The Yi Jing Apocrypha of Genghis Khan is a working companion of the Ivory Tablets of the Crow and a rare translation of the I Ching (Book of Changes). Originally, it was thought to be circulated and developed by members of Black Dragon Society in their investigation of the Art of Ninzuwu (Yi Jing Sorcery).The Art of Ninzuwu is a very powerful transformaional process and is said to be one of the oldest forms of magical practice in the world.The Yi Jing Apocrypha of Genghis Khan also reveals the historical authenticity of what appears in the Ivory Tablets of the Crow and how it is applied to Yi Jing divination. The book gives a thorough, yet mystical, explanation of each of the sixty-four hexagrams and compares them to the Sixty-Four Letters of Genghis Khan. The book also explores the spiritual side of Genghis Khan and his connections to shamanism. Formulas for accessing the vibration of the hexagrams are given, as well as, advanced initiatory practices of Ninzuwu. The book also examines the Yi Jing's relationship to ancient Sumerian spirituality and reveals the location of the legendary land of Dilmun, and the possibility of a Yi Jing originating in ancient Mesopotamia. Many people who presently use the I Ching in their lives will find this text truly rewarding. Others will now be able to validate the historical authenticity of what appears in the Ivory Tablets of the Crow. People, regardless of their political, racial, religious, and spiritual background can gain some wisdom from the Yi Jing Apocrypha of Genghis Khan.Another theme that is prominent in the text is the Yi Ching's relationship to Shinto and the fundamental creed of the Black Dragon Society. The Appendix includes excerpts from a speech given prominent member of the Black Dragon Society and his views on Dr. Mikao Usui.Caution: The Yi Jing Apocrypha of Genghis Khan is an advanced initiatory path into a rare form of sorcery. The Hexegrams are arranged in the order of their initiatory steps. The editor suggests that the book be read first in its entirety before practice.

Although it is generally believed that the Manchus controlled the Mongols through their patronage of Tibetan Buddhism, scant attention has been paid to the Mongol view of the Qing imperial project. In contrast to other accounts of Manchu rule, Our Great Qing focuses not only on what images the metropole wished to project into Mongolia, but also on what images the Mongols acknowledged themselves. Rather than accepting the Manchu's use of Buddhism, Johan Elverskog begins by questioning the static, unhistorical, and hegemonic view of political life implicit in the Buddhist explanation. By stressing instead the fluidity of identity and Buddhist practice as processes continually developing in relation to state formations, this work explores how Qing policies were understood by Mongols and how they came to see themselves as Qing subjects.

A rare treatise of Ame-no-Ukihashi, an esoteric martial form held sacred by practitioners of the Art of Ninzuwu. Developed and named after its founder, Ame-no-Ukihashi-hime-no-Mikoto, during the Heian period, it is the only martial art based on the supernatural abilities of the Yuki Onna. This book discusses the history and philosophy of Ame-no-Ukihashi in great detail. The sacred dance of Ame-no-Murakumo-no-Tsurugi, martial poses hidden in the hiragana script, which form a series of katas used in the development of clairvoyant abilities and self-transformation, is described and its corresponding force of influence. The fundamental principles of Ame-no-Ukihashi are clearly illustrated by more than 40 photos. Shinto priest in the Art of Ninzuwu lineage, author Messiah'el Bey (Warlock Asylum), provides a unique look into a knowledge that was once thought to be extinct.

The Ivory Tablets of the Crow is the initiatory rite of the Art of Ninzuwu, a spiritual practice said to have originated during the Jomon period, closely associated with the Tengu, Yatagarasu, and Ryujin Shinko (Dragon god faith). During the Jomon period an empire existed, whose boundaries stretched from the Far East into what is known today as ancient Mesopotamia. Traces of this empire can be found in the legends of the continent of Mu and stories about a struggle for what is known as the Tablets of Destinies, which marked the breakdown of this kingdom. The Tablets of Destinies was understood to be “the power of Anu” by the ancient Mesopotamians. It is said by some to be the Yi Jing of Chinese, and an esoteric knowledge of a secret society that was occasionally revealed to mankind by the Tengu and the Yatagarasu. The Ninzuwu, being the keepers of the sacred knowledge, shared this technology with mankind in the mathematical language of dreams and other practices that are closely associated with what is known today as Shinto and Yi Jing Sorcery, which are not separate schools when understood properly, the Cult of Nyarzir.It was by the use of the mathematical language of dreams, that an initiate can interpret and communicate with the same forces that he/she are being influenced by, and what deity that they may call upon for clarity, but also how transmute their own DNA and evolve in being. This is the meaning of the Tablets of Destinies, also known as the Yi Jing.

A celebration of Taoist art traces the influence of philosophy on the visual arts in China.

Written by Warlock Asylum, The Moabitess Stone, is the highly-anticipated sequel to Elijah Muhammad's Message to the Blackman in America that offers a Moorish Scientific solution to some of the problems facing the "Black Conscious" community and African Americans. The text presents an entirely new perspective on the question of what and who is God. It discusses the origins of the Abrahamic religions and their hidden agenda. It also examines the origin of the original man and his unique legacy as a shaman. Information provided in this text provides an in-depth history of some of the unknown sources which were utilized by Noble Drew Ali, Elijah Muhammad, and C. M. Bey in formulating their own thesis. The Moabitess Stone is directed specifically to Moorish Americans, Black Atheists, Black Panthers, Hebrew Israelites, Kemetians, Nation of Islam, Black Conscious Community, Black Power Cartel, and African Americans.

Our origins as a slave species and the Anunnaki legacy in our DNA • Reveals compelling new archaeological and genetic evidence for the engineered origins of the human species, first proposed by Zecharia Sitchin in The 12th Planet • Shows how the Anunnaki created us using pieces of their own DNA, controlling our physical and mental capabilities by inactivating their more advanced DNA • Identifies a recently discovered complex of sophisticated ruins in South Africa as the city of the Anunnaki leader Enki Scholars have long believed that the first civilization on Earth emerged in Sumer some 6,000 years ago. However, as Michael Tellinger reveals, the Sumerians and Egyptians inherited their knowledge from an earlier civilization that lived at the southern tip of Africa and began with the arrival of the Anunnaki more than 200,000 years ago. Sent to Earth in search of life-saving gold, these ancient Anunnaki astronauts from the planet Nibiru created the first humans as a slave race to mine gold--thus beginning our global traditions of gold obsession, slavery, and god as dominating master. Revealing new archaeological and genetic evidence in support of Zecharia Sitchin’s revolutionary work with pre-biblical clay tablets, Tellinger shows how the Anunnaki created us using pieces of their own DNA, controlling our physical and mental capabilities by inactivating their more advanced DNA--which explains why less than 3 percent of our DNA is active. He identifies a recently discovered complex of sophisticated ruins in South Africa, complete with thousands of mines, as the city of Anunnaki leader Enki and explains their lost technologies that used the power of sound as a source of energy. Matching key mythologies of the world’s religions to the Sumerian clay tablet stories on which they are based, he details the actual events behind these tales of direct physical interactions with “god,” concluding with the epic flood--a perennial theme of ancient myth--that wiped out the Anunnaki mining operations. Tellinger shows that, as humanity awakens to the truth about our origins, we can overcome our programmed animalistic and slave-like nature, tap in to our dormant Anunnaki DNA, and realize the longevity and intelligence of our creators as well as learn the difference between the gods of myth and the true loving God of our universe.