August Kubizek met Adolf Hitler in 1904 while they were both competing for standing room at the opera. Their mutual passion for music created a strong bond, and over the next four years they became close friends. Kubizek describes a reticent young man, painfully shy, yet capable of bursting into hysterical fits of anger if anyone disagreed with him. The two boys would often talk for hours on end; Hitler found Kubizek to be a very good listener, a worthy confidant to his hopes and dreams. In 1908 Kubizek moved to Vienna and shared a room with Hitler at 29 Stumpergasse. During this time, Hitler tried to get into art school, but he was unsuccessful. With his money fast running out, he found himself sinking to the lower depths of the city: an unkind world of isolation and ‘constant unappeasable hunger’. Hitler moved out of the flat in November, without leaving a forwarding address; Kubizek did not meet his friend again until 1938. The Young Hitler I Knew tells the story of an extraordinary friendship, and gives fascinating insight into Hitler’s character during these formative years. This is the first edition to be published in English since 1955 and it corrects many changes made for reasons of political correctness. It also includes important sections which were excised from the original English translation.

August Kubizek met Adolf Hitler in 1904 while they competed for standing room at the opera. Kubizek describes a reticent young man, painfully shy, yet capable of bursting into hysterical fits of anger if anyone disagreed with him. But they grew close, often talking for hours on end. In 1908, they began sharing an apartment in Vienna. After being rejected twice from art school, Hitler found himself sinking into an unkind world of “constant unappeasable hunger.” Kubizek did not meet his friend again until he congratulated him on becoming Chancellor of Germany. The Young Hitler I Knew tells the story of an extraordinary friendship, and gives fascinating insight into Hitler’s character during these formative years.

"Up to the last moment, his overwhelming, despotic authority aroused false hopes and deceived his people and his entourage. Only at the end, when I watched the inglorious collapse and the obstinacy of his final downfall, was I able suddenly to fit together the bits of mosaic I had been amassing for twelve years into a complete picture of his opaque and sphinx-like personality." - Otto Dietrich When Otto Dietrich was invited in 1933 to become Adolf Hitler's press chief, he accepted with the simple, uncritical conviction that Adolf Hitler was a great man, dedicated to promoting peace and the welfare for the German people. At the end of the war, imprisoned and disillusioned, Dietrich sat down to write what he had seen and heard in twelve years of the closest association with Hitler, requesting that it be published after his death. Dietrich's role placed him in a privileged position. He was hired by Hitler in 1933, and was a confidant until 1945, and he worked and clashed with Joseph Goebbels. His direct, personal experience of life at the heart in the Reich makes for compelling reading.

The “thought-provoking…must-read” (Ariana Neumann, author of When Time Stopped) memoir by a Holocaust survivor who saved an untold number of lives at Auschwitz through everyday acts of courage and kindness—in the vein of A Bookshop in Berlin and The Nazi Officer’s Wife. In March 1942, twenty-five-year-old kindergarten teacher Magda Hellinger and nearly a thousand other young women were deported as some of the first Jews to be sent to the Auschwitz concentration camp. The SS soon discovered that by putting prisoners in charge of the day-to-day accommodation blocks, they could deflect attention away from themselves. Magda was one such prisoner selected for leadership and put in charge of hundreds of women in the notorious Experimental Block 10. She found herself constantly walking a dangerously fine line: saving lives while avoiding suspicion by the SS and risking execution. Through her inner strength and shrewd survival instincts, she was able to rise above the horror and cruelty of the camps and build pivotal relationships with the women under her watch, and even some of Auschwitz’s most notorious Nazi senior officers. Based on Magda’s personal account and completed by her daughter’s extensive research, this is “an unputdownable account of resilience and the power of compassion” (Booklist) in the face of indescribable evil.

This is the first edition to be published in English since 1955 and it corrects many changes made for reasons of political correctness. It also includes important sections which were excised from the original English translation. August Kubizek met Adolf Hitler in 1904 while they were both competing for standing room at the opera. Their mutual passion for music created a strong bond, and over the next four years they became close friends. Kubizek describes a reticent young man, painfully shy, yet capable of bursting into hysterical fits of anger if anyone disagreed with him. The two boys would often talk for hours on end; Hitler found Kubizek to be a very good listener, a worthy confidant to his hopes and dreams. In 1908 Kubizek moved to Vienna and shared a room with Hitler at 29 Stumpergasse. During this time, Hitler tried to get into art school, but he was unsuccessful. With his money fast running out, he found himself sinking to the lower depths of the city: an unkind world of isolation and 'constant unappeasable hunger'. Hitler moved out of the flat in November, without leaving a forwarding address; Kubizek did not meet his friend again until 1938. The Young Hitler I Knew tells the story of an extraordinary friendship, and gives fascinating insight into Hitler's character during these formative years. A must for Hitler scholars.

er's unlikely rise to power and his uncanny ability to manipulate his fellow man resulted in the deaths of millions of Europeans and a horrific world war, yet despite his colossal role in world history, he remains mythologized and, as a result, misunderstood. In Hitler, A.N. Wilson limns this mysterious figure with great verve and acuity, showing that it was Hitler's frightening normalcy -- not some otherworldly evilness -- that makes him so truly terrifying.