“This summer’s first romantic page turner.”—Michiko Kakutani, The New York Times Named a most anticipated book for Summer 2013 by The Wall Street Journaland Publishers Weekly and USA Today, NPR, and People summer reads pick From the author of The After Party, a lush, sexy, evocative debut novel of family secrets and girls’-school rituals, set in the 1930s South. It is 1930, the midst of the Great Depression. After her mysterious role in a family tragedy, passionate, strong-willed Thea Atwell, age fifteen, has been cast out of her Florida home, exiled to an equestrienne boarding school for Southern debutantes. High in the Blue Ridge Mountains, with its complex social strata ordered by money, beauty, and girls’ friendships, the Yonahlossee Riding Camp for Girls is a far remove from the free-roaming, dreamlike childhood Thea shared with her twin brother on their family’s citrus farm—a world now partially shattered. As Thea grapples with her responsibility for the events of the past year that led her here, she finds herself enmeshed in a new order, one that will change her sense of what is possible for herself, her family, her country. Weaving provocatively between home and school, the narrative powerfully unfurls the true story behind Thea’s expulsion from her family, but it isn’t long before the mystery of her past is rivaled by the question of how it will shape her future. Part scandalous love story, part heartbreaking family drama, The Yonahlossee Riding Camp for Girls is an immersive, transporting page-turner—a vivid, propulsive novel about sex, love, family, money, class, home, and horses, all set against the ominous threat of the Depression—and the major debut of an important new writer.

“Emotionally engaging... [A] romantic page-turner.” —Michiko Kakutani, The New York Times “A sexy, suspenseful, gorgeously written book.” —Curtis Sittenfeld, author of Prep A propulsive novel about sex, love, family, money, class, home, and horses - all set against the ominous threat of the Depression, The Yonahlossee Riding Camp for Girls is part scandalous love story, part heartbreaking family drama. It is 1930, the midst of the Great Depression. After her mysterious role in a family tragedy, passionate, strong-willed Thea Atwell, age fifteen, has been cast out of her Florida home, exiled to an equestrienne boarding school for Southern debutantes. High in the Blue Ridge Mountains, with its complex social strata ordered by money, beauty, and girls’ friendships, the Yonahlossee Riding Camp for Girls is a far remove from the free-roaming, dreamlike childhood Thea shared with her twin brother on their family’s citrus farm—a world now partially shattered. As Thea grapples with her responsibility for the events of the past year that led her here, she finds herself enmeshed in a new order, one that will change her sense of what is possible for herself, her family, her country. Weaving provocatively between home and school, the narrative powerfully unfurls the true story behind Thea’s expulsion from her family, but it isn’t long before the mystery of her past is rivaled by the question of how it will shape her future. Part scandalous love story, part heartbreaking family drama, The Yonahlossee Riding Camp for Girls is an immersive, transporting page-turner—a vivid, propulsive novel about sex, love, family, money, class, home, and horses, all set against the ominous threat of the Depression—and the major debut of an important new writer.

“A perfectly paced and tautly plotted thriller…and an incredibly accomplished debut” (Paula Hawkins, #1 New York Times bestselling author of The Girl on the Train and Into the Water), about a beloved high schooler found murdered in her sleepy Colorado suburb and the secret lives of three people connected to her. How can you love someone who’s done something horribly, horribly wrong? When a beloved high schooler named Lucinda Hayes is found murdered, no one in her community is untouched—not the boy who loved her too much; not the girl who wanted her perfect life; not the officer assigned to investigate her murder. In the aftermath of the tragedy, these three indelible characters—Cameron, Jade, and Russ—must each confront their darkest secrets in an effort to find solace, the truth, or both. In crystalline prose, Danya Kukafka offers a brilliant exploration of identity and of the razor-sharp line between love and obsession, between watching and seeing, between truth and memory. “A sensational debut—great characters, mysteries within mysteries, and page-turning pace. Highly recommended” (Lee Child, #1 New York Times bestselling author of the Jack Reacher novels). Hailed as “Gillian Flynn of 2017” (Yahoo! Style), compulsively readable and powerfully moving, Girl in Snow is “engagingly told… its endearing characters’ struggles linger in memory after this affecting work is done” (The Wall Street Journal).

