The Writing of God investigates the Inscriptions from the base of Mount Sina in Arabia which reveal an incredible secret of the Bible. The latest archaeological, inscriptional and astronomical research reveals the origin of the alphabet, location of the real Mount Sinai and the correct chronology of the biblical narrative of the Exodus.

This comprehensive creative writing course is designed for all ages and a wide variety of teaching styles and schedules, and can be used to teach anyone to write creatively. Jill Bond focuses first on the creative aspects of writing, then follows up with important aspects of grammar and usage. New and seasoned teachers alike will enjoy Bond's hands-on, non-writing, "warm-up" exercises as well as the gentle and encouraging approach she recommends for young writers.

In the wake of the horrific 9/11 terrorist attacks we, as an increasingly secular nation, were reminded that religion is, for good and bad, still significant in the modern world. Alongside this new awareness, religion reporters adopted the tools of so-called New Journalists, reporters of the 1960s and '70s like Truman Capote and Joan Didion who inserted themselves into the stories they covered while borrowing the narrative tool kit of fiction to avail themselves of a deeper truth. At the turn of the millennium, this personal, subjective, voice-driven New Religion Journalism was employed by young writers, willing to scrutinize questions of faith and doubt while taking God-talk seriously. Articles emerged from such journalists as Kelly Baker, Ann Neumann, Patrick Blanchfield, Jeff Kripal, and Meghan O'Gieblyn, characterized by their brash, innovative, daring, and stylistically sophisticated writing and an unprecedented willingness to detail their own interaction with faith (or their lack thereof). The God Beat brings together some of the finest and most representative samples of this emerging genre. By curating and presenting them as part of a meaningful trend, this compellingly edited collection helps us understand how we talk about God in public spaces--and why it matters--in a whole new way.

Bart D. Ehrman, the New York Times bestselling author of Jesus, Interrupted and God’s Problem reveals which books in the Bible’s New Testament were not passed down by Jesus’s disciples, but were instead forged by other hands—and why this centuries-hidden scandal is far more significant than many scholars are willing to admit. A controversial work of historical reporting in the tradition of Elaine Pagels, Marcus Borg, and John Dominic Crossan, Ehrman’s Forged delivers a stunning explication of one of the most substantial—yet least discussed—problems confronting the world of biblical scholarship.

Jesus"€"the consummate author"€"is writing a story with your life. He loves a good plot and He rarely writes short stories. Take heart in the journey, your last chapter's not yet written. This book will inspire you by telling one of the Bible's greatest stories from a perspective rarely seen. Be encouraged"€"God is using the unique twists of your journey to craft a story with your life. When the journey grows long, we can be tempted to lose heart. This book will strengthen you to stay in the story. In the last section of the book, you will be encouraged by one of the greatest"€"and least told"€"stories in the entire Bible. We think you'll agree that this is one of Bob's most important books.

AAll women who enjoy reading daily devotionals will be drawn to this beautifully packaged book---Take My Heart, Oh God. Perfect as a great gift for any occasion, each one-page, 150-word devotional exposition references a short, insightful quote from a famous woman writer from history or a woman on today's bestseller lists. Each daily reading includes a Bible verse and seed prayer. This attractive book will challenge, motivate, and stir your heart, encouraging you and all the women in your life through your daily walk.

The art of Islamic calligraphy developed from the 7th to the 14th century, beginning in western Arabia, spreading south to Yemen and north to the Near East, and continuing east and west to Iran, Egypt, North Africa, and Spain. This handsome book demonstrates the breadth and beauty of Islamic calligraphy across centuries and continents, as seen in rare early folios of the Qur'an. Noted scholar David J. Roxburgh begins by discussing the Qur'an, which Muslims believe to be the written record of a series of divinely inspired revelations to the Prophet Muhammad. He then analyzes Kufic script, the preeminent vehicle for writing early manuscripts of the Qur'an; reforms of calligraphy in the 10th century; and the great master Islamic calligraphers, in particular Yaqut al-Musta'simi. The beautiful reproductions of folios and bifolios validate Roxburgh's conclusion that "the miracle of the text of the Qur'an found its equal in the technical mastery of the calligrapher's practice, a miracle in its own right."