After a year spent fighting for King Henry VIII, Lord Richard Morton returns to his Cornish home to find his wife with child. Driven by grief and blind rage, he lashes out violently at her and leaves, taking his five year old daughter with him. It is seven years before he learns his mistake, when his brother makes a death bed confession to raping Richard's wife. Lord Morton knows he must return to Cornwall, must reunite his daughter with the mother she has not seen for seven years, but he dreads the encounter. He expects no forgiveness for having torn their lives apart, but he is unprepared for what awaits him. He learns he did far more damage than he thought and when he finds his wife is studying the heretical and dangerous works of the religious reformer, Martin Luther, he fears he is too late to attempt to repair the damage. He cannot risk having the illicit works under the same roof as his daughter, but she is so happy to be with her mother, he cannot bear to separate them again. Years of heartache and resentment stand between them, but he will do anything to win her love and trust once more. It will be the greatest battle of his life.

Ecocritical Menopause: Women, Literature, Environment, “The Change” is the first volume of its kind to bring together cross-sectional ecofeminist voices privileging women’s menopausal positionality within literary works. This collection reexamines menopause across the disciplinary fields of ecofeminism and ecocriticism as clearly the most neglected phase of the menstrual cycle and aims to develop a critical discourse in counterpoint to the persistent cultural and critical legacies that sustain underrating women in midlife. In highlighting selected literary representations of female being in transition, this volume includes: • Exploration of the core motifs mediating the fashioning of menopausal women, including biology, the body, body shaming, climacterium, hysteria, the crone/hag figure, femininity, gender, identity, reproduction, sexlessness and asexuality • Reexamination of histo-cultural biases that continue to perpetuate a devaluation of women after menopause, such as ageism, degeneration, loss of fertility and myths of essentialism, patriarchy and hegemony, social taboos, the medicalization of menopause, and cultural “menophobia” • Analysis of literature genres in which we find portraitures of peri/post/menopause subjectivity, such as autofiction, crime fiction, detective fiction, folktales, frame tale, fiction, mystery, poetry, short story, and the “whodonit.”

This 1920 thriller is set in the frozen waste of the North West Territories of Alaska and Canada amid the Indian tribes of the area.