A spellbinding historical novel about a woman who befriends Ethel and Julius Rosenberg, and is drawn into their world of intrigue, from the author of Margot and The Lost Letter On June 19, 1953, Ethel and Julius Rosenberg were executed for conspiring to commit espionage. The day Ethel was first arrested in 1950, she left her two young sons with a neighbor, and she never came home to them again. Brilliantly melding fact and fiction, Jillian Cantor reimagines the life of that neighbor, and the life of Ethel and Julius, an ordinary-seeming Jewish couple who became the only Americans put to death for spying during the Cold War. A few years earlier, in 1947, Millie Stein moves with her husband, Ed, and their toddler son, David, into an apartment on the eleventh floor in Knickerbocker Village on New York’s Lower East Side. Her new neighbors are the Rosenbergs. Struggling to care for David, who doesn’t speak, and isolated from other “normal” families, Millie meets Jake, a psychologist who says he can help David, and befriends Ethel, also a young mother. Millie and Ethel’s lives as friends, wives, mothers, and neighbors entwine, even as chaos begins to swirl around the Rosenbergs and the FBI closes in. Millie begins to question her own husband’s political loyalty and her marriage, and whether she can trust Jake and the deep connection they have forged as they secretly work with David. Caught between these two men, both of whom have their own agendas, and desperate to help her friends, Millie will find herself drawn into the dramatic course of history. As Millie—trusting and naive—is thrown into a world of lies, intrigue, spies and counterspies, she realizes she must fight for what she believes, who she loves, and what is right.

What lies beneath . . . At first, Jean Suttman thought she had died and gone to heaven when she was granted the opportunity to study in Rome. But the body that’s lying in the ancient subterranean Temple of Mithra—the murdered corpse of a repulsive and disliked fellow student—is far from her idea of heavenly. Now she’s truly frightened, and not just because small “accidents” seem to be occurring around her with disturbing regularity. It’s the ever-increasing certainty that someone, for some unknown reason, is ruthlessly determined to do her harm. Jean’s innocent underground excursion into a sacred pagan place has trapped her in something dark and terrifying, and even the knowledge that practical, perceptive fellow American Jacqueline Kirby is on the case won’t ease her fears. Because there’s only so far Jean Suttman can run . . . and no escape for her except death.

Vampire horror from the author of A Terrible Beauty. “Riveting . . . her compromised heroine . . . is a strikingly drawn and hauntingly memorable figure.” —USA Today Dependable grad student Ardeth Alexander finds herself trapped in a nightmare as the unwilling blood source for a captive vampire named Dimitri Rozokov. “Baker’s engrossing debut alternates the present-day story with the 1898 diary of obsessed businessman Ambrose Dale, who drove Rozokov into hiding and a 100-year sleep . . . Learning his story, Ardeth gradually loses her horror of Rozokov and begins to see their human jailers as the real monsters. Their only hope of salvation is to trace the links to Rozokov’s Victorian nemesis and discover the person behind his 20th-century captivity . . . In prose studded with passages of dark luster, Baker offers a truly original scenario” (Publishers Weekly). “It’s almost impossible not to finish The Night Inside in one frenzied, chocolate donut munching sitting. It’s also impossible not [to] root for its feisty, feminist vampiress heroine.” —Charles Busch, author of Vampire Lesbians of Sodom “Terrific . . . The unrelenting tension between the monstrous and the human propels this unique tale of gripping suspense.” —Katherine Ramsland, author of The Vampire Companion “The metamorphosis is achieved in a highly charged ritual as sensuous as any written: this is consummation as bloodbath, as mutual blood-letting and blood-sucking . . . breathless, lingering, erotic . . .” —The Globe and Mail (Toronto) “Baker has obviously thought about what surrendering to the dark side means that lifts this book up above the vast . . . morass of romantic vampire fiction.” —Quill & Quire