In 1939, the Germans invaded the town of Lodz, Poland, and moved the Jewish population into a small part of the city called a ghetto. As the war progressed, 270,000 people were forced to settle in the ghetto under impossible conditions. At the end of the war, there were 800 survivors. Of those who survived, only twelve were children. This is the story of Sylvia Perlmutter, one of the twelve.

This powerful and dignified story of heroic justice is a story for all people and all times. The book tells the legend of King Christian X of Denmark. The ruling of the Nazis that all Danish jews would have to display a yellow star on their clothes frightened the Danes and their King. He sought for guidance in the starry night sky, and came up with a very simple answer. Everyone, himself included, would wear a yellow star. The book's focused and simplified approach allows children to be exposed to an unpleasant subject without feeling threatened. The seamless interaction between the illustrations and the text make this a fascinating and thought-provoking piece of work.

Photograph, page after page, the Shoah unfolds as inexorable horror-captured with resonance that remains unequaled.

Yellow Star, Red Star asks why Holocaust memory continues to be so deeply troubled—ignored, appropriated, and obfuscated—throughout Eastern Europe, even though it was in those lands that most of the extermination campaign occurred. As part of accession to the European Union, Jelena Subotić shows, East European states were required to adopt, participate in, and contribute to the established Western narrative of the Holocaust. This requirement created anxiety and resentment in post-communist states: Holocaust memory replaced communist terror as the dominant narrative in Eastern Europe, focusing instead on predominantly Jewish suffering in World War II. Influencing the European Union's own memory politics and legislation in the process, post-communist states have attempted to reconcile these two memories by pursuing new strategies of Holocaust remembrance. The memory, symbols, and imagery of the Holocaust have been appropriated to represent crimes of communism. Yellow Star, Red Star presents in-depth accounts of Holocaust remembrance practices in Serbia, Croatia, and Lithuania, and extends the discussion to other East European states. The book demonstrates how countries of the region used Holocaust remembrance as a political strategy to resolve their contemporary "ontological insecurities"—insecurities about their identities, about their international status, and about their relationships with other international actors. As Subotić concludes, Holocaust memory in Eastern Europe has never been about the Holocaust or about the desire to remember the past, whether during communism or in its aftermath. Rather, it has been about managing national identities in a precarious and uncertain world.

What is life worth, when nothing is left? Young Aharon, no more than twelve, tells us his struggles during the Holocaust. Despite the atmosphere and religious differences, he was able to relive the Passover Seder with a gentile friend. How can a young boy subsist when he lost almost everyone he loved? Did he find solace through his friend’s words? Even though, the days were long and harsh Aharon gave strength when he had none left. Even though, the nights were dark and scary. Aharon gave hope when he had none left. Even though the days and nights turned into years of tears, Aharon gave courage when all else fails.

In this now-classic Holocaust memoir, Simcha Bunem Unsdorfer recounts his survival of the Nazi camps. Clinging fiercely to his faith in God, the nineteen-year-old Unsdorfer faced the unspeakable horrors of Auschwitz and Buchenwald with courage and moral defiance, a testament to the abiding strength of the Jewish spirit.

Ela Stein was eleven years old in February of 1942 when she was sent to the Terezin concentration camp with other Czech Jews. By the time she was liberated in 1945, she was fifteen. Somehow during those horrendous three-and-a-half years of sickness, terror, separation from loved ones, and loss, Ela managed to grow up. Although conditions were wretched, Ela forged lifelong friendships with other girls from Room 28 of her barracks. Adults working with the children tried their best to keep up the youngest prisoners' spirits. A children's opera called Brundibar was even performed, and Ela was chosen to play the pivotal role of the cat. Yet amidst all of this, the feared transports to death camps and death itself were a part of daily life. Full of sorrow, yet persistent in its belief that humans can triumph over evil; this unusual memoir tells the story of an unimaginable coming of age.