A study of contemporary theatre from the perspective of chaos theatre and quantum mechanics.

With a thirty-year run of award-winning, critically acclaimed, and commercially successful plays, from Rosencrantz and Guildenstern Are Dead (1967) to The Invention of Love (1997), Tom Stoppard is arguably the preeminent playwright in Britain today. His popularity also extends to the United States, where his plays have won three Tony awards and his screenplay for Shakespeare in Love won the 1998 Academy Award for Best Original Screenplay. John Fleming offers the first book-length assessment of Stoppard's work in nearly a decade. He takes an in-depth look at the three newest plays (Arcadia,Indian Ink, and The Invention of Love) and the recently revised versions of Travesties and Hapgood, as well as at four other major plays (Rosencrantz,Jumpers,Night and Day, and The Real Thing). Drawing on Stoppard's personal papers at the University of Texas Harry Ransom Humanities Research Center (HRHRC), Fleming also examines Stoppard's previously unknown play Galileo, as well as numerous unpublished scripts and variant texts of his published plays. Fleming also mines Stoppard's papers for a fuller, more detailed overview of the evolution of his plays. By considering Stoppard's personal views (from both his correspondence and interviews) and by examining his career from his earliest scripts and productions through his most recent, this book provides all that is essential for understanding and appreciating one of the most complex and distinctive playwrights of our time.

Examines hip-hop's past, present, and future in a collection of essays, interviews, and discussions.

"Beautiful Chaos is an extraordinary journey of Carey Perloff and her theatre, ACT. Their continued evolution and ability to define and re-define themselves with courage, tenacity, and bravery allow them to confront what seem like insurmountable odds. This continues to shape and inspire Carey and those who work with her."--Olympia Dukakis, Academy Award-winning actress "Carey Perloff's lively, outspoken memoir of adventures in running and directing theatre will be a key document in the story of playmaking in America."--Tom Stoppard, Playwright "Carey Perloff, quite literally, raised a vibrant new theater from the rubble of an old one. This refreshingly honest account of her triumphs and misfires over the past two decades is both a fascinating read and an invaluable handbook for anyone attempting such a labor of love."--Armistead Maupin, author of Tales of the City "Carey Perloff's marvel of a book is part memoir of a working mother, a passionate artist, a woman flourishing in a male-dominated craft- and part lavish love letter to theater. It is as lively, thoughtful, and insightful an account I have ever read about the art form. This one is for any person who has ever sat in the dark and been spellbound by the transformative power of theater."--Khaled Hosseini, author of The Kite Runner "Carey Perloff is a veteran of the regional theatre wars. Beautiful Chaos is her vivacious account of her ambitious work commanding San Francisco's American Conservatory Theatre (ACT). The book exudes Perloff's trademark brio: smart, outspoken, full of fun and ferment."--John Lahr, author of Tennessee Williams: Mad Pilgrimage of the Flesh "This is an engaged, engaging, deeply intelligent, and passionate account of why the theatre matters and how it works in a city and in a society. It is also a fascinating and essential chapter in the history of San Francisco itself, as well as the story of a committed theatre artist's determination and vision."--Colm Toibin, author of Nora Webster Carey Perloff, Artistic Director of San Francisco's legendary American Conservatory Theater, pens a lively and revealing memoir of her twenty-plus years at the helm and delivers a provocative and impassioned manifesto for the role of live theater in today's technology-infused world. Perloff's personal and professional journey—her life as a woman in a male-dominated profession, as a wife and mother, a playwright, director, producer, arts advocate, and citizen in a city erupting with enormous change—is a compelling, entertaining story for anyone interested in how theater gets made. She offers a behind-the-scenes perspective, including her intimate working experiences with well-known actors, directors, and writers, including Tom Stoppard, Harold Pinter, Robert Wilson, David Strathairn, and Olympia Dukakis. Whether reminiscing about her turbulent first years as a young woman taking over an insolvent theater in crisis and transforming it into a thriving, world-class performance space, or ruminating on the potential for its future, Perloff takes on critical questions about arts education, cultural literacy, gender disparity, leadership, and power. Carey Perloff is an award-winning playwright, theater director, and the artistic director of the American Conservatory Theater of San Francisco since 1992.

Liv is one of the most brilliant teenage mathematicians in the country, but she does not understand her best (and only) friend Mia. Like, at all. And now, she's doing this stupid play to try to figure it out. An incredibly moving and empowering story about the chaos we create, and the order we can find in it. Drama One-act. 30-35 minutes 8-20 actors

A symphony of dislocated and interconnected scenes, in which a series of characters search for meaning in a complicated and unstable world. Part of the 2019 National Theatre Connections Festival.