Drawing on the ever contentious and antagonistic relationship between the writer and the state, especially in the postcolony, the chapters assembled in this collection delineate Bill F. Ndi, the poet and playwright’s arduous and sometimes dangerous role as a custodian or guardian of the socioeconomics and politico-cultures of the Cameroonian postcolony and Africa at large. The chapters insist that granted The Cameroons’ quadruple experience of colonialism (through the Germans, the French, the British and La République du Cameroun), Cameroun and British Southern Cameroons’ history needs to purge itself of the epistemic and ontological violence of Francophonecentric historiography. “Bill F. Ndi possesses a unique and powerful voice within the Cameroonian literary scene and this apposite volume of critical essays attempts not only to situate him properly within that domain but also to significantly augment his already considerable stature.” Sanya Osha, University of Cape Town, South Africa “Bill F. Ndi is an unapologetic and committed firebrand writer with a position that refuses to seek validation from the same who oppress and blackball black writing. Hassan Yosimbom’s book is a testimony to Ndi’s resolve to resist anything that stands in the way of his people’s freedom.” Koua Viviane, PhD. (Comparative literature, Limoges: France), College of Liberal Arts, Auburn University, Auburn Alabama. “This book is a work of the utmost importance to understand the subtleties and complexities of the anglophone Cameroonian crisis and ongoing civil war in the Cameroons.” Professor Aghi Bahi, Université Félix Houphouët-Boigny, Abidjan, Côte d’Ivoire “In this book, Yosimbom delves into the intricate impact of imperialism by examining the works of Bill F. Ndi, a modern postcolonial writer of British Southern Cameroons extraction. The book is a compelling analysis of the relationship between writers and the state. It stresses the need to challenge Francophone-centric views and empower the marginalized and oppressed Anglophones in the Cameroons. Brought to the limelight is the rootedness of this historical imbalance and its perpetuation by Francophone-dominated regimes and the complicit panhandling Anglophone elites. Addressed are the themes of peace, identity, autonomy, resilience, and resistance…” Maimo Mary Mah, Development Communication Specialist/Consultant Drawing on the ever contentious and antagonistic relationship between the writer and the state, especially in the postcolony, the chapters assembled in this collection delineate Bill F. Ndi, the poet and playwright’s arduous and sometimes dangerous role as a custodian or guardian of the socioeconomics and politico-cultures of the Cameroonian postcolony and Africa at large. The chapters insist that granted The Cameroons’ quadruple experience of colonialism (through the Germans, the French, the British and La République du Cameroun), Cameroun and British Southern Cameroons’ history needs to purge itself of the epistemic and ontological violence of Francophonecentric historiography. “Bill F. Ndi possesses a unique and powerful voice within the Cameroonian literary scene and this apposite volume of critical essays attempts not only to situate him properly within that domain but also to significantly augment his already considerable stature.” Sanya Osha, University of Cape Town, South Africa “Bill F. Ndi is an unapologetic and committed firebrand writer with a position that refuses to seek validation from the same who oppress and blackball black writing. Hassan Yosimbom’s book is a testimony to Ndi’s resolve to resist anything that stands in the way of his people’s freedom.” Koua Viviane, PhD. (Comparative literature, Limoges: France), College of Liberal Arts, Auburn University, Auburn Alabama. “This book is a work of the utmost importance to understand the subtleties and complexities of the anglophone Cameroonian crisis and ongoing civil war in the Cameroons.” Professor Aghi Bahi, Université Félix Houphouët-Boigny, Abidjan, Côte d’Ivoire “In this book, Yosimbom delves into the intricate impact of imperialism by examining the works of Bill F. Ndi, a modern postcolonial writer of British Southern Cameroons extraction. The book is a compelling analysis of the relationship between writers and the state. It stresses the need to challenge Francophone-centric views and empower the marginalized and oppressed Anglophones in the Cameroons. Brought to the limelight is the rootedness of this historical imbalance and its perpetuation by Francophone-dominated regimes and the complicit panhandling Anglophone elites. Addressed are the themes of peace, identity, autonomy, resilience, and resistance…” Maimo Mary Mah, Development Communication Specialist/Consultant

