Much of Badiou's earlier work (including Being and Event) can only be fully understood with a clear grasp of Theory of the Subject, one of his most important works.

Alain Badiou is undoubtedly the most exciting and influential voice in contemporary French philosophy and one of the most important theorists at work today. His impact on continental philosophy and the wider philosophy community, politics and the arts in the last twenty years has been immense. Alain Badiou: Live Theory offers a concise and accessible introduction to his work and thought, laying out the central themes of his major works, including his magnum opus, Being and Event, and its long-awaited sequel, Logics of Worlds. Oliver Feltham explores the fundamental questions through which Badiou's philosophy constantly evolves, identifies the key turning points in his ideas, and makes a clear case for the coherence and powerful singularity of his thought when employed in the analysis of political and artistic situations. Feltham examines the thinkers and theorists with whom Badiou has engaged and who have engaged with him, arguing that Badiou's work is compelling precisely because it opens up new genealogies and new polemics in the intellectual landscape. The book includes a brand new interview with Badiou, in which he discusses his current concerns and future plans. This is the ideal companion to study for students and readers encountering this fascinating thinker for the first time.

The first philosophers of the Frankfurt School famously turned to the psychoanalytic theories of Sigmund Freud to supplement their Marxist analyses of ideological subjectification. Since the collapse of their proposed "marriage of Marx and Freud," psychology and social theory have grown apart to the impoverishment of both. Returning to this union, Benjamin Y. Fong reconstructs the psychoanalytic "foundation stone" of critical theory in an effort to once again think together the possibility of psychic and social transformation. Drawing on the work of Hans Loewald and Jacques Lacan, Fong complicates the famous antagonism between Eros and the death drive in reference to a third term: the woefully undertheorized drive to mastery. Rejuvenating Freudian metapsychology through the lens of this pivotal concept, he then provides fresh perspective on Theodor Adorno, Max Horkheimer, and Herbert Marcuse's critiques of psychic life under the influence of modern cultural and technological change. The result is a novel vision of critical theory that rearticulates the nature of subjection in late capitalism and renews an old project of resistance.

This collection introduces and develops Lacanian thought concerning the relations among language, subjectivity, and society. Lacanian Theory of Discourse provides an account of how language both interacts with and constitutes structures of subjectivity, producing specific attitudes and behaviors as well as significant social effects.

The award-winning anthropologist Sherry B. Ortner draws on her longstanding interest in theories of cultural practice to rethink key concepts of culture, agency, and subjectivity.

Because emotion is assumed to depend on subjectivity, the "death of the subject" described in recent years by theorists such as Derrida, de Man, and Deleuze would also seem to mean the death of feeling. This revolutionary work transforms the burgeoning interdisciplinary debate on emotion by suggesting, instead, a positive relation between the "death of the subject" and the very existence of emotion. Reading the writings of Derrida and de Man--theorists often seen as emotionally contradictory and cold--Terada finds grounds for construing emotion as nonsubjective. This project offers fresh interpretations of deconstruction's most important texts, and of Continental and Anglo-American philosophers from Descartes to Deleuze and Dennett. At the same time, it revitalizes poststructuralist theory by deploying its methodologies in a new field, the philosophy of emotion, to reach a startling conclusion: if we really were subjects, we would have no emotions at all. Engaging debates in philosophy, literary criticism, psychology, and cognitive science from a poststructuralist and deconstructive perspective, Terada's work is essential for the renewal of critical thought in our day.

Alain Badiou occupies the place of the teacher whose primary responsibility rests on the transmission of tradition. The transmission occurs as a consequence of the teacher, the master, the professor, or, as it happens, the old man. Clearly, Badiou occupies all of these roles. However, what concerns us today is that he is an old man and that the old man is the man who is approaching death. In fact, he does not shy away from this designation. Rather, he acknowledges this point with a smile: "Do not say that I am really a young man because it is not true. I know that I am seventy-five years old." Our teacher is fully aware that he is at the "beginning of the last straight line of life." The possibility of the death of the old man necessitates a thinking about the preservation of the transmission of the future. The Subject of Change is a sustained engagement with the concept of change. The questions it asks include: what is a change?, what is a true change?, is change better than immobility?, what are the different types of change?, and, finally, what is the localization of change?