The church can be uncertain of itself in our digital age. Some Christians denounce the twenty-first century's media culture while others embrace the latest gadgets and apps as soon as they appear. Many of us are stumbling along amidst the tweets, status updates, podcasts, and blog posts, wondering if we have ventured into a realm beyond the scope of biblical wisdom. Though there is such a thing as 'new media', Andrew Byers reminds us that the actual concept of media is ancient, theological, andeven biblical. In fact, there is such a thing as the media of God. 'TheoMedia' are means by which God communicates and reveals himself - creation, divine speech, inspired writings, the visual symbol of the cross, and more. Christians are actually called to media saturation. But the media that are to most prominently saturate our lives are the media of God. If God creates and uses media, then Scripture provides a theological logic by which we can create and use media in the digital age. This book is not an unqualified endorsement of the latest media products or a tirade against media technology. Instead, Byers calls us to rethink our understanding of media in terms of the media of God in the biblical story of redemption.

This book is a hermeneutical project in the church's wider efforts of trying to understand the technological mediascape of the twenty-first century. The purpose is not to offer a how-to guidebook to help churches incorporate communications technology into their worship and witness. Byers provides something more foundational, the beginnings of a way of constructing a theological frame of reference for understanding and appropriating media in the digital age and in the ages to come.

The church is unsure of itself in the twenty-first century's media culture. Some Christians denounce digital media while others embrace the latest gadgets and apps as soon as they appear. Many of us are stumbling along amidst the tweets, status updates, podcasts, and blog posts, wondering if we have ventured into a realm beyond the scope of biblical wisdom. Though there is such a thing as "new media," Andrew Byers reminds us that the actual concept of media is ancient, theological, and even biblical. In fact, there is such a thing as the media of God. "TheoMedia" are means by which God communicates and reveals himself--creation, divine speech, inspired writings, the visual symbol of the cross, and more. Christians are actually called to media saturation. But the media that are to most prominently saturate our lives are the media of God. If God creates and uses media, then Scripture provides a theological logic by which we can create and use media in the digital age. This book is not an unqualified endorsement of the latest media products or a tirade against media technology. Instead, Byers calls us to rethink our understanding of media in terms of the media of God in the biblical story of redemption.

Not quite human, not quite beast. Not quite female, not quite male. Sometimes hunter, sometimes prey. Always alone. Until them. Fiend hunter Sam “Sabertooth” Forest is used to being on the outskirts. Being a cur with a mix of shifter and human blood, Sam can’t fully shift to beast but can’t fully pass as human. Through sheer determination, and a desire to protect the broken shifter woman who raised them, Sam has managed to eek out a place of their own in a world devastated by the rift that allowed monsters to spill into the earth plane. Sam hunts monsters, sometimes curs and mongrels just like Sam. The work might be dangerous, and the humans might want to put the mixed breed hunter on their hitlist, but it’s a job. It’s freedom. Sam works alone and trusts no one. The next hunt should bring in a big bounty—big enough to pay the pack extortion fee and keep Sam’s adoptive mother safe through winter. But when a Leprechaun horns in on Sam's unicorn hunt and tricks Sam into forming a hunter’s guild, Sam is suddenly burdened by an overabundance of people. Setting off to hunt one-horned murder beasts with an annoying leprechaun and a nerdy half-ogre is bad enough. But when you add in a betrayal by the seductive siren Sam has loved since childhood, and the machinations of a rich human politician, well…Sam’s simple, lonely little life just got a whole lot more complicated. Author’s Note: I love reverse harem, but I got sick of reading the same old tropes. In my books you will find atypical characters and varied sexuality. In general, you probably won’t find many alpha males or fainting females. The Not Quite series is a harem/reverse harem urban fantasy series of novellas (between 35,000-45,000 words) and contains the following: *adult language, and lots of it *moderate levels of violence/gore/action *graphic sexual situations *polyamory/ multiple lovers *LBGTQ and straight themes (the main character is intersex and will have both male and female lovers, and this is a harem, so expect M/F, M/M, F/F, MMMFF etc.) *as usual, my characters all have their own emotional scars. This means the book MAY contain mentions of abuse, unpleasant situations, etc. Please do not read if you are triggered by things like this.

Viceroy. It’s not a term Sam would have ever thought would apply to them. But for some reason, the sovereign of Westhold seems to trust Sam with his life—and with the legacy the crazy, not-so-human firebird is building. But none of that matters if Sam can’t conquer their fear and insecurities and keep from going feral. Fin and Emerson just won’t give up on Sam and stay away from the cur, where they’ll be safe. And when Sam is forced to confront the alpha and the shifter pack who has tormented Sam since birth, all Sam’s worst fears come true as the hunter faces the risk of losing a mate they were never brave enough to claim. Author’s Note: I love reverse harem, but I got sick of reading the same old tropes. In my books you will find atypical characters and varied sexuality. In general, you probably won’t find many alpha males or fainting females, and relationships may have a more poly feel. The Not Quite series is a harem/reverse harem urban fantasy series of novellas (between 35,000-45,000 words) and contains the following: *adult language, and lots of it *moderate levels of violence/gore/action *graphic sexual situations *polyamory/ multiple lovers *LBGTQ and straight themes (the main character is intersex and will have both male and female lovers, and this is a harem, so expect M/F, M/M, F/F, MMMFF etc.) *as usual, my characters all have their own emotional scars. This means the books MAY contain mentions of abuse, unpleasant situations, etc. Please do not read if you are triggered by things like this. This book in particular includes references to past abuse or mistreatment, physical, mental, and sexual. *occasional “cliff-hangers” or lead-ins to the next book may occur, though generally at least one major plot arc shows completion or at the very least, forward progress. *word count does not include teaser chapters or other fluff material at the end.

Digitally-mediated liturgical practices raise challenging questions: Are worshippers in an online chapel really a community at prayer? Do avatars that receive digital bread and wine receive communion? @ Worship is the first monograph dedicated to exploring online liturgical practices that have emerged since the introduction of Web 2.0.