She never thought it could happen to her. Why would she be in danger of ever being taken from her family? The day she was taken will forever live in her memory, in her dreams, and in her fears. Learning to live after dying is a feat no young woman should ever have to accomplish. With the help of people in her life, will Hope Matthews be able to defeat her demons, or will she forever be plagued by the what-ifs in life? Plagued by decisions he has made in recent months, Joe Clemmons is not certain he is the right man to help Hope. It seems every time he turns around, there is another obstacle in his path. Does he have what it takes to make a positive difference in her life, or does it make more sense for him to let her live her life without him?

Sansei Amy Uyematsu's The Yellow Door celebrates her Japanese-American roots and the profound changes that have occurred in her lifetime. As a woman born after World War II, her six decades in Los Angeles are captured in verse that link Hokusai woodblack paintings, her grandparents' journeys to California, church parties playing Motown music, and Buddhist obon festivals. With the color yellow as a running theme, Uyematsu embraces "the idea of being a curious, sometimes furious yellow." A genuine product of the sixties, she adds her own unique LA Buddhahead twist to Asian American identity in the twentieth and twenty-first centuries.

"My dear Jack--before I met you my life seemed like a train pulling a trail of empty carriages, and then there you were, and suddenly most of them were full--with people and noise and laughter, with faith and vision and your extraordinary, electric vitality." "So now, my love, I know the worst. Your brain is shrinking inside your skull. You are going to disintegrate very slowly, mind and body. You will feel our loving in rags and your God absent and I will hold you to my breast and cradle the shell of your skull, for you will have gone, my lover, my dear one. But not quite." "I know that I cannot bear the pain of Jack's situation any longer, unrelieved. To survive and provide him with the buoyant atmosphere he wants, I have to have hopes and horizons beyond him. These horizons have included another person." When Rebecca de Saintonge's husband Jack developed Lewy Body Dementia--an incurable degenerative brain disease--she faced the dual challenge of trying to keep the integrity of their relationship intact while also avoiding her own destruction within their diminishing world. She survived by taking a lover. Through extracts from Rebecca's journal, One Yellow Door explores the conflicting emotions and complex ethics of infidelity in marriage where one partner is severely disabled. It is about a re-thinking of traditional faith and the discovery of a new, deeper spirituality, and ultimately about the indestructibility of love.

Perfect for gift-giving, Ruth Goring's debut collection of poems combines winsome accessibility and adventurous, hopeful musing with delightful and sensuous design.

This New York Times bestselling book is filled with hundreds of fun, deceptively simple, budget-friendly ideas for sprucing up your home. With two home renovations under their (tool) belts and millions of hits per month on their blog YoungHouseLove.com, Sherry and John Petersik are home-improvement enthusiasts primed to pass on a slew of projects, tricks, and techniques to do-it-yourselfers of all levels. Packed with 243 tips and ideas—both classic and unexpected—and more than 400 photographs and illustrations, this is a book that readers will return to again and again for the creative projects and easy-to-follow instructions in the relatable voice the Petersiks are known for. Learn to trick out a thrift-store mirror, spice up plain old roller shades, "hack" your Ikea table to create three distinct looks, and so much more.

She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis.