In this 1982 book, Professor Bance sets the novels of Theodor Fontane in the context of nineteenth-century Europe in order to demonstrate that his œouvre can be seen in terms of a tension between a desire to present the facts and a desire to assert some transcendent poetic truth.

First published in Germany to popular and critical acclaim, this is a unique portrait of the life and work of Theodor Fontane, the greatest German novelist of his age, as well as a major poet and theater critic and much loved travel writer. Gordon A. Craig, one of the foremost scholars of German history, interpolates a cohesive historical biography of Fontane with his own reflections on the art, culture, and politics of Fontane's world. The ideas and impressions of Fontane and Craig echo one another throughout the book in compelling and fascinating ways. Fontane's travel accounts of Scotland and Prussia are enriched by Craig's discussion of Germany's increasingly national vision of itself and the world at the time of unification. Similarly, Craig's mastery of German military history dovetails remarkably well with Fontane's reportage on Germany's wars with Denmark, Austria, and France. Interesting are Fontane's ruminations over his great contemporary Otto von Bismarck, whom he revered as founder of the Reich but whose policies he feared would in the end be self-defeating. Although Fontane's Wanderings through the Mark Brandenburg and his novels are more widely read in Germany today than they were in his own time, and although his masterpiece Effi Briest was the basis for a famous Fassbinder film, Fontane remains little known in the English-speaking world. Theodor Fontane is the ideal introduction to this major European writer, a master of social analysis and one of the great letter writers of his age.

This was the first of Fontane's sixteen novels, most of which became classics of the realist genre. Set in Berlin, shortly before the Prussians rebelled against Napolean, the novel resembles War and Peace. This World's Classics edition is the first and only available in English translation.

A rich and enjoyable novel about marriage, love and betrayal, from the great German realist Theodor Fontane. Charming, cheerful Count Holk is delighted to be called away from his solemn wife to the distant court of a Danish princess. Swept up in the romance of his new, lively surroundings at a 'castle by the sea', the Count does not realize that not everyone there is what they seem - and that a wrong decision may have fatal consequences. Published in 1892, this tragicomic work of failing marriage and modern sexual politics is full of the irony, elegance and masterful dialogue for which Theodor Fontane is acclaimed. Theodor Fontane was born in the Prussian province of Brandenburg in 1819. After qualifying as a pharmacist, he made his living as a writer. From 1855 to 1859, he lived in London and worked as a freelance journalist and press agent for the Prussian embassy. While working as a war correspondent during the Franco-Prussian war of 1870-1 he was taken prisoner, but released after two months. His first novel, Before the Storm, was published when he was fifty-eight and was followed by sixteen further novels, of which Effi Briest, No Way Back and On Tangled Paths are all published in Penguin Classics. He died in 1898. Hugh Rorrison and Helen Chambers have both published extensively on German literature, and translated together the Penguin Classics translation of Fontane's Effi Briest. 'No Way Back has the amplitude, the social and personal varieties, we expect of the major social novel; it surely ranks among the most imaginatively challenging and intellectually satisfying attainments in that dominant nineteenth-century form' - Paul Binding, The Spectator 'Helen Chambers and Hugh Rorrison have improved on the previous English version...natural, idiomatic' - Ritchie Robertson, Times Literary Supplement 'Theodor Fontane's standing in Germany is comparable to Jane Austen's in the English-speaking world...his best work is an elegant and engaging blend of irony, penetration and compassion' Helen Chambers

Theodor Fontane (1819-98), widely regarded as Germany's most significant novelist between Goethe and Thomas Mann, pioneered the German novel of manners and upper-class society, following a trend in European fiction of the period. The Stechlin is Fontane's last book and his political testament. Like Effi Briest, his great work on the place of women in Bismarck's empire, it is set at the apex of the Wilhelmine era, both in Berlin and on the estate of a Prussian Junker on the shores of Lake Stechlin. It is a significant historical and cultural document, probably the finest chronicle of the life style of the German upper classes in the late nineteenth century; Fontane portrays the best in the life and ways of the passing Prussian aristocrats, while describing his hopes for the future of Germany and its nobility, which were never to be fully realized. Although this novel has been translated into many languages, it has never before been available in English; this edition thus fills an important gap in the significant works of European literature accessible to English readers.