This book celebrates and explores some philosophical issues raised by the work of Alan Weir, who is Professor Emeritus at the University of Glasgow, having previously held positions at the Universities of Oxford, Edinburgh and Queen’s, Belfast. In a number of areas, Weir has elaborated strikingly original views which involve a radical departure from the mainstream. These include formalism in the philosophy of mathematics, and as well as naïve set theory, with a universal set, and a naïve theory of truth. In contrast to other contemporary defenders of the latter two theories, Weir rejects dialetheism and accepts classical rules for the logical connectives. He avoids contradictions by restricting certain structural inference rules, specifically some generalized versions of transitivity. In addition, Weir has developed radical versions of naturalism and physicalism (partly informed by his work on Quine) and perceptual realism. This collection includes contributions by a distinguished group of philosophers on Weir’s philosophy, as well as a memoir and a new essay on the philosophy of mathematics by Weir himself.

Offers a systematic introduction and discussion of all the main solutions to the sorites paradox and its areas of influence.

Explores the works, writers, and movements that shaped the British literary canon from the nineteenth century through the beginning of the twenty-first century.

This book proposes a new solution to the problem of vagueness. There are several different ways of addressing this problem and no clear agreement on which one is correct. The author proposes that it should be understood as the problem of explaining vague predicates in a way that systematizes six intuitions about the phenomenon and satisfies three criteria of adequacy for an ideal theory of vagueness. The third criterion, which is called the "criterion of precisification", is the most controversial one. It is based on the intuition that a predicate is vague only if it is imprecise. The author considers some different definitions of linguistic imprecision, proposing that a predicate is imprecise if and only if there is no sharp boundary between objects to which its application yields some particular truth-value and objects to which its application does not yield that truth-value. The volume critically reviews the current theories of vagueness and proposes a new one, the Theory of Vagueness as Arbitrariness, which defines a vague predicate as an arbitrary predicate that must be precisified in order to contribute to a sentence that has truth-conditions. The main advantages of this theory over the current alternatives are that it satisfies all three criteria and systematizes the relevant intuitions.

More than 75 works, including a number of Lindsay's most popular performance pieces, "The Congo" and "The Santa Fe Trail" among them.