A heart-stopping supernatural thriller from the master of suspense. Addison Goodheart is not like other people ... Addison Goodheart lives in solitude beneath the city, an exile from a society which will destroy him if he is ever seen. Books are his refuge and his escape: he embraces the riches they have to offer. By night he leaves his hidden chambers and, through a network of storm drains and service tunnels, makes his way into the central library. And that is where he meets Gwyneth, who, like Addison, also hides her true appearance and struggles to trust anyone.But the bond between them runs deeper than the tragedies that have scarred their lives. Something more than chance − and nothing less than destiny − has brought them together in a world whose hour of reckoning is fast approaching. 'A thriller that's both chilling and fulfilling' PEOPLE 'Laced with fantastical mysticism, it's an allegory of nonviolence, acceptance and love in the face of adversity ... the narrative is intense, with an old-fashioned ominousness and artistically crafted ... with an optimistic and unexpected conclusion ... Something different this way comes from Mr. Koontz's imagination. Enjoy.' KIRKUS REVIEWS 'Fascinating thriller' WOMAN'S DAY 'Monstrously thrilling' COURIER MAIL 'A supernatural tragedy ... a fantastical tale of loneliness and love, a story about our endless capacity to do good and succumb to evil' Rob Minshull, ABC

It is the twilight of innocence: America 1914. As Europe goes to war, Helen, a Boston bluestocking, begins her studies at Harvard-Radcliffe. Riley, a carefree British playboy more interested in chasing women than studying, sets his sights on her. He is surprised to find that his adversary in love is not Helen's protective brother, but Riley's own cousin, Wils Brandl, a brooding poet and German noble. As distant conflict begins to penetrate the quiet walls of Harvard, Wils must return to Europe and face a war for which he is not prepared. Set in Boston and Flanders Fields, Harvard 1914 explores love, war, and a new social imagination.

Undercover officer George Raffield's job was to pose as a student in the small town of Midlothian, Texas and infiltrate the high school drug ring. When Raffield's cover became suspect, word spread through a small circle of friends that the young officer would pay with his life. No one stopped it. On a rainy fall evening in 1987, Raffield was lured to an isolated field. Three bullets were fired-one unloaded into his skull. The baby-faced killer, Greg Knighten, stole eighteen dollars from Raffield's wallet, divided it among his two young accomplices, and calmly said, "it's done." With chilling detail, Carlton Stowers illuminates a dark corner of America's heartland and the children who hide there. What he found was an alienated subculture of drug abuse, the occult, and an unfathomable teenage rage that exploded at point blank range on a shocking night of lost innocence...

When defence attorney Mickey Haller is pulled over by police, the body of a client is discovered in the trunk of his Lincoln. Haller is charged with murder and can't make the exorbitant $5 million bail slapped on him by a vindictive judge. Haller knows he's been framed and elects to defend himself. But it isn't easy to build a defence from a cell in the Twin Towers Jail in downtown Los Angeles - as an officer of the court he is an instant target. With the help of a handpicked team, including his half-brother Harry Bosch, Mickey races time to figure out who has plotted to destroy his life and why. And then he must go before a judge and jury to prove his own innocence. In his highest stakes case yet, Mickey Haller fights for his life and shows why he is 'a worthy colleague of Atticus Finch . . . the front of the pack in the legal thriller game' (Los Angeles Times). 'This is unmatched crime writing at its summit' -The Australian 'The Raymond Chandler of this generation' -Associated Press

In Jean Stone’s moving novel of what might have been, four very different women with one very powerful thing in common are reunited—with one another, and with the children they gave up for adoption. Jess has led a charmed life, but now that her beautiful teenage daughter is pregnant, all she can think of is the baby she gave away. Susan lost one child years ago, and now, as a divorced college professor, she’s terrified of losing another. P.J. overcame an unwanted pregnancy to become a high-powered art director, but her whirlwind life is halted by an unsettling discovery. Ginny makes an unlikely Hollywood wife, but men, money, and four marriages can’t erase the horrors of her past—or satisfy her need for love. Twenty-five years ago, they met in a home for unwed mothers. At the time, all they had to hold on to was one another. Now Jess, Susan, P.J., and Ginny must find the courage to face the past: The date is set for a reunion with the children they have never known. And no matter what happens, their lives will never be the same. Jess’s story continues in Jean Stone’s Tides of the Heart! Includes a special message from the editor, as well as excerpts from these Loveswept titles: Trying to Score, Long Simmering Spring, and Scarlet Lady.

The Writing of Innocence explores the topic of innocence and the peculiar relationship to Christianity in the writing of Maurice Blanchot. Its starting point is that innocence is not a condition relegated to a mythical past but rather one resulting from the construction of the subject in and through language. Hence, we don't lose innocence; instead, we are lost by innocence. It is an excess, not a lack. This inverted notion of innocence raises new ethical and political issues that Aïcha Liviana Messina unfolds through vigorous re-readings of a series of biblical motifs, including law, grace, and apocalypse. The closing chapter turns to the convergences and divergences between Jean-Luc Nancy's and Blanchot's understandings of the deconstruction of Christianity. With a foreword by philosopher Serge Margel, The Writing of Innocence offers a fresh perspective on Blanchot's writings in general and on his dialogue with Hegel in particular. While staging innocence in its philosophical and literary dimensions, The Writing of Innocence provides singular readings of works by Kierkegaard, Agamben, Derrida, Nancy, Camus, Hugo, and Kafka.

Claiming Innocence is like no other book you've ever read. Filled with vivid, memorable characters, it teems with high adventure in times of brutality and duress, offset by strong bonds of love and loyalty. Mark becomes highly adaptable, driven by revenge through times of extreme violence, life on the run, even taking refuge with a tribe of cannibals. Ultimately a feel-good read, this is a page-turner, written with precision, sensitivity, and care. About the Author JoAnne Harris Michels is the mother of eight children and twenty-seven grandchildren, and was named California Mother of the Year in 2015. She is involved in humanitarian projects at home and abroad, including Ayuda, which provides dental care in developing countries; The Globe Theater in London; and the Michels School for Special Needs Children in Kenya. She lectures locally for OUR (Operation Underground Railroad), which fights to combat human trafficking, specifically child sexual slavery. She lives with her husband Jerry (her consigliere) in Los Angeles, California, and is currently in the process of publishing her second book, "Sutras."