Following on the heels of their incredibly successful The Ruins of Detroit, this major new project by the prolific French photographer duo Marchand/Meffre, poignantly eulogizes and celebrates the tattered remains of hundreds of movie theaters across America. They are in every American city and town—grandiose movie palaces, constructed during the heyday of the entertainment industry, that now stand abandoned, empty, decaying, or repurposed. Since 2005, the acclaimed photographic duo Marchand/Meffre have been traveling across the US to visit these early 20th-century relics. In hundreds of lushly colored images, they have captured the rich architectural diversity of the theaters’ exteriors, from neo renaissance to neo-Gothic, art nouveau to Bauhaus, and neo-Byzantine to Jugendstill. They have also stepped inside to capture the commonalities of a dying culture— crumbling plaster, rows of broken crushed-velvet seats, peeling paint, defunct equipment, and abandoned concession stands—as well as their transformation into bingo halls, warehouses, fitness centers, flea markets, parking lots, and grocery stores. Using a large format camera, the photographers’ carefully composed images range from landscape exteriors to starkly beautiful closeups. Presented here in a gorgeous oversized format, exquisitely printed with superior inks and spot varnish, this illustrated eulogy for the American movie palace is certain to become a modern-day classic.

More than 100 years after the first movie delighted audiences, movie theaters remain the last great community centers and one of the few amusements any family can afford. While countless books have been devoted to films and their stars, none have attempted a truly definitive history of those magical venues that have transported moviegoers since the beginning of the last century. In this stunningly illustrated book, film industry insiders Ross Melnick and Andreas Fuchs take readers from the nickelodeon to the megaplex and show how changes in moviemaking and political, social, and technological forces (e.g., war, depression, the baby boom, the VCR) have influenced the way we see movies.Archival photographs from archives like the Academy of Motion Picture Arts and Sciences and movie theater ephemera (postcards, period ads, matchbooks, and even a "barf bag") sourced from private collections complement Melnick's informative and engaging history. Also included throughout the book are Fuchs' profiles detailing 25 classic movie theaters that have been restored and renovated and which continue to operate today. Each of these two-page spreads is illustrated with marvelous modern photographs, many taken by top architectural photographers. The result is a fabulous look at one way in which Americans continue to come together as a nation. A timeline throughout places the developments described in a broader historical context."We've had a number of beautiful books about the great movie palaces, and even some individual volumes that pay tribute to surviving theaters around the country. This is the first book I can recall that focuses on the survivors, from coast to coast, and puts them into historical context. Sumptuously produced in an oversized format, on heavy coated paper stock, this beautiful book offers a lively history of movie theaters in America , an impressive array of photos and memorabilia, and a heartening survey of the landmarks in our midst, from the majestic Fox Tucson Theatre in Tucson, Arizona to the charming jewel-box that is the Avon in Stamford, Connecticut. I don't know why, but I never tire of gazing at black & white photos of marquees from the past; they evoke the era of moviemaking (and moviegoing) I care about the most, and this book is packed with them. Cinema Treasures is indeed a treasure, and a perfect gift item for the holiday season. - Leonard Maltin"Humble or grandiose, stand-alone or strung together, movie theaters are places where dreams are born. Once upon a time, they were treated with the respect they deserve. In their heyday, historian Ross Melnick and exhibitor Andreas Fuchs write in Cinema Treasures, openings of new motion-picture pleasure palaces that would have dazzled Kubla Khan 'received enormous attention in newspapers around the country. On top of the publicity they generated, their debuts were treated like the gala openings of new operas or exhibits, with critics weighing in on everything from the interior and exterior design to the orchestra.' Handsomely produced and extensively illustrated, Cinema Treasures is detailed without being dull and thoroughly at home with this often neglected subject matter. Its title would have you believe it is a celebration of the golden age of movie theaters. But this book is something completely different: an examination of the history of movie exhibition, which the authors accurately call 'a vastly under-researched topic.'" - Los Angeles Times

Going to the movies has always been special. Tulsa's first theater opened in 1906 with a lineup of silent reels and live vaudeville entertainment. During the next two decades, dozens of movie houses opened downtown, including the Big Four: the Ritz, Orpheum, Majestic, and Rialto. As Tulsa grew, neighborhood theaters, including the Brook, Delman, and Will Rogers, became favorites. Drive-in theaters soon followed around the city boundaries. In 1965, Tulsa's first multiplex--the Boman Twin--opened. Tulsans experienced blockbuster films at these theaters with multiple screens and increasingly smaller auditoriums. Tulsa also hosted star-studded movie premieres. Among them were The Outsiders and the 1949 premiere of Tulsa, featuring the biggest parade and crowd in Tulsa's history. Perhaps the most well-known theater--the Dreamland on Black Wall Street--was destroyed during the 1921 Tulsa Race Massacre. Although it was rebuilt, images of the Dreamland in ruins are iconic.

A primarily American institution (though it appeared in other countries such as Japan and Italy), the drive-in theater now sits on the verge of extinction. During its heyday, drive-ins could be found in communities both large and small. Some of the larger theaters held up to 3,000 cars and were often filled to capacity on weekends. The history of the drive-in from its beginnings in the 1930s through its heyday in the 1940s and 1950s to its gradual demise in modern-day America is thoroughly documented here: the patent battles, community concerns with morality (on-screen and off), technological advances (audio systems, screens, etc.), audiences, and the drive-in's place in the motion picture industry.

In the early 20th century the streets of small towns and cities across America were filled with the lights and sounds of movie theaters. The most opulent -- known as "movie palaces" -- were designed to make their patrons feel like royalty; people would dress up to visit. But as time went on it became harder and harder to fill the 2,000+ seat theaters and many were forced to close. Today, these palaces are illuminated only by the flicker of dying lights. The sound of water dripping from holes in the ceiling echoes through the auditoriums. In After the Final Curtain (Volume 2) internationally-renowned photographer Matt Lambros continues his travels across the United States, documenting these once elegant buildings. From the supposedly haunted Pacific Warner Theatre in Los Angeles to the Orpheum Theatre in New Bedford, MA -- which opened the same day the Titanic sank -- Lambros pulls back the curtain to reveal what is left, giving these palaces a chance to shine again.

In designing a theater, an architect must design a hub for the activities of actors, dancers, and musicians of every genre, and appease directors, producers, and the all-important public. This successful title has proved its practicality as a guide to building the modern theater, concert hall and cultural center designed for academic, civic and private use. Now in its first reprint edition, it has also been published in Chinese, and has proved a valuable resource for both architects and commissioning agents. The expertise of Hardy Holzman and Pfeiffer Associates (HHPA) is demonstrated time and again throughout this book, with color photography, and essays by performers, curators, artistic directors, actors, lighting designers, academic musicians, playwrights, and dancers amongst others. This book showcases their work through new buildings, old theater renovations and older building refitted as theaters.