Muslims beyond the Arab World explores the vibrant tradition of writing African languages using the modified Arabic script ('Ajami) alongside the rise of the Muridiyya Sufi order in Senegal. The book demonstrates how the development of the 'Ajami literary tradition is entwined with the flourishing of the Muridiyya into one of sub-Saharan Africa's most powerful and dynamic Sufi organizations. It offers a close reading of the rich hagiographic and didactic written, recited, and chanted 'Ajami texts of the Muridiyya, works largely unknown to scholars. The texts describe the life and Sufi odyssey of the order's founder, Shaykh Ahmadu Bamba Mbakke (1853-1927),his conflicts with local rulers and Muslim clerics and the French colonial administration, and the traditions and teachings he championed that permanently shaped the identity and behaviors of his followers. Fallou Ngom evaluates prevailing representations of the Muridiyya movement and offers alternative perspectives. He demonstrates how the Mur?ds used their written, recited, and chanted 'Ajami materials as an effective mass communication tool in conveying to the masses Bamba's poignant odyssey, doctrine, the virtues he stood for and cultivated among his followers-self-esteem, self-reliance, strong faith, work ethic, pursuit of excellence, determination, nonviolence, and optimism in the face of adversity-without the knowledge of the French colonial administration and many academics. Muslims beyond the Arab World argues that this is the source of the resilience, appeal, and expansion of Muridiyya, which has fascinated observers since its inception in 1883.

Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importance. By conceiving autobiography in a wide sense that includes memoirs, diaries, self-portraits and autofiction as well as media transformations of the genre, this three-volume handbook offers a comprehensive survey of theoretical approaches, systematic aspects, and historical developments in an international and interdisciplinary perspective. While autobiography is usually considered to be a European tradition, special emphasis is placed on the modes of self-representation in non-Western cultures and on inter- and transcultural perspectives of the genre. The individual contributions are closely interconnected by a system of cross-references. The handbook addresses scholars of cultural and literary studies, students as well as non-academic readers.