The period between 1900 and the First World War could be called the Confident Years, the Buoyant Years, the Spirited Years, or named after some bright, hopeful color, like the Golden Years. It could be done, but such tags are the invention of pundits, social historians, and professional name coiners. To the many varied people who lived through the era--the men and women who wistfully recall marching for suffrage, rebuilding San Francisco, or cheering wildly for Woodrow Wilson--the age was remembered as the Good Years. It was a time of triumph (the Wright brothers) and of tragedy (the Titanic). Days of wealth (a $200,000 ball) and of poverty (a child in a cotton mill earning $3.54 a week). But through it all ran an exciting thread of boundless confidence and hope. No one ever accused the people of that period of national indifference. It is this spirit of uncontested optimism, along with the pageant of great events, that makes this book such rewarding reading. In gathering his material, Walter Lord pored over letters, diaries, unpublished reminiscences, even Pinkerton reports, filled with fascinating and, until now, unknown detail. He traveled thousands of miles and interviewed the people who lived through the period. He met with individuals who firmly believed they had been given the greatest experience anyone could ever have; they knew and enjoyed the years when there was no limit to what we could and would do. Lord's attention to first-hand sources makes this book vivid and timeless. And Leslie Lenkowsky's new introduction adds contemporary dimension to this classic work.

Includes more than 25 illustrations WALTER LORD NEVER STARTS FROM SCRATCH. For months before a word of this book was written, he could be found roaming the country, ferreting out the fascinating people who helped shape these years. One week it might be Elijah Baum, who piloted Wilbur Wright to his first lodgings at Kitty Hawk...the next, and old fireman who fought the flames at San Francisco...the next, some militant suffragette. Even in his raids on old diaries, letters, memoirs and newspapers, Mr. Lord usually headed straight for the scene. He was as likely to be found in an attic with a flashlight as at a desk with a pencil. That’s why the book is full of such fresh discoveries: secret Pinkerton reports on a famous murder, unpublished notes left by McKinley’s physician, the caterer’s instructions for Mrs. Astor’s ball, and many other factors unknown to the participants themselves. It’s his loving attention to first-hand sources that makes Mr. Lord’s books so vivid for the thousands who read them. Editorial Reviews: “Informative and entertaining...although The Good Years is naturally and properly selective, it still achieves something of a panoramic effect.” —The New York Times “[Lord uses] a kind of literary pointillism, the arrangement of contrasting bits of fact and emotion in such a fashion that a vividly real impression of an event is conveyed to the reader.” —New York Herald Tribune “[Lord had] the extraordinary ability to bring the past to life.” —Jenny Lawrence, author of The Way It Was: Walter Lord on His Life and Books

A brilliant, life-affirming, and hilarious memoir from a “genius” (The New York Times) and master storyteller. With illustrations by Jason Polan. The seven years between the birth of Etgar Keret’s son and the death of his father were good years, though still full of reasons to worry. Lev is born in the midst of a terrorist attack. Etgar’s father gets cancer. The threat of constant war looms over their home and permeates daily life. What emerges from this dark reality is a series of sublimely absurd ruminations on everything from Etgar’s three-year-old son’s impending military service to the terrorist mind-set behind Angry Birds. There’s Lev’s insistence that he is a cat, releasing him from any human responsibilities or rules. Etgar’s siblings, all very different people who have chosen radically divergent paths in life, come together after his father’s shivah to experience the grief and love that tie a family together forever. This wise, witty memoir—Etgar’s first nonfiction book published in America, and told in his inimitable style—is full of wonder and life and love, poignant insights, and irrepressible humor.

Is It Still Good to Ya? sums up the career of longtime Village Voice stalwart Robert Christgau, who for half a century has been America's most widely respected rock critic, honoring a music he argues is only more enduring because it's sometimes simple or silly. While compiling historical overviews going back to Dionysus and the gramophone along with artist analyses that range from Louis Armstrong to M.I.A., this definitive collection also explores pop's African roots, response to 9/11, and evolution from the teen music of the '50s to an art form compelled to confront mortality as its heroes pass on. A final section combines searching obituaries of David Bowie, Prince, and Leonard Cohen with awed farewells to Bob Marley and Ornette Coleman.

From the bestselling author of In Her Shoes, All Fall Down and the forthcoming novel Who Do You Love, Good in Bedis a funny and tender story full of heart. Cannie Shapiro never wanted to be famous. The smart, sharp, plus-sized reporter was perfectly happy writing about other people's lives for her local newspaper. And for the past twenty-eight years, things have been tripping along nicely for Cannie. Sure, her mother has come charging out of the closet, and her father has long since dropped out of her world. But she loves her job, her friends, her dog and her life. She loves her apartment and her commodious, quilt-lined bed. She has made a tenuous peace with her body and she even felt okay about ending her relationship with her boyfriend Bruce. But now this... 'Loving a larger woman is an act of courage in our world,' Bruce has written in a national woman's magazine. And Cannie - who never knew that Bruce saw her as a larger woman, or thought that loving her was an act of courage - is plunged into misery, and the most amazing year of her life.

A portrait of the talented singer/songwriter traces the evolution of a musical prodigy, from her early years to become one of the most important female musical voices of contemporary music, revealing how she has combined her talent on the piano with inspiration from some of the most tragic incidents of her life to create musical art. Original.