In the beginning of the 1980's and during the dictatorship that started in Argentina in 1976 and ended in 1983- a small poetry magazine, XUL, published its first issue. Since then, and until the present, the magazine has called for a discussion of poetry and writing in which politics and formal experimentation were no longer conceived as mutually exclusive. We have now, for the first time, a bilingual anthology that presents us with the unmapped territory of Argentina's poetry of the last 16 years, a retrospective view as much as a way of knowing what to expect in the coming years.

Athena wakes up in hell. Well...it's an alien slave ship, but it might as well be hell because she only has three choices. Mate. Become a sex slave. Or be killed. Great options. Desperate for freedom, a chance for survival is presented in the handsome rogue alien called Xul. But Xul is caught up in problems of his own and a mission he cannot afford to let fail--one that could be easily compromised if he dared open his heart. That doesn't leave her with many options and it doesn't help that she finds him utterly frustrating... ...and strong, hot, irresistible... She shouldn't really be thinking about him like that. Should she? Xul is a standalone read that contains delightfully steamy scenes with a guaranteed happily ever after, possessive alpha males, and strong female leads. There is no forced mating between the hero and heroine and no cliffhanger. It is the first book in the Captured by Aliens sci-fi alien romance series. Buy Xul today! A new galaxy awaits.

Excessively European, refreshingly European, not as European as it looks, struggling to overcome a delusion that it is European. Argentina—in all its complexity—has often been obscured by variations of the "like Europe and not like the rest of Latin America" cliché. The Argentina Reader deliberately breaks from that viewpoint. This essential introduction to Argentina’s history, culture, and society provides a richer, more comprehensive look at one of the most paradoxical of Latin American nations: a nation that used to be among the richest in the world, with the largest middle class in Latin America, yet one that entered the twenty-first century with its economy in shambles and its citizenry seething with frustration. This diverse collection brings together songs, articles, comic strips, scholarly essays, poems, and short stories. Most pieces are by Argentines. More than forty of the texts have never before appeared in English. The Argentina Reader contains photographs from Argentina’s National Archives and images of artwork by some of the country’s most talented painters and sculptors. Many selections deal with the history of indigenous Argentines, workers, women, blacks, and other groups often ignored in descriptions of the country. At the same time, the book includes excerpts by or about such major political figures as José de San Martín and Juan Perón. Pieces from literary and social figures virtually unknown in the United States appear alongside those by more well-known writers such as Jorge Luis Borges, Ricardo Piglia, and Julio Cortázar. The Argentina Reader covers the Spanish colonial regime; the years of nation building following Argentina’s independence from Spain in 1810; and the sweeping progress of economic growth and cultural change that made Argentina, by the turn of the twentieth century, the most modern country in Latin America. The bulk of the collection focuses on the twentieth century: on the popular movements that enabled Peronism and the revolutionary dreams of the 1960s and 1970s; on the dictatorship from 1976 to 1983 and the accompanying culture of terror and resistance; and, finally, on the contradictory and disconcerting tendencies unleashed by the principles of neoliberalism and the new global economy. The book also includes a list of suggestions for further reading. The Argentina Reader is an invaluable resource for those interested in learning about Argentine history and culture, whether in the classroom or in preparation for travel in Argentina.

XUL stands for XML User Interface Language. It is an XML markup language that allows for GUI-based application creation using the Gecko and Goanna layout engines. In turn, these layout engines provide several technologies used to build applications. Pale Moon and Waterfox are just two applications built using XUL and the Gecko/Goanna layout engine. XUL makes it easy to build your own stand-alone applications through the use of XPCOM, JavaScript, HTML and CSS. This book is intended to be a quick start-style resource to give you the basics of creating a XUL GUI along with how to make that GUI actually do something using JavaScript and XPCOM. This 7th Edition incorporates information on using Waterfox and Pale Moon as the basis for your own stand-alone applications. Expanded information on notification boxes, popups and panels is also included in his new edition.

The most inclusive single-volume anthology of Latin American poetry intranslation ever produced.

A revolutionary new technology for the rapidly expanding world of e-commerce, XUL (XML User Interface Language) is an XML-based user interface language that gives Web developers control over all aspects of the Web interface. Featuring two tutorials on programming with XUL, this book shows developers how to use basic XUL elements to build a sample interface for an e-commerce site, then goes on to explore more sophisticated applications by creating an information portal inside an application. Readers will find expert tips and advice on how to get started writing XUL code as well as how to extend it into Java and other non-Netscape interfaces.

"Verse is born free but everywhere in chains. It has been my project to rattle the chains." (from "The Revenge of the Poet-Critic") In My Way, (in)famous language poet and critic Charles Bernstein deploys a wide variety of interlinked forms—speeches and poems, interviews and essays—to explore the place of poetry in American culture and in the university. Sometimes comic, sometimes dark, Bernstein's writing is irreverent but always relevant, "not structurally challenged, but structurally challenging." Addressing many interrelated issues, Bernstein moves from the role of the public intellectual to the poetics of scholarly prose, from vernacular modernism to idiosyncratic postmodernism, from identity politics to the resurgence of the aesthetic, from cultural studies to poetry as a performance art, from the small press movement to the Web. Along the way he provides "close listening" to such poets as Charles Reznikoff, Laura Riding, Susan Howe, Ezra Pound, Allen Ginsberg, and Gertrude Stein, as well as a fresh perspective on L=A=N=G=U=A=G=E, the magazine he coedited that became a fulcrum for a new wave of North American writing. In his passionate defense of an activist, innovative poetry, Bernstein never departs from the culturally engaged, linguistically complex, yet often very funny writing that has characterized his unique approach to poetry for over twenty years. Offering some of his most daring work yet—essays in poetic lines, prose with poetic motifs, interviews miming speech, speeches veering into song—Charles Bernstein's My Way illuminates the newest developments in contemporary poetry with its own contributions to them. "The result of [Bernstein's] provocative groping is more stimulating than many books of either poetry or criticism have been in recent years."—Molly McQuade, Washington Post Book World "This book, for all of its centrifugal activity, is a singular yet globally relevant perspective on the literary arts and their institutions, offered in good faith, yet cranky and poignant enough to not be easily ignored."—Publishers Weekly "Bernstein has emerged as postmodern poetry's sous-chef of insouciance. My Way is another of his rich concoctions, fortified with intellect and seasoned with laughter."—Timothy Gray, American Literature