A narration of dramas played out from 1578 to 2000 in Tierra del Fuego by the native Yamana, Darwin, explorers, sealers, whalers and missionaries.

A tale of tragedy, catastrophe, and the triumph of the human spirit. In 1830 a Yamana Indian boy, Orundellico, was bought from his uncle in Tierra del Fuego for the price of a mother-of-pearl button. Renamed Jemmy Button, he was removed from his primitive nomadic existence, where life revolved around the hunt for food and the need for shelter, and taken halfway round the world to England, then at the height of the Industrial Revolution. He learned English and Christianity, met King William IV and Queen Adelaide, and made a strong impression on many of the major figures in Britain, eventually becoming a celebrity. Charles Darwin himself befriended the Fuegian and later wrote about their time together on The Beagle, voyaging back to the southern tip of South America. Their friendship influenced one of the most important and controversial works of the century, On the Origin of Species. Upon his return to Tierra del Fuego, Jemmy found that life could never be the same for him there. The Beagle's captain deposited the young man on a lonely, windswept shore and charged him with the tasks of "civilizing" his people and bringing God to his homeland. At first ostracized and attacked by other Fuegians, Jemmy later became the target of zealous and ambitious missionaries. Thirty years after his return, a missionary schooner in Tierra del Fuego was attacked, with nearly everyone on board killed, and Button himself was accused of leading the massacre. In Nick Hazlewood's Savage, Button's life story illustrates how the lofty ideals of imperialism often resulted in appalling consequences. Thoroughly researched and remarkably well written, this fascinating and poignant story is ultimately about survival, revenge, murder, and the destruction of a whole race of people, blurring the boundaries of civilization and savagery.

In Loss and Wonder at the World's End, Laura A. Ogden brings together animals, people, and things—from beavers, stolen photographs, lichen, American explorers, and birdsong—to catalog the ways environmental change and colonial history are entangled in the Fuegian Archipelago of southernmost Chile and Argentina. Repeated algal blooms have closed fisheries in the archipelago. Glaciers are in retreat. Extractive industries such as commercial forestry, natural gas production, and salmon farming along with the introduction of nonnative species are rapidly transforming assemblages of life. Ogden archives forms of loss—including territory, language, sovereignty, and life itself—as well as forms of wonder, or moments when life continues to flourish even in the ruins of these devastations. Her account draws on long-term ethnographic research with settler and Indigenous communities; archival photographs; explorer journals; and experiments in natural history and performance studies. Loss and Wonder at the World's End frames environmental change as imperialism's shadow, a darkness cast over the earth in the wake of other losses.

Yoshimasa may have been the worst shogun ever to rule Japan. He was a failure as a soldier, incompetent at dealing with state business, and dominated by his wife. But his influence on the cultural life of Japan was unparalleled. According to Donald Keene, Yoshimasa was the only shogun to leave a lasting heritage for the entire Japanese people. Today Yoshimasa is remembered primarily as the builder of the Temple of the Silver Pavilion and as the ruler at the time of the Onin War (1467–1477), after which the authority of the shogun all but disappeared. Unable to control the daimyos—provincial military governors—he abandoned politics and devoted himself to the quest for beauty. It was then, after Yoshimasa resigned as shogun and made his home in the mountain retreat now known as the Silver Pavilion, that his aesthetic taste came to define that of the Japanese: the no theater flourished, Japanese gardens were developed, and the tea ceremony had its origins in a small room at the Silver Pavilion. Flower arrangement, ink painting, and shoin-zukuri architecture began or became of major importance under Yoshimasa. Poets introduced their often barely literate warlord-hosts to the literary masterpieces of the past and taught them how to compose poetry. Even the most barbarous warlord came to want the trappings of culture that would enable him to feel like a civilized man. Yoshimasa and the Silver Pavilion gives this long-neglected but critical period in Japanese history the thorough treatment it deserves.

This fictionalization of Charles Darwin's voyage around the world reveals a human story of adventure through which a young man finds direction in life and, in the process, develops the Theory of Evolution that would forever change the world.