Focusing on theories of verbal symbolism, Tzvetan Todorov here presents a history of semiotics. From an account of the semiotic doctrines embodied in the works of classical rhetoric to an exploration of representative modern concepts of the symbol found in ethnology, psychoanalysis, linguistics, and poetics, Todorov examines the rich tradition of sign theory. In the course of his discussion Todorov treats the works of such writers as Aristotle, Cicero, Quintilian, Augustine, Condillac, Lessing, Diderot, Goethe, Novalis, the Schlegel brothers, Levy-Bruhl, Freud, Saussure, and Jakobson.

In The Symbol Theory, Norbert Elias draws together three central themes. At the first level the book is concerned with symbols in relation to language, knowing and thinking. Secondly, Elias stresses that symbols are also tangible sound-patterns of human communication, made possible by the evolutionary biological precondition of human vocal apparatus. At a third level, the book addresses theoretical issues about the ontological status of knowledge, moving beyond traditional philosophical dualisms such as subject//object and idealism//materialism. The bulk of The Symbol Theory was published in Vol 6, issues 2, 3 and 4 of Theory, Culture & Society.

In Symbolism and Interpretation, Tzvetan Todorov examines two aspects of discourse: its production, which has traditionally been the domain of rhetoric, and its reception, which has always been the object of hermeneutics. He analyzes the diverse theories of symbolism and interpretation that have been elaborated over the centuries and considers their contribution to a general theory of verbal symbolism, discussing a wide range of thinkers, from the Sanskrit philosophers and Aristotle to the German Romantics and contemporary semioticians. Todorov begins by examining general ideas of linguistic symbolism and the interpretive process. He then turns to a detailed consideration of two of the most influential and pervasive interpretative strategies in Western thought: the patristic exegesis of Augustine and Aquinas, and the philological exegesis foreshadowed in the work of Spinoza, developed by Wolf, Ast, Boeckh, and Lanson, and criticized by Schleiermacher. Todorov clarifies in masterly fashion the intricacies of the many schools of thought and refines the concepts crucial to critical theory today, including the distinctions between language and discourse, direct and indirect meaning, sign and symbol. Ably translated by Catherine Porter, Symbolism and Interpretation provides a coherent and innovative framework that is indispensable to the study of semiotics, its history, and its future.

Anthropologists have always been concerned with the difference between traditional (or 'primitive') and scientific modes of thought and with the relationships between magic, religion and science. John Skorupski distinguishes two broadly opposed approaches to these problems: the 'intellectualist' regards primitive systems of thought and actions as cosmologies, comparable to scientific theory, which emerge and persist as attempts to control the natural world; the 'symbolist' regards them as essentially representative or expressive of the pattern of social relations in the culture in which they exist. Dr Skorupski considers in particular the notions of ritual, ceremony and symbol. He shows how their understanding involves and suggests more general philosophical problems of relativism, interpretation, translation, and the connections between belief and action. These are difficult and important problems and require an unusual combination of imagination and interdisciplinary exercise. This book is intended especially for philosophers, social anthropologists, social theorists and students of comparative religion.

Dylan is living on the streets, not through any choice of his own; he's been cut loose by his unstable mother, and lost most contact with his two younger brothers. Disturbing, gritty, painful, hopeful--this is a story of a 16-year-old determined to survive against all odds.

Agnes Petocz uncovers a theory of symbolism based on investigation of the development of Freud's ideas throughout works.