In an innovative cultural history of Argentine movies and radio in the decades before Peronism, Matthew B. Karush demonstrates that competition with jazz and Hollywood cinema shaped Argentina's domestic cultural production in crucial ways, as Argentine producers tried to elevate their offerings to appeal to consumers seduced by North American modernity. At the same time, the transnational marketplace encouraged these producers to compete by marketing "authentic" Argentine culture. Domestic filmmakers, radio and recording entrepreneurs, lyricists, musicians, actors, and screenwriters borrowed heavily from a rich tradition of popular melodrama. Although the resulting mass culture trafficked in conformism and consumerist titillation, it also disseminated versions of national identity that celebrated the virtue and dignity of the poor, while denigrating the wealthy as greedy and mean-spirited. This anti-elitism has been overlooked by historians, who have depicted radio and cinema as instruments of social cohesion and middle-class formation. Analyzing tango and folk songs, film comedies and dramas, radio soap operas, and other genres, Karush argues that the Argentine culture industries generated polarizing images and narratives that provided much of the discursive raw material from which Juan and Eva Pern built their mass movement.

A" to "Z" classic on Āyurvedic formulations, practices & procedures, Sanskrit text with English translation and explanatory notes.

Yogaratnakara the book of mid seventeenth century, written by yet unknown author, but extremely well known in the Ayurvedic world, is like a sun, throwing light on all aspects of ayurveda not seen in any other available book on ayurveda, however, since the book is compiled in the period when surgery was almost not being done by ayurvedist thus the references of subject matter related to salyavijnana (surgery) are scanty; knowledge of sarira (anotomy) being more important to surgeons also finds itself concised in few verse only. It is probably single available book which describes in detail ?astavidha pariksa? i.e. examination of pulse, urine and stool.

During his tenure as the Regius Professor of Medicine at Oxford from 1905-1919, Sir William Osler amassed a considerable library on the history of medicine and science. A Canadian native, Osler had studied at McGill University and decided to leave his collection of 7,600 items to its Faculty of Medicine. A catalogue, the Bibliotheca Osleriana, was compiled - a labour of love that took ten years to complete and involved W.W. Francis, R.H. Hill, and Archibald Malloch. Osler himself laid down the broad outlines of the catalogue and wrote many of the annotations.