Now in trade paperback for the first time for fans of Mia Sosa, Alexis Daria, and Jasmine Guillory, USA Today bestselling author Priscilla Oliveras’ warm-hearted, sexy Latinx rom-com celebrates Puerto Rican culture, family drama, and women pursuing their dreams against all odds. * Publisher’s Weekly Best Books of the Year Selection * Publishers Marketplace Buzz Books Selection * Bookpage Most Anticipated Romances Selection With talent, heart, and ambition to spare, the Fernandez sisters have each followed their own unique path, even when it leads to surprising destinations—in life and love . . . Growing up, Lilí María Fernandez was affectionately known as the family “wild child.” The life of the party, she loved to dance, especially salsa, merengue, and bachata, and often sang beside her father during rehearsals for his trío group. But tragedy and loss have drawn out Lilí’s caretaking side, compelling her to become a victim’s advocate. These days, the special rhythms of the past seem like a distant memory. Until she meets Diego Reyes . . . A police officer with the Chicago PD, Diego also has a talent for playing classical Spanish guitar. And Lilí soon finds herself inspired by his passion—for the music, for her, and for their shared love of familia and community. Can Diego reignite Lilí’s fun-loving spirit, persuade her to balance work and pleasure—and embrace her wild side once more?

A Chicago cop and a Latina caregiver make beautiful music together in this “marvelous,” heartfelt contemporary romance (Publishers Weekly, starred review). From the USA Today–bestselling author of Island Affai comes the story of three dazzling sisters brimming with talent, ambition—and passion—in a warm-hearted, sexy new series filled with Latinx culture, family drama, and women pursuing their dreams against all odds. Growing up, Lilí María Fernandez was affectionately known as the family “wild child.” The life of the party, she loved to dance, especially salsa, merengue, and bachata, and often sang beside her father during rehearsals for his trío group. But tragedy and loss have drawn out Lilí’s caretaking side, compelling her to become a victim’s advocate. These days, the special rhythms of the past seem like a distant memory. Until she meets Diego Reyes . . . A police officer with the Chicago PD, Diego also has a talent for playing classical Spanish guitar. And Lilí soon finds herself inspired by his passion—for the music, for her, and for their shared love of familia and community. Can Diego reignite Lilí’s fun-loving spirit, persuade her to balance work and pleasure—and embrace her wild side once more? A Publisher’s Weekly Best Books of the Year Selection A Publishers Marketplace Buzz Books Selection A Bookpage Most Anticipated Romances Selection

The Fernandez sisters have always had big dreams, and the talent and drive to pursue them. And in this sunny, spicy series, each one will discover that success is that much sweeter when love follows . . . Rosa Fernandez doesn’t act on impulse—she’s the responsible one, planning her career with precision, finally landing a job as the librarian at conservative Queen of Peace Academy, confining her strongest emotions to her secret poetry journal. But she’s been harboring a secret crush on dreamy Jeremy Taylor, and after one dance with him at her sister’s wedding, Rosa longs to let loose for the first time. She deserves some fun, after all. So what if she doesn’t have a shot with Jeremy, not with his wealthy pedigree and high profile lifestyle. But one dance leads to one kiss, and soon Rosa is head-over-heels . . . The adopted son of a prominent Chicago lawyer, Jeremy has a lot to live up to—especially with his birth father in prison—the perfect example of a bad example. With a big promotion and a move to Japan in the works, Jeremy is worlds away from settling down. But sweet, steady Rosa is a temptation he doesn’t want to deny himself, at least for now. Yet when their simple fling turns complicated, everything they’ve both worked for is threatened—except the red-hot intimacy they’ve found together. Can forever really grow from just-for-now?

