The best-known songs in the world are violent, sexist, and religious — so why do we celebrate national anthems when we should be rewriting them? The story begins in a London theatre in 1745, where the modern idea of anthems started out as triumphant expressions of national superiority. They glorified violence, claimed the support of God for their country, and mostly ignored women. David Pate says it’s time to dump lyrics about cutting throats, watering fields with blood, building walls with the bodies of enemies, and celebrating the sound of machine guns. From the author’s own youth as a schoolboy in Scotland when he was caned for refusing to sing “God Save the Queen” to the ubiquity of anthems in sports and as weapons for extreme patriotism, The Worst Songs in the World looks at the origins of many of the world’s anthems, including the movie theme song that became China’s national anthem and the English tune used for “The Star-Spangled Banner.” This wide-ranging, deeply researched narrative combines politics, personalities, humour, and vivid storytelling to argue for what we should all want: better national songs.

The humorist asked his readers to share their least favorite tunes and chronicles the hilarious responses. When funnyman Dave Barry asked readers about their least favorite tunes, he thought he was penning just another installment of his weekly syndicated humor column. But the witty writer was flabbergasted by the response when over 10,000 readers voted. “I have never written a column that got a bigger response than the one announcing the Bad Song Survey,” Barry wrote. Based on the results of the survey, Dave Barry’s Book of Bad Songs is a compilation of some of the worst songs ever written. Dave Barry fans will relish his quirky take. Music buffs too will appreciate this humorous stroll through the world’s worst lyrics. The only thing wrong with this book is that readers will find themselves unable to stop mentally singing the greatest hits of Gary Puckett. Praise for Dave Barry’s Book of Bad Songs “Barry is his usual puckish self, but the real surprise here is how funny many of the survey respondents are.” —Kirkus Reviews “Who can resist such a book?” —Publishers Weekly

An affectionate look at some of the worst recordings ever made, The World’s Worst Records tells the extraordinary but true stories behind some of the most appalling audio crimes ever committed. Extensively researched, and featuring music by major stars, ‘outsider’ artists and almost forgotten singers and songwriters, read about how Elvis Presley came to record a rock ‘n’ roll version of the nursery rhyme Old Macdonald; discover the truth behind actor Peter Wyngarde’s one attempt at pop immortality; meet the beautifully bonkers Florence Foster Jenkins – possibly the most deluded singer in history; fi nd out which Paul McCartney record is most hated world over. Puzzle over why 60’s flower-power icon Donovan would record a song about the toilet habits of astronauts.

A side-splitting examination of the 100 worst songs ever written - from Achy Breaky Heart to You Light Up My Life , as well as many that will have you sending rude emails to the publisher like Ob-la-di, Ob-la-da (a song that proves that psychedelic drugs aren't good for you) and Paul Simon's unbearably pretentious Sounds of Silence .

10cc chalked up more Top 10 singles and albums in the UK than virtually any other band of their generation: their most famous creation, 'I'm Not In Love', is a pop classic that has been played more than 3 million times on American radio; their records have been covered by everyone from The Pretenders to the Fun Lovin' Criminals; and their admirers include REM. Yet 10cc's enormous contribution to pop music consistently gets overlooked.

On Planet Blipp, beyond the stars, beyond the sun and moon, The world was ruled by music - but tradition called the tune. The Ancient Songs of ages past were all that could be heard, And no one was allowed to change a single note or word...

The most frequently asked question about writing musicals is, "Which comes first, the music or the lyrics?" As anyone on Broadway will tell you, the answer is, "The book." Tony-winning book writer Robert L. Freedman takes you through the process of writing a new musical, including story structure, song placement, dialogue, character development, and more that led to the creation of A Gentleman's Guide to Love and Murder, the 2014 Best Musical Tony winner. With candor and insight, Freedman describes the challenging and rewarding growing pains of what the critics called "Hilarious!" and "Ingenious!" and said "Ranks among the most inspired and entertaining new musical comedies I've seen in years."