Abstract: The Edinburgh Festival Fringe is the world's largest arts festival. Its success has inspired imitation and so fringe theatre festivals have proliferated around the world. This dissertation is not a history of the Fringe, but an examination of those structures of the Edinburgh Fringe which have allowed it to continue to grow and succeed. To understand how the Edinburgh Fringe works one must understand that no performer is invited, those performers who come to Edinburgh are not given any financial assistance by the Fringe and the productions are housed in temporary performance spaces. There is no central governing body at the Edinburgh Fringe. The Fringe Society coordinates rather than coerces by providing needed services to performers and venue managers. The importance of these basic structures is often neglected. Both in Edinburgh and beyond three myths exercise as much influence as an understanding of these structures. The term "myth" is used to describe three ideas which are not factually correct, but which serve a useful purpose in promoting fringe theatre in both Edinburgh and beyond. The most important of these myths holds that the Edinburgh Fringe is dominated by new and edgy work. This last myth is so foundational it has come to be incorporated in the very definition of fringe theatre. Each of these myths has had an impact on non Edinburgh Regional Fringes, few of which closely imitate the structure of the Edinburgh Fringe. The most misunderstood and arguably the most important of the structures which have ensured the Edinburgh Fringe's continued successes are the entrepreneurial venues administered by independent venue managers. This dissertation scrutinizes the antipathy some at Edinburgh have for the entrepreneurial venues. It then investigates in some detail the risks and labors undertaken by managers of venues large and small to demonstrate how these venues operate and why the managers take on such a demanding task.

In August 1947, an émigré Austrian opera impresario launched the Edinburgh International Festival of Music and Drama to heal the scars of the Second World War through a celebration of the arts. At the same time, a socialist theatre group from Glasgow and other amateur companies protested their exclusion from the festival by performing anyway, inventing the concept of 'fringe' theatre. Now the annual celebration known collectively as the Edinburgh Festival is the largest arts festival in the world, incorporating events dedicated to theatre, film, art, literature, comedy, dance, jazz and even military pageantry. It has launched careers – from Peter Cook and Dudley Moore in Beyond the Fringe to Phoebe Waller-Bridge with Fleabag – mirrored the political and social mood of its times, shaped the city of Edinburgh around it and welcomed a huge all-star cast, including Orson Welles, Grace Kelly, Yehudi Menuhin and Mark E Smith's The Fall and many many more. This is its story.

One woman, three continents, six decades, and a lusty affair: from Mumbai to the Outback, New York to the Haight, and naive schoolgirl to free spirit, Christina reveals all in this one-woman "talk story." Join her as she relives the highlights and laughs at the mistakes. "Six decades of adventure, discovery and denial in one charming hour....Holding herself with the charm and elegance of a heroine from a classic film noir, Christina Augello shares her life's story" -- Theatre Is Easy (NYC) Awarded Best Storyteller 2017 - United Solo Festival (NYC)

Synopsis: "Alice in Black and White" brings a true American legend to her rightful place in history. The play tells the story of the first female photo-journalist, Alice Austen, from the late 1800s until a year before her death in 1952. During a time when social conventions for women demanded marriage and child rearing, Alice pursued her passion for photography, found love with life partner Gertrude Tate, and struggled mightily through the Great Depression as her family lost everything. Interwoven with Alice's story is the search of publisher Oliver Jensen for Alice and her photographs in 1951. Cast Size: 5 Females, 2-3 Males (with doubling) WINNER - StageWrite Women’s Theatre Initiative, Great Plains Theatre Conference “an extraordinary testimony to Alice Austen’s work, her lifestyle and her legacy.” —Broadway World “sentimental without being mushy, lovely without being contrived, funny at times, heartbreaking at others.” —Theatre Louisville

"The Edinburgh Festival Fringe is the largest arts festival in the world. We have all the latest news, competitions, advice on getting to the Fringe and finding a place to stay, info on the Fringe organization itself and an extensive archive."--HTML Meta.

A collection of comic sketches.

A Royal encounter. An enduring love. A bungalow in Penge. For 60 years Helena has been Queen of Maurice's heart. But his Great Love is another Queen. The Queen Helena says he's never met. Maurice's Jubilee, a new play by award winning actress and writer Nichola McAuliffe, is a funny and poignant exploration of one man's enduring commitment to a dream. And an eternal love triangle fallen on hard times...