A Redbook 16 Best Romances Pick Booklist’s Top 10 Romance Debuts A 2018 RWA® RITA® double finalist From the USA Today bestselling author of Island Affair comes the story of three dazzling sisters brimming with talent, ambition—and passion—in a warm-hearted, sexy new series filled with Latinx culture, family drama, and women pursuing their dreams against all odds. Fans of The Worst Best Man by Mia Sosa, Well Met by Jen DeLuca, and You Had Me At Hola by Alexis Daria. Ad executive Tomás Garcia shouldn't even be thinking about his daughter’s alluring dance teacher, Yazmine Fernandez. Burned by a shattering divorce, he's laser-focused on his career—and giving his young daughter, Maria, the secure home she deserves. Plus, he's certain that with her talent, Yaz will be leaving Chicago and heading back to Broadway as soon as she can. But Yaz's generous spirit and caring concern are sparking a desire Tomás can't resist—and doesn't want to let go . . . For Yaz, good-looking workaholics like Tomás simply can't be part of her life ever again. She owes it to herself to get back her confidence and fulfill the dreams her papá could not. She's glad to spend time with Maria—and taste the family life she feels she can never have. And she’s sure that she and Tomás can keep their attraction under control because there's so much at stake. But each unexpected intimacy, each self-revelation, makes the fire between them grow hotter with every step—and every risk to their hearts . . . “Page-turning plot, great characters, a sparkling debut!” —Lori Wilde, New York Times bestselling author “Priscilla Oliveras writes about families and love with warmth and charm. If you love nuanced characters and big emotions, read her books.” —HelenKay Dimon, author of The Secret She Keeps “Warm and witty, this wonderful debut novel from Priscilla Oliveras celebrates the best of love and family. Looking forward to more from this fabulous author!” —Shirley Jump, New York Times bestselling author

Perfect for fans of Becky Albertalli and Nina LaCour, this romantic comedy from New York Times bestselling author Robin Talley has something for everyone: backstage rendezvous, deadly props, and a seemingly insurmountable obstacle to True Love. Melody McIntyre, stage manager extraordinaire, has a plan for everything. What she doesn’t have? Success with love. Every time she falls for someone during a school performance, both the romance and the show end in catastrophe. So, Mel swears off any entanglements until their upcoming production of Les Mis is over. Of course, Mel didn’t count on Odile Rose, rising star in the acting world, auditioning for the spring performance. And she definitely didn’t expect Odile to be sweet and funny, and care as much about the play’s success as Mel. Which means that Melody McIntyre’s only plan now is trying desperately not to fall in love.

Where did the major scale come from? Why does most traditional non-Western music not share Western principles of harmony? What does the inner structure of a canon have to do with religious belief? Why, in historical terms, is J.S. Bach’s music regarded as a perfect combination of melody and harmony? Why do clocks in church towers strike dominant-tonic-dominant-tonic? What do cathedrals have to do with monochords? How can the harmonic series be demonstrated with a rope tied to a doorknob, and how can it be heard by standing next to an electric fan? Why are the free ocean waves in Debussy’s La Mer, the turbulent river waves in Smetana’s Moldau, and the fountain ripples in Ravel’s Jeux d’Eau pushed at times into four-bar phrases? Why is the metric system inherently unsuitable for organizing music and poetry? In what way does Plato’s Timaeus resemble the prelude to Wagner’s Das Rheingold? Just how does Beethoven’s work perfectly illustrate fully functional tonality, and why were long-range works based on this type of tonality impossible before the introduction of equal temperament? In this new century, what promising materials are available to composers in the wake of harmonic experimentation and, some would argue, exhaustion? The answers to these seemingly complicated questions are not the sole province of music professors or orchestra conductors. In fact, as E. Eugene Helm demonstrates, they can just as easily be explained to amateurs, and their answers are important if we are to understand how Western music works. The full range of Western music is explored through 21 concise chapters on such topics as melody, harmony, counterpoint, texture, melody types, improvisation, music notation, free imitation, canon and fugue, vibration and its relation to harmony, tonality, and the place of music in architecture and astronomy. Intended for amateurs and professionals, concert-goers and conductors, Helm offers in down-to-earth language an explanation of the foundations of our Western music heritage, deepening our understanding and the listening experience of it for all.

A Perfect 10, Book 3, is a collection of piano solos designed to promote musical excellence for the early intermediate-level pianist. Melody has chosen a favorite teaching piece from the four stylistic periods---Baroque, Classical, Romantic, and Contemporary---and written six original pieces in Jazz, Blues, Ragtime, Latin, Ballad, and Showstopper styles. These 10 solos provide students with technical challenges as well as expressive opportunities for musical growth in mood, rhythm, melody, harmony, form, articulation, and dynamics. Students do not have to be an Olympic hopeful to achieve a perfect "10," but they might feel like one as they practice and perform these selections! Titles: * Arabesque * Blue Sky Rag * Cool Cats * Minuet in D Minor * Sassy Samba * Snake Charmer Blues * Sonatina in C Major * Spring Storm * The Village Maidens