When Jack Churchill and Ruth Gallagher encounter a terrifying, misshapen giant beneath a London bridge they are plunged into a mystery which portends the end of the world as we know it. All over the country, the ancient gods of Celtic myth are returning to the land from which they were banished millennia ago. Following in their footsteps are creatures of folklore: fabulous bests, wonders and dark terrors. As technology starts to fail, Jack and Ruth are forced to embark on a desperate quest for four magical items - the last chance for humanity in the face of powers barely comprehended.

In the world of Levaal, the final battle between the gods, dragons and humanity has begun ... but whose reality will prevail ... 'a genuinely fine imagination' COURIER MAIL on SHADOW the final battle has begun, but whose reality will prevail? Vous has ascended to godhood and Eric and Aziel return to the castle to defeat the Arch Mage. the dragons offer Eric and Aziel a throne and objects of great power, but what do they want in return? Meanwhile, at World's End the new people have made contact. the haiyens say they have come to help, but it is possible that they have another agenda ... Praise for Will Elliott: 'Elliott is an ambitious writer with a weird and dark imagination' tHE AGE on SHADOW'a darkly original new arrival on the Australian fantasy scene' BOOKSELLER+PUBLISHER on PILGRIMS

"The classic science fiction novel"--Cover.

When adventurer, Barry Horn, is chosen to be the worlds first Rocketeer, the first human to set foot on other worlds, he is reluctant to accept the job until he receives a vision seemingly from his late wife telling him he must go or all humanity will be lost. When his mission goes wrong, he winds up in a suspended state. Conscious that he has failed, but unable to move, he has visions of mankind through the centuries. He witnesses his descendents going into space, creating the first living robot, sees the rise of the Robot Corporation, and its enslavement of man. When he is finally awakened, Barry finds that the knowledge he possesses after his long slumber is man's last hope to survive against the robots. Hugo and Nebula Award winner, Jack Williamson, has crafted a sweeping epic of space opera, harkening back to the Buck Rogers and Flash Gordon serials of the 1930's.

Haunted by the burden of his family's traitorous past, woozy with pot, cheap wine and sex, and disturbed by a frighteningly real encounter with some family ghosts, Walter van Brunt is about to have a collision with history. It will lead Walter to search for his lost father. And it will send the story into the past of the Hudson River Valley, from the late 1960's back to the anticommunist riots of the 1940's to the late seventeenth century, where the long-hidden secrets of three families--the aristocratic van Warts, the Native-American Mohonks, and Walter's own ancestors, the van Brunts--will be revealed.

A memoir and cultural history the World’s End, a West London area once home to bohemian artists and punk rock and now an outpost of neoliberalism. Charlie Gere’s account of growing up in the World’s End area of West London during the Cold War combines local history, cultural history, memoir, and a strong sense of the apocalyptic. Once a rundown part of Chelsea at the wrong end of the King’s Road, the World’s End has long been a place for bohemian writers and artists, including Turner, Whistler, Beckett, Bacon, and Bacon’s muse Henrietta Moraes, all of whom evinced an appropriate apocalyptic sensibility. After World War II, in which the area suffered severe bombing, it became a center of the counterculture that emerged from what Jeff Nuttall called “Bomb Culture,” formed by the threat of nuclear annihilation. The famous boutique Granny Takes a Trip opened there in 1966, joined later on by Hung On You, Puss Weber’s Flying Dragon Tea Room, and the commune Gandalf’s Garden. The area also featured trepanning aristocrats and pet lions, among other eccentricities. In the 1970s, the World’s End was the center of punk rock. Gere’s parents arrived as part of a wave of gentrification, and Gere, born and brought up there, witnessed its social and cultural evolution. As an adolescent, he was traumatized by the prospect of nuclear war. He has lived long enough to see the World’s End now bearing the marks of out-of-control neoliberalism and its grotesque accompanying inequality. But this too shall pass as worlds end.

A humorous look at life in and around the Worlds End Chelsea, with my father Cyril at the helm. Follow him on his journey from near poverty as a child to his great success as a parent, and a trusted and much valued interior decorator for many of the great and good of his time.