Once upon a time there lived a queen who had been the mother of a great many children, and of them all only one daughter was left. But then she was worth at least a thousand. Her mother, who, since the death of the King, her father, had nothing in the world she cared for so much as this little Princess, was so terribly afraid of losing her that she quite spoiled her, and never tried to correct any of her faults. The consequence was that this little person, who was as pretty as possible, and was one day to wear a crown, grew up so proud and so much in love with her own beauty that she despised everyone else in the world. The Queen, her mother, by her caresses and flatteries, helped to make her believe that there was nothing too good for her. She was dressed almost always in the prettiest frocks, as a fairy, or as a queen going out to hunt, and the ladies of the Court followed her dressed as forest fairies. And to make her more vain than ever the Queen caused her portrait to be taken by the cleverest painters and sent it to several neighboring kings with whom she was very friendly.

Andrew Lang (31 March 1844 – 20 July 1912) was a Scots poet, novelist, literary critic, and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales. The Andrew Lang lectures at the University of St Andrews are named after him.This book is a part of his short stories collection and efforts has been made to present the stories beautifully to the avid readers.

An innovative new edition of nine classic short stories from one of the greatest writers of the Victorian era. “I cannot think other than in stories,” Oscar Wilde once confessed to his friend André Gide. In this new selection of his short fiction, Wilde’s gifts as a storyteller are on full display, accompanied by informative facing-page annotations from Wilde biographer and scholar Nicholas Frankel. A wide-ranging introduction brings readers into the world from which the author drew inspiration. Each story in the collection brims with Wilde’s trademark wit, style, and sharp social criticism. Many are reputed to have been written for children, although Wilde insisted this was not true and that his stories would appeal to all “those who have kept the childlike faculties of wonder and joy.” “Lord Arthur Savile’s Crime” stands alongside Wilde’s comic masterpiece The Importance of Being Earnest, while other stories—including “The Happy Prince,” the tale of a young ruler who had never known sorrow, and “The Nightingale and the Rose,” the story of a nightingale who sacrifices herself for true love—embrace the theme of tragic, forbidden love and are driven by an undercurrent of seriousness, even despair, at the repressive social and sexual values of Wilde’s day. Like his later writings, Wilde’s stories are a sweeping indictment of the society that would imprison him for his homosexuality in 1895, five years before his death at the age of forty-six. Published here in the form in which Victorian readers first encountered them, Wilde’s short stories contain much that appeals to modern readers of vastly different ages and temperaments. They are the perfect distillation of one of the Victorian era’s most remarkable writers.