This volume presents the theory of culture of the Russian‐born German Jewish social philosopher David Koigen (1879–1933). Heir to Hermann Cohen’s neo‐Kantian interpretation of Judaism, he transforms the religion of reason into an ethical Intimitätsreligion. He draws upon a great variety of intellectual currents, among them, Max Scheler’s philosophy of values, the historical sociology of Max Weber, the sociology of religion of Émile Durkheim, Ernst Troeltsch and Georg Simmel and American pragmatism. Influenced by his personal experience of marginality in German academia yet the same time unconstrained by the dictates of the German Jewish discourse, Koigen shapes these theoretical strands into an original argument which unfolds along two trajectories: theodicy of culture and ethos. Distinguished from ethics, ethos identifies the non-formal factors that foster a group’s sense of collective identity as it adapts to continuous change. From a Jewish perspective, ethos is grounded in the biblical covenant as the paradigm of a social contract and corporate liability. Although the normative content of the covenantal ethos is subject to gradual secularization, its metaphysical and existential assumptions, Koigen argues, continue to inform Jewish self-understanding. The concept of ethos identifies the dialectic of tradition as it shapes Jewish religious consciousness, and, in turn, is shaped by the evolving cultural and axiological sensibilities. In consonance, Jewish identity cannot be reduced to ethnicity or a purely secular culture. Urban develops these fragmentary and inchoate theories into a sociology of religious knowledge and suggests to read Koigen not just as a Jewish sociologist but as the first sociologist of Judaism who proposes to overcome the dogmatic anti-metaphysical stance of European sociology.

This volume presents the theory of culture of the Russian-born German Jewish social philosopher David Koigen (1879 1933). Heir to Hermann Cohen s neo-Kantian interpretation of Judaism as a religion of reason, he draws upon philosophical anthropology and the sociology of religion to go beyond Kantian formalism. The resulting primacy given to religious consciousness brought him close to Martin Buber, with whom he shared an interest in East European Hasidism as a source of religious renewal. Author of Ideen zur Philosophie der Kultur (1910) and Der moralische Gott (1922), among other works, Koigen enters a much wider debate on the relation between religion, culture and conceptions of the nation, developing a non-essentialist approach to religion and ethnicity. Enjoining the concept of ethos as the arbiter of ethnos and ethics he formulates a theory of culture on the basis of Jewish monotheism that would pose a challenge to Liberal Judaism and Liberal Protestantism alike. Among his interlocutors were Max Scheler, Georg Simmel, Ernst Troeltsch, and Max Weber. His elucidation of the complex interplay between Judaism s concept of covenant and its attendant ethos offers a novel approach to the construction of a modern Jewish identity. The theoretical value of the notion of ethos for the sociology of religion is most succinctly expressed in a lecture on the ethos in Judaism which is presented and annotated for a first time in this volume."

This book explicates how many films intersect black suffering and God-talk in ways that instantiate secular limitations to divine efficacy. The book’s concept of a modern God introduces a new method of analysis that reimagines theodical discourses as mechanisms of modern identities and filmmakers as skillful exegetes who recalibrate divine attributes to the sensemaking cadences of their contemporaries. Shayne Lee demonstrates how cinematic theodicy navigates a happy medium between affirming divine benevolence and sidelining supernatural activity and that filmic characters, like their real-world counterparts, are quite clever at triangulating rationality, faith, and tragedy. In addition to positing synergistic links between theodicy and secularity, Lee offers critical insights into cinema’s relevance to the sociology of evil by specifying how films code and narrate malevolent actions and outcomes, demarcate clear lines of distinction between victims and perpetrators, clarify societal dynamics driving inequality and oppression, and transform individual episodes of suffering into collective and memorialized identities of trauma. This book illuminates how filmic treatments of theodicy construct evil and suffering in calculated ways that connect specific acts, effects, and institutions to greater structures of meaning.

This fascinating collection of essays charts, for the first time, the range of responses by scholars on both sides of the conflict to the outbreak of war in August 1914. The volume examines how biblical scholars, like their compatriots from every walk of life, responded to the great crisis they faced, and, with relatively few exceptions, were keen to contribute to the war effort. Some joined up as soldiers. More commonly, however, biblical scholars and theologians put pen to paper as part of the torrent of patriotic publication that arose both in the United Kingdom and in Germany. The contributors reveal that, in many cases, scholars were repeating or refining common arguments about the responsibility for the war. In Germany and Britain, where the Bible was still central to a Protestant national culture, we also find numerous more specialized works, where biblical scholars brought their own disciplinary expertise to bear on the matter of war in general, and this war in particular. The volume's contributors thus offer new insights into the place of both the Bible and biblical scholarship in early 20th-century culture.

Are toleration and pluralism possible in Jewish religion? -- Yeshayahu Leibovitz : the man against his thought -- Leibowitz and Camus : between faith and the absurd -- Jewish religion without theology -- The critique of theodicy : from metaphysics to praxis -- The Holocaust : a theological or a religious-existentialist problem? -- Tikkun Olam : between utopian idea and socio-historical process.

Since the Enlightenment period, German-Jewish intellectuals have been prominent voices in the multi-facetted discourse on the reinterpretation of Jewish tradition in light of modern thinking. Paul Mendes-Flohr, one of the towering figures of current scholarship on German-Jewish intellectual history, has made invaluable contributions to a better understanding of the religious, cultural and political dimensions of these thinkers’ encounter with German and European culture, including the tension between their loyalty to Judaism and the often competing claims of non-Jewish society and culture. This volume assembles essays by internationally acknowledged scholars in the field who intend to honor Mendes-Flohr’s work by portraying the abundance of religious, philosophical, aesthetical and political aspects dominating the thinking of those famous thinkers populating German Jewry's rich and complex intellectual world in the modern period. It also provides a fresh theoretical outlook on trends in Jewish intellectual history, raising new questions concerning the dialectics of assimilation. In addition to that, the volume sheds light on thinkers and debates that hitherto have not been accorded full scholarly attention.

This landmark collection showcases the writings of Hayim Greenberg, a founder of the Labor Zionist movement in America and a foremost writer, thinker, and activist in the fields of twentieth-century Jewish culture and politics.