War in the Western Theater offers fresh perspectives on pivotal Civil War events, shedding light on overlooked battles and figures, revealing untold stories that reshape our understanding of this crucial region. The Western Theater has long been pushed to the side by events in the Eastern Theater, but it was in the West where the Federal armies won the Civil War. Interest in this complex region is finally increasing, and the authors at Emerging Civil War add substantially to that growing body of literature with War in the Western Theater: Favorite Stories and Fresh Perspectives from the Historians at Emerging Civil War. Dozens of entries offer fresh and insightful aspects and angles to key events that unfolded between the Appalachians and the Mississippi River. Revisit an important Confederate charge at Shiloh, discover how key decisions won (and lost) the bloody fighting at Chickamauga, and ponder how whiskey may have impacted the fighting at Corinth. Readers will walk the battlefield at Fort Blakeley outside Mobile, fight in the hellish cedars at Stones River, and mourn with a Mississippi family. Insights abound. How many students of the war knew a Confederate major, watching the riverine bombardment of Fort Donelson up close and personal, rushed to send detailed sketches of the ironclads to Gen. Robert E. Lee to warn him of this new way of fighting—and the lethal dangers it portended? And these are just a taste of what’s waiting inside. The selections herein bring together the best scholarship from Emerging Civil War’s blog, symposia, and podcast, revised and updated, together with original pieces designed to shed new light and insight on some of the most important and fascinating events that have for too long flown under the radar of history’s pens.

A masterful history of the Civil War and its reverberations across the continent by a two-time Pulitzer Prize winner. In a fast-paced narrative of soaring ideals and sordid politics, of civil war and foreign invasion, the award-winning historian Alan Taylor presents a pivotal twenty-year period in which North America’s three largest countries—the United States, Mexico, and Canada—all transformed themselves into nations. The American Civil War stands at the center of the story, its military history and the drama of emancipation the highlights. Taylor relies on vivid characters to carry the story, from Joseph Hooker, whose timidity in crisis was exploited by Robert E. Lee and Stonewall Jackson in the Union defeat at Chancellorsville, to Martin Delany and Mary Ann Shadd Cary, Black abolitionists whose critical work in Canada and the United States advanced emancipation and the enrollment of Black soldiers in Union armies. The outbreak of the Civil War created a continental power vacuum that allowed French forces to invade Mexico in 1862 and set up an empire ruled by a Habsburg archduke. This inflamed the ongoing power struggle between Mexico’s Conservatives—landowners, the military, the Church—and Liberal supporters of social democracy, led ably by Benito Juarez. Along the southwestern border Mexico’s Conservative forces made common cause with the Confederacy, while General James Carleton violently suppressed Apaches and Navajos in New Mexico and Arizona. When the Union triumph restored the continental balance of power, French forces withdrew, and Liberals consolidated a republic in Mexico. Canada was meantime fending off a potential rupture between French-speaking Catholics in Quebec and English-speakers in Ontario. When Union victory raised the threat of American invasion, Canadian leaders pressed for a continent-wide confederation joined by a transcontinental railroad. The rollicking story of liberal ideals, political venality, and corporate corruption marked the dawn of the Gilded Age in North America.

Though its most famous battles were waged in the East at Antietam, Gettysburg, and throughout Virginia, the Civil War was clearly a conflict that raged across a continent. From cotton-rich Texas and the fields of Kansas through Indian Territory and into the high desert of New Mexico, the Trans-Mississippi Theater was site of major clashes from the war's earliest days through the surrenders of Confederate generals Edmund Kirby Smith and Stand Waite in June 1865. In this comprehensive military history of the war west of the Mississippi River, Thomas W. Cutrer shows that the theater's distance from events in the East does not diminish its importance to the unfolding of the larger struggle.

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD • AN AMERICAN BOOK AWARD FINALIST • A monumental history that has been hailed by The New York Times as “one of the most original and important books to be written about the war between Japan and the United States.” In this monumental history, Professor John Dower reveals a hidden, explosive dimension of the Pacific War—race—while writing what John Toland has called “a landmark book ... a powerful, moving, and evenhanded history that is sorely needed in both America and Japan.” Drawing on American and Japanese songs, slogans, cartoons, propaganda films, secret reports, and a wealth of other documents of the time, Dower opens up a whole new way of looking at that bitter struggle of four and a half decades ago and its ramifications in our lives today. As Edwin O. Reischauer, former ambassador to Japan, has pointed out, this book offers “a lesson that the postwar generations need most ... with eloquence, crushing detail, and power.”

For years theater director Bryan Doerries has been producing ancient Greek tragedies for a wide range of at-risk people in society. His is the personal and deeply passionate story of a life devoted to reclaiming the timeless power of an ancient artistic tradition to comfort the afflicted. Doerries leads an innovative public health project—Theater of War—that produces ancient dramas for current and returned soldiers, people in recovery from alcohol and substance abuse, tornado and hurricane survivors, and more. Tracing a path that links the personal to the artistic to the social and back again, Doerries shows us how suffering and healing are part of a timeless process in which dialogue and empathy are inextricably linked. The originality and generosity of Doerries’s work is startling, and The Theater of War—wholly unsentimental, but intensely felt and emotionally engaging—is a humane, knowledgeable, and accessible book that will both inspire and enlighten.