Pout, the chimera, half-man, half-ape, was incorporated into one of the plants or vice versa. He was jammed into a squatting position, while the stems, entering at his buttocks, merged with his legs, his arms and his torso, emerging at knees, elbows, and through his abdomen and thorax. A large, yellow-petalled flower seemed to frame his face. It was his face that rivetted Ikematsu's attention, while the chimera squirmed in dumb distress, glaring with huge piteous eyes. For in that face, set into it as if set in pudding, was the zen gun. The gun was his face, or a part of it. The barrel pointed straight out in place of a nose... the stock merged with and disappeared into Pout's pendulous mouth. Ikematsu leaned toward the chimera. "How you loved your toy! Now it is truly yours!"

This book, from one of the pioneering and preeminent translators of Zen for the West, presents a selection of Zen lessons from four teachers in four successive generations. More than just a book on Zen philosophy, "Zen Under the Gun" spans the turbulent period in Chinese history from the last generation of the Song dynasty (overthrown by the Mongols in 1279) to the first generation of the Ming dynasty (which drove out the Mongols, and proclaimed its own reign in 1368). These four Zen masters were all eminent public teachers, and their teaching words reflect the state of China and the art of Zen in their time.

Cody Wilson, a self-described crypto-anarchist and rogue thinker, combines the story of the production of the first ever 3D printable gun with a philosophical manifesto that gets to the heart of the twenty-first century debate over the freedom of information and ideas. Reminiscent of Steal This Book by Abbie Hoffman, Cody Wilson has written a philosophical guide through the digital revolution. Deflecting interference from the State Department and the Bureau of Alcohol, Tobacco, Firearms and Explosives, the story of Defense Distributed -- where Wilson's employees work against all odds to defend liberty and the right to access arms through the production of 3D printed firearms -- takes us across continents, into dusty warehouses and high rise condominiums, through television studios, to the Texas desert, and beyond.

In the 1990s, the New Orleans murder rate exploded. In 1996, 350 people were killed—the highest number in the city’s history, and the highest rate in the nation. In response to this crisis, gallery owner and artist Jonathan Ferrara and artist Brian Borrello, launched a powerful project: Guns in the Hands of Artists. Over sixty artists, including painters, glass artists, sculptors, photographers, and poets, used decommissioned guns taken off the city streets via a gun buyback program to express a thought, make a statement, open a discussion, and to stimulate thinking about guns and gun violence in America. As gun violence continues to devastate the nation on a daily basis, Guns in the Hands of Artists reemerged in 2012 as a community-based social activist art project that has since traveled to six cities across the US. Using art as a mirror for life and interweaving the works of thirty diverse artists with the voices of seventeen national thought leaders, this book is an important outgrowth of the exhibition and an extension of its efforts to employ art as a vehicle for dialogue, as a call to action, and—ultimately—as an agent of change. Essays by: Walter Isaacson, Senator Tim Kaine, Lupe Fiasco, Richard Ford, Joe Nocera, Trymaine Lee, Lolis Eric Elie, John M. Barry, Dan Cameron, Lucia McBath, Harry Shearer, Jonathan Ferrara, Brian Borrello, Maria Cuomo Cole, Michael Waldman, E. Ethelbert Miller, Mayor Mitchell J. Landrieu, Congresswoman Gabrielle Giffords and Captain Mark Kelly.

A Tokyo college student’s discovery and eventual obsession with a stolen handgun awakens something dark inside him. On a nighttime walk along a Tokyo riverbank, a young man named Nishikawa stumbles on a dead body, beside which lies a gun. From the moment Nishikawa decides to take the gun, the world around him blurs. Knowing he possesses the weapon brings an intoxicating sense of purpose to his dull university life. But soon Nishikawa’s personal entanglements become unexpectedly complicated: he finds himself romantically involved with two women while his biological father, whom he’s never met, lies dying in a hospital. Through it all, he can’t stop thinking about the gun—and the four bullets loaded in its chamber. As he spirals into obsession, his focus is consumed by one idea: that possessing the gun is no longer enough—he must fire it.

"A funny, raucous, eye-opening, wholly non-partisan trip in search of Americans who love their guns"--