Religion today is in competition with the leisure and entertainment industries. Gen Y, the postmodern generation, is open to spirituality; but most of todays young adults have not been born into faith communities where they feel any lasting allegiance. Studies suggest that for the young, belief in God is an optional matter, a virtual consumer choice. As a result, different trends in worship and worship styles are offered by different churches to suit lifestyles, attitudes, and personal taste.

Religion today is in competition with the leisure and entertainment industries. Gen Y, the postmodern generation, is open to spirituality; but most of todays young adults have not been born into faith communities where they feel any lasting allegiance. Studies suggest that for the young, belief in God is an optional matter, a virtual consumer choice. As a result, different trends in worship and worship styles are offered by different churches to suit lifestyles, attitudes, and personal taste.

How music makes worship and how worship makes music in Evangelical churches Music is a nearly universal feature of congregational worship in American churches. Congregational singing is so ingrained in the experience of being at church that it is often misunderstood to be synonymous with worship. For those who assume responsibility for making music for congregational use, the relationship between music and worship is both promising and perilous – promise in the power of musical style and collective singing to facilitate worship, peril in the possibility that the experience of the music might eclipse the worship it was written to facilitate. As a result, those committed to making music for worship are constantly reminded of the paradox that they are writing songs for people who wish to express themselves, as directly as possible, to God. This book shines a new light on how people who make music for worship also make worship from music. Based on interviews with more than 75 songwriters, worship leaders, and music industry executives, Shout to the Lord maps the social dimensions of sacred practice, illuminating how the producers of worship music understand the role of songs as both vehicles for, and practices of, faith and identity. This book accounts for the human qualities of religious experience and the practice of worship, and it makes a compelling case for how – sometimes – faith comes by hearing.

Christian historian Sidney Mead has observed: In America space has played the part that time has played in older cultures of the world. In Shopping Malls and Other Sacred Spaces, Jon Pahl examines this provocative statement in conversation with what he calls the spatial character of American theology. He argues that places are always imaginatively constructed by the human beings who inhabit them. Sometimes this spatial theology works to our benefit; other times it poses spiritual risks. What happens when our banal clothing of the sacred violates our genuine need for comfort and intimacy? Or when we remember that the fleeting pleasures of a shopping trip or a Disneyland escape are designed to fill someone else's pocket rather than the spiritual emptiness in our own hearts? Pahl develops several ways to clothe the divine from within the Christian tradition. He introduces a theology of place that reveals aspects of God's character through biblical metaphors drawn from physical spaces, such as the true vine, the rock, and the living water. Accessible and thought provoking, this enlightening book provides a better grasp of our particularly American way of lending religious significance to spaces of all kinds.

Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets’ boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular music? In God Rock, Inc., Andrew Mall considers the aesthetic, commercial, ethical, and social boundaries of Christian popular music, from the late 1960s, when it emerged, through the 2010s. Drawing on ethnographic research, historical archives, interviews with music industry executives, and critical analyses of recordings, concerts, and music festival performances, Mall explores the tensions that have shaped this evolving market and frames broader questions about commerce, ethics, resistance, and crossover in music that defines itself as outside the mainstream.

Malls, stadiums, and universities are actually liturgical structures that influence and shape our thoughts and affections. Humans--as Augustine noted--are "desiring agents," full of longings and passions; in brief, we are what we love. James K. A. Smith focuses on the themes of liturgy and desire in Desiring the Kingdom, the first book in what will be a three-volume set on the theology of culture. He redirects our yearnings to focus on the greatest good: God. Ultimately, Smith seeks to re-vision education through the process and practice of worship. Students of philosophy, theology, worldview, and culture will welcome Desiring the Kingdom, as will those involved in ministry and other interested readers.

Ward combines theologically-based theory and practical application to encourage youthworkers to meet kids where they re at, befriend them, and then begin to introduce them to Christ. Helpful discussion questions follow each chapter. Ward s passion for God s word and youth is evident. He has a unique uncompromising ability to maintain an integrity and consistency in theology while making ministry to teenagers practical and culturally relevant." " Steve Gerali, Judson College . . . A fresh perspective. . . . [Ward] integrates the theology, sociology, and missiology of youthwork in a way that will force church leaders to rethink youth ministry and youthworkers to rethink the church. " Paul Borthwick, Director, World Evangelical Fellowship Commission "Too much of today's youth ministry is shaped by a thin brew of pragmatism and panic that talks about 'how' without ever talking about 'why.' The end result is a generation of youthworkers who have been well trained in general to do nothing in particular. In "God at the Mall," Pete Ward's keen mind and warm heart offer us that rare combination of thoughtfulness and passion that asks not only 'how do we get there?' but also 'where are we going?' and 'what kind of cultural landscape are we passing through to get there?' I don't know of any youth ministry thinker who has done more to translate in-depth sociological research into the world of everyday, real-life youthwork. Don't read this book unless you're ready to think, and pray, and rethink the way you do youth ministry." " Duffy Robbins, Chair, Department of Youth Ministry, Eastern College "Pete Ward is uniquely gifted as a cultural observer, . . . as one who can relateespecially to rebellious young people, and as a leader of leaders as well as of youth." " Dean Borgman, Charles E. Culpeper Professor of Youth Ministries, Gordon-Conwell Theological Seminary (from the foreword)