Brilliant horsemen and great fighters, the Scythians were nomadic horsemen who ranged wide across the grasslands of the Asian steppe from the Altai mountains in the east to the Great Hungarian Plain in the first millennium BC. Their steppe homeland bordered on a number of sedentary states to the south - the Chinese, the Persians and the Greeks - and there were, inevitably, numerous interactions between the nomads and their neighbours. The Scythians fought the Persians on a number of occasions, in one battle killing their king and on another occasion driving the invading army of Darius the Great from the steppe. Relations with the Greeks around the shores of the Black Sea were rather different - both communities benefiting from trading with each other. This led to the development of a brilliant art style, often depicting scenes from Scythian mythology and everyday life. It is from the writings of Greeks like the historian Herodotus that we learn of Scythian life: their beliefs, their burial practices, their love of fighting, and their ambivalent attitudes to gender. It is a world that is also brilliantly illuminated by the rich material culture recovered from Scythian burials, from the graves of kings on the Pontic steppe, with their elaborate gold work and vividly coloured fabrics, to the frozen tombs of the Altai mountains, where all the organic material - wooden carvings, carpets, saddles and even tattooed human bodies - is amazingly well preserved. Barry Cunliffe here marshals this vast array of evidence - both archaeological and textual - in a masterful reconstruction of the lost world of the Scythians, allowing them to emerge in all their considerable vigour and splendour for the first time in over two millennia.

This volume offers a detailed consideration of the style, technology, and iconographic implications of the art of the Scythians, organized by object typology and chronology, and considered against a broader historical, expressive, and technical background; that of the Scythians' Eurasian sources, of earlier and contemporary West Asian cultures, and of the Hellenic culture which emerged beside that of the Scythians in the northern littoral of the Black Sea.

Though the 'Scythian period' in the history of Eastern Europe lasted little more than 400 years, the impression these horsemen made upon the history of their times was such that a thousand years after they had ceased to exist as a sovereign people, their heartland and the territories which they dominated far beyond it continued to be known as 'greater Scythia'. From the very beginnings of their emergence on the world scene the Scythians took part in the greatest campaigns of their times, defeating such mighty contemporaries as Assyria, Urartu, Babylonia, Media and Persia. This highly illustrated book details their costume, weapons and the way they waged war.

The majority of people on Earth are racially mixed, largely due to ancient historic clashes between blacks and whites. All the ancient nations of antiquity were black. The present political situation of blacks in America is due to their lack of knowledge of war philosophy, and the use of force and violence in the social organization of the state, as well as the liberation of colonial oppression here and in Africa. The book shows a white falsification of history. There is a war being waged against black people in America and in Africa to maintain an insidious global white supremacy.

"Scythian Gold and the exhibition it accompanies, "Gold of the Nomads: Scythian Treasures from Ancient Ukraine, " present the most important Scythian gold objects in Ukraine, many of which were discovered only in the last two decades. This exhibition and catalogue combine an analysis of these pieces with an overview of recent advances in our understanding of Scythian culture."--BOOK JACKET.

This book presents 45 papers presented at a major international conference held at the British Museum during the 2017 BP exhibition 'Scythians: warriors of ancient Siberia'. Papers include new archaeological discoveries, results of scientific research and studies of museum collections, most presented in English for the first time.