Drawing on the ever contentious and antagonistic relationship between the writer and the state, especially in the postcolony, the chapters assembled in this collection delineate Bill F. Ndi, the poet and playwright's arduous and sometimes dangerous role as a custodian or guardian of the socioeconomics and politico-cultures of the Cameroonian postcolony and Africa at large. The chapters insist that granted The Cameroons' quadruple experience of colonialism (through the Germans, the French, the British and La République du Cameroun), Cameroun and British Southern Cameroons' history needs to purge itself of the epistemic and ontological violence of Francophonecentric historiography. "Bill F. Ndi possesses a unique and powerful voice within the Cameroonian literary scene and this apposite volume of critical essays attempts not only to situate him properly within that domain but also to significantly augment his already considerable stature." Sanya Osha, University of Cape Town, South Africa "Bill F. Ndi is an unapologetic and committed firebrand writer with a position that refuses to seek validation from the same who oppress and blackball black writing. Hassan Yosimbom's book is a testimony to Ndi's resolve to resist anything that stands in the way of his people's freedom." Koua Viviane, PhD. (Comparative literature, Limoges: France), College of Liberal Arts, Auburn University, Auburn Alabama. "This book is a work of the utmost importance to understand the subtleties and complexities of the anglophone Cameroonian crisis and ongoing civil war in the Cameroons." Professor Aghi Bahi, Université Félix Houphouët-Boigny, Abidjan, Côte d'Ivoire "In this book, Yosimbom delves into the intricate impact of imperialism by examining the works of Bill F. Ndi, a modern postcolonial writer of British Southern Cameroons extraction. The book is a compelling analysis of the relationship between writers and the state. It stresses the need to challenge Francophone-centric views and empower the marginalized and oppressed Anglophones in the Cameroons. Brought to the limelight is the rootedness of this historical imbalance and its perpetuation by Francophone-dominated regimes and the complicit panhandling Anglophone elites. Addressed are the themes of peace, identity, autonomy, resilience, and resistance..." Maimo Mary Mah, Development Communication Specialist/Consultant

Postcolonial Studies is more often found looking back at the past, but in this brand new book, Bill Ashcroft looks to the future and the irrepressible demands of utopia. The concept of utopia – whether playful satire or a serious proposal for an ideal community – is examined in relation to the postcolonial and the communities with which it engages. Studying a very broad range of literature, poetry and art, with chapters focussing on specific regions – Africa, India, Chicano, Caribbean and Pacific – this book is written in a clear and engaging prose which make it accessible to undergraduates as well as academics. This important book speaks to the past and future of postcolonial scholarship.

This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

Assembles for the first time the many different texts imagining the future after the end of apartheidExplores the history of how the future in South Africa after the end of apartheid was imagined Provides the first literary-cultural history of South African speculative fictionStudies the literary-political cultures of the five major traditions of South African anti-colonial/ anti-segregationist/ anti-apartheid thoughtFocusing on well-known and obscure literary texts from the 1880s to the 1970s, as well as the many manifestos and programmes setting out visions of the future, this book charts the dreams of freedom of five major traditions of anti-colonial and anti-apartheid resistance: the African National Congress, the Industrial and Commercial Workers Union, the Communist Party of South Africa, the Non-European Unity Movement and the Pan-Africanist Congress. More than an exercise in historical excavation, Dreaming of Freedom in South Africa raises challenging questions for the post-apartheid present.

"This book, which in my opinion is Moltmann's best, can be recommended on the basis that it contains challenging and creative insights that can be used by the discriminating reader in the service of church renewal Moltmann represents the theology of liberation at its best, and those who wish to know more about this theology would do well to study this creative and searching theologian." --Donald G. Bloesch Christianity Today "Moltmann is perhaps unsurpassed among his contemporaries in keenness of insight and rhetorical power." --Daniel L. Migliore, Theology Today "Moltmann presents a stirring vision which every Christian community could well ponder With a missionary emphasis, he seeks to help the reader face the question of the church's identity in the light of the contemporary political, economic, and social scene." --Religious Education

In appearance they are the same, but their personalities are strangely different. Intertwined in their lives is the Marques de Mansura, who seems to defy time and the normal bounds of reality and whose fascination with identical twins contains the perverse wish to induce the annihilation of one twin by the other. His powerful influence and occult powers threaten to bring about this very end. For those who wish to save them, there will be a monumental struggle that will take them to Paris in the decadent 1860s, to the Tabernas Desert in Spain, and even, through an occult trick of time, Ancient Alexandria of the 2nd Century BC. Their paths will cross with Cora Pearl, the renowned Parisian courtesan, the artists, Gustave Moreau, Gustave Dore, and the flamboyant, Felicien Rops. The poet, Alfred Tennyson, will also play a role and the twin Mariana bears an uncanny resemblance to the Mariana of his tragic poem, 'Mariana in the South', written before she was born. Whilst Mariana hopes for peace and solace in the desert, her twin, Marguerite, moves towards villainy as her dark, guiding star.This novel is a striking exploration of the fascination of identical twins cleverly set across 1860s Paris, the Tabernas Desert in Spain and Ancient Alexandria.