"South African-born Helena Kriel is commissioned to write the screenplay for what later become a hit Hollywood movie, Kama Sutra, based on the ancient Indian manuscript on sex and love. In the year she travels to India to do her research, back home in South Africa, her beloved brother Evan is diagnosed with AIDS. Little does she know that everything she seeks to learn about love will be revealed in the battle to keep Evan alive."--Back cover.

Fire as omen and elemental force, as metaphor and searing personal experience--these are the subjects Douglas McCulloh explores in Facing Fire: Art, Wildfire, and the End of Nature in the New West. California's diverse ecologies are fire-prone, fire-adapted, even fire-dependent. In the past two decades, however, West Coast wildfires have exploded in scale and severity. There is a powerful consensus that we have entered a new era--nature unbalanced, the end of the stable world. Douglas McCulloh has assembled the work of 16 artists who bring us incendiary images from active fire lines and psychic burn zones. Together the 16 artists face fire, sift its aftermath, struggle with its implications. Throughout is the uneasy sense that wildfire is a stand-in, a site of displacement for more immaterial fears, for the amorphous anxieties of the age. This book is published in conjunction with an exhibition of the same name held at UCR ARTS: California Museum of Photography February 22-August 9, 2020.

NOW WITH A FOREWORD BY RON RASH AND AN APPRECIATION BY DWIGHT GARNER “One of the finest books I know about blue-collar work in America, its rewards and frustrations . . . If you are among the tens of millions who have never read Brown, this is a perfect introduction.” —Dwight Garner, The New York Times On January 6, 1990, after seventeen years on the job, Larry Brown quit the Oxford, Mississippi, fire department to try writing full-time. In On Fire, he looks back on his life as a firefighter. His unflinching accounts of daily trauma—from the blistering heat of burning trailer homes to the crunch of broken glass at crash scenes—catapult readers into the hard reality that drove this award-winning novelist. As a firefighter and fireman-turned-author, as husband and hunter, and as father and son, Brown offers insights into the choices men face pursuing their life’s work. And, in the forthright style we expect from Larry Brown, his narrative builds to the explanation of how one man who regularly confronted death began to burn with the desire to write about life.

In the conclusion to her acclaimed Three Sisters Island trilogy, #1 New York Times bestselling author Nora Roberts masterfully evokes the quaint charm of New England, weaving a spellbinding tale of true love—and sheer magic. Mia Devlin knows what it’s like to love with your whole heart—and then watch your love walk away. Years ago, she and Sam Logan shared an incredible bond built on passion, legend, and fate. But then one day he fled Three Sisters Island, leaving her lost in memories of the magic they shared—and determined to live on her own. As the new owner of the island’s only hotel, Sam has returned to Three Sisters with hopes of winning back Mia’s affections. He is puzzled when she greets him with icy indifference—for the chemistry between them is still sizzling and true. Angry, hurt, and deeply confused, Mia refuses to admit that a desire for Sam still burns in her heart. But she’ll need his help—and his powers—to face her greatest, most terrifying challenge. And as the deadline for breaking a centuries-old curse draws near, they must take the first step toward destiny—and come together to turn back the dark… Don’t miss the other books in the Three Sisters Island Trilogy Dance Upon the Air Heaven and Earth

A memoir of loss and renewal in the wake of the most destructive wildfire in Texas history

NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • From one of America’s iconic writers, a stunning book of electric honesty and passion that explores an intensely personal yet universal experience: a portrait of a marriage—and a life, in good times and bad—that will speak to anyone who has ever loved a husband or wife or child. Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill with what seemed at first flu, then pneumonia, then complete septic shock. She was put into an induced coma and placed on life support. Days later—the night before New Year’s Eve—the Dunnes were just sitting down to dinner after visiting the hospital when John Gregory Dunne suffered a massive and fatal coronary. In a second, this close, symbiotic partnership of forty years was over. Four weeks later, their daughter pulled through. Two months after that, arriving at LAX, she collapsed and underwent six hours of brain surgery at UCLA Medical Center to relieve a massive hematoma. This powerful book is Didion’ s attempt to make sense of the “weeks and then months that cut loose any fixed idea I ever had about death, about illness ... about marriage and children and memory ... about the shallowness of sanity, about life itself.

First published in 1963, James Baldwin's A Fire Next Time stabbed at the heart of America's so-called ldquo;Negro problemrdquo;. As remarkable for its masterful prose as it is for its uncompromising account of black experience in the United States, it is considered to this day one of the most articulate and influential expressions of 1960s race relations. The book consists of two essays, ldquo;My Dungeon Shook mdash; Letter to my Nephew on the One Hundredth Anniversary of Emancipation,rdquo; and ldquo;Down At The Cross mdash; Letter from a Region of My Mind.rdquo; It weaves thematic threads of love, faith, and family into a candid assault on the hypocrisy of the so-say ldquo;land of the freerdquo;, insisting on the inequality implicit to American society. ldquo;You were born where you were born and faced the future that you facedrdquo;, Baldwin writes to his nephew, ldquo;because you were black and for no other reason.rdquo; His profound sense of injustice is matched by a robust belief in ldquo;monumental dignityrdquo;, in patience, empathy, and the possibility of transforming America into ldquo;what America must become.rdquo;