˜Theœ World of Harlequin
Title | ˜Theœ World of Harlequin PDF eBook |
Author | Allardyce Nicoll |
Publisher | |
Pages | 243 |
Release | 1963 |
Genre | |
ISBN |
The World of Harlequin, a Critical Study of the Commedia Dell'arte
Title | The World of Harlequin, a Critical Study of the Commedia Dell'arte PDF eBook |
Author | Allardyce 1894-1976 Nicoll |
Publisher | Hassell Street Press |
Pages | 270 |
Release | 2021-09-10 |
Genre | |
ISBN | 9781015025516 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The World of Harlequin
Title | The World of Harlequin PDF eBook |
Author | George Edward Moore |
Publisher | |
Pages | |
Release | 1963 |
Genre | |
ISBN |
The World of Harlequin
Title | The World of Harlequin PDF eBook |
Author | Allardyce Nicoll |
Publisher | Cambridge University Press |
Pages | 264 |
Release | 1987-03-05 |
Genre | Literary Criticism |
ISBN | 9780521058346 |
The commedia dell'arte was an improvised drama performed by masked players. How did the actors react to these demands and limitations? What force kept this form of theatre alive for more than two centuries and made Harlequin such a potent image? In this study of the commedia dell'arte, originally published in 1987, Professor Nicoll's concern is not to provide an historical survey of its origins or to trace the ascent and descent of Harlequin or any or any other character or 'mask', but rather to explore critically the answers to these and related questions. His arguments are based on the evidence of the play scenarios and contemporary documents as far as possible, and are illuminated by many illustrations that are either little-known or had not previously been reproduced.
The World of Harleguin; a Critical Study of the Commedia Dell'arte
Title | The World of Harleguin; a Critical Study of the Commedia Dell'arte PDF eBook |
Author | Allardyce Nicoll |
Publisher | Cambridge Eng., University Press |
Pages | 242 |
Release | 1963 |
Genre | |
ISBN |
The world of Harlequin: a criticial study of the commedia dell'arte
Title | The world of Harlequin: a criticial study of the commedia dell'arte PDF eBook |
Author | Allardyce Nicoll |
Publisher | |
Pages | |
Release | |
Genre | Commedia dell'arte |
ISBN |
The Routledge Companion to Commedia dell'Arte
Title | The Routledge Companion to Commedia dell'Arte PDF eBook |
Author | Judith Chaffee |
Publisher | Routledge |
Pages | 540 |
Release | 2014-11-20 |
Genre | History |
ISBN | 1317613376 |
From Commedia dell’Arte came archetypal characters that are still with us today, such as Harlequin and Pantalone, and the rediscovered craft of writing comic dramas and masked theatre. From it came the forces that helped create and influence Opera, Ballet, Pantomime, Shakespeare, Moliere, Lopes de Vega, Goldoni, Meyerhold, and even the glove puppet, Mr Punch. The Routledge Companion to Commedia dell’Arte is a wide-ranging volume written by over 50 experts, that traces the history, characteristics, and development of this fascinating yet elusive theatre form. In synthesizing the elements of Commedia, this book introduces the history of the Sartori mask studio; presents a comparison between Gozzi and Goldoni’s complicated and adversarial approaches to theatre; invites discussions on Commedia’s relevance to Shakespeare, and illuminates re-interpretations of Commedia in modern times. The authors are drawn from actors, mask-makers, pedagogues, directors, trainers and academics, all of whom add unique insights into this most delightful of theatre styles. Notable contributions include: • Donato Sartori on the 20th century Sartori mask • Rob Henke on form and freedom • Anna Cottis on Carlo Boso • Didi Hopkins on One Man, Two Guv’nors • Kenneth Richards on acting companies • Antonio Fava on Pulcinella • Joan Schirle on Carlo Mazzone-Clementi and women in Commedia • and M.A. Katritzky on images Olly Crick is a performer, trainer and director, having trained in Commedia under Barry Grantham and Carlo Boso. He is founder of The Fabulous Old Spot Theatre Company. Judith Chaffee is Associate Professor of Theatre at Boston University, and Head of Movement Training for Actors. She trained in Commedia with Antonio Fava, Julie Goell, Stanley Allen Sherman, and Carlos Garcia Estevez.