The Yemeni Manuscript Tradition contributes to the study of the manuscript codex and its role in scholastic culture in Yemen. Ranging in period from Islam’s first century to the modern period, all the articles in this volume emerge from the close scrutiny of the manuscripts of Yemen. As a group, these studies demonstrate the range and richness of scholarly methods closely tied to the material text, and the importance of cross-pollination in the fields of codicology, textual criticism, and social and intellectual history. Contributors are: Hassan Ansari, Menashe Anzi, Asma Hilali, Kerstin Hünefeld, Wilferd Madelung, Arianna D’Ottone, Christoph Rauch, Anne Regourd, Sabine Schmidtke, Gregor Schwarb and Jan Thiele.

When this book was first published in 1958, Arabia was even then one of the least known corners of the globe. The foreigner was strictly forbidden from entering, except those with the Imam’s personal consent, and then under close supervision. Foreigners were only allowed as far as the capital, and what lay beyond was practically unexplored. To Hans Helfritz the only hope of seeing the forbidden area was to make a secret journey, approaching it in disguise by the back door. He decided to reach the borders of the Yemen by a wide detour through the interior, crossing a desert previously considered impassable and still recorded on the maps as a blank. Beginning on the coast at the eastern extremity of the Gulf of Aden, he made his way through the Hadhramaut, the Rub’ al Khali and the Yemen to the Red Sea, the first crossing ever of the south-western part of the peninsula. From this journey he brought back a fascinating record of adventure and exploration, together with many wonderful pictures of cities never before photographed.

Winner of the Walt Whitman Award of the Academy of American Poets, selected by Harryette Mullen By turns aggressively reckless and fiercely protective, always guided by faith and ancestry, Threa Almontaser’s incendiary debut asks how mistranslation can be a form of self-knowledge and survival. A love letter to the country and people of Yemen, a portrait of young Muslim womanhood in New York after 9/11, and an extraordinarily composed examination of what it means to carry in the body the echoes of what came before, Almontaser’s polyvocal collection sneaks artifacts to and from worlds, repurposing language and adapting to the space between cultures. Half-crunk and hungry, speakers move with the force of what cannot be contained by the limits of the American imagination, and instead invest in troublemaking and trickery, navigate imperial violence across multiple accents and anthems, and apply gang signs in henna, utilizing any means necessary to form a semblance of home. In doing so, The Wild Fox of Yemen fearlessly rides the tension between carnality and tenderness in the unruly human spirit.

An unassuming scientist takes an unbelievable adventure in the Middle East in this “extraordinary” novel—the inspiration for the major motion picture starring Ewan McGregor (The Guardian). Dr. Alfred Jones lives a quiet, predictable life. He works as a civil servant for the National Centre for Fisheries Excellence in London; his wife, Mary, is a determined, no-nonsense financier; he has simple routines and unassuming ambitions. Then he meets Muhammad bin Zaidi bani Tihama, a Yemeni sheikh with money to spend and a fantastic—and ludicrous—dream of bringing the sport of salmon fishing to his home country. Suddenly, Dr. Jones is swept up in an outrageous plot to attempt the impossible, persuaded by both the sheikh himself and power-hungry members of the British government who want nothing more than to spend the sheikh’s considerable wealth. But somewhere amid the bureaucratic spin and Yemeni tall tales, Dr. Jones finds himself thinking bigger, bolder, and more impossibly than he ever has before. Told through letters, emails, interview transcripts, newspaper articles, and personal journal entries, Salmon Fishing in the Yemen is “a triumph” that both takes aim at institutional absurdity and gives loving support to the ideas of hopes, dreams, and accomplishing the impossible (The Guardian).

Silver Treasures from the Land of Sheba documents a disappearing artistic and cultural tradition with over three hundred photographs showing individual pieces, rare images of women wearing their jewelry with traditional dress, and the various regions in Yemen where the author did her field research. Amulet cases, hair ornaments, bridal headdresses, earrings, necklaces, ankle and wrist bracelets are all beautifully photographed in intricate detail. A chapter on the history of silversmithing in Yemen tells the surprising story of the famed Jewish Yemeni silversmiths, many of whom left Yemen in the late 1